Behringer Xenyx XL3200 Benutzeranleitung

XENYX XL3200/XL2400/XL1600 User Manual

MON
Use the MON controls to add an effect signal to the monitor buses 1 and 2. 

For this application, the effects unit needs a signal: turn up the respective master 

FX SEND control and the FX send controls on the channel strips (34) and pull up 

the channel faders.

1-2, 3-4
These selector switches route the effect signal to the main mix or to the subgroups 

1-2 or 3-4. For example, if you create a subgroup for a choir, you need to feed the 

effect, which processes the vocal signal, to the same subgroup so that all signals 

can be adjusted equally. In this case it doesn't matter that the FX sends are routed 

post-fader as long as the choir's volume level is adjusted with the subgroup fader. 

Otherwise, the effect signal is perceived as unaffected in the main mix.

MUTE
The MUTE switch mutes the effect return path. Use this function to deactivate 

the reverb effect of a vocalist who makes announcements between songs. 

The corresponding MUTE LED indicates that the channel is muted.

SOLO
Press the SOLO switch to listen in on the effect signal on the 

headphones/speakers as well as see it on the monitor meter 1/2. 

The corresponding LED lights up when the solo function is activated.

FX RETURN
The FX return fader adjusts the volume level of the returned effect signal in the 

main mix and subgroups (this depends on the routing switch you have pressed).

The monitor send section merges the monitor signals of all channels. Then the 

mix is sent to the monitor outputs. The monitor fader provides precise 

adjustment and optical control of the monitor output signals.

SEND
The SEND faders control the output level of the monitor buses. Each fader is 

60 mm long and features 10 dB headroom.

MUTE
Each monitor send has a MUTE switch and MUTE LED.

SOLO
For acoustic control of the stage sound, use the SOLO switch to feed the monitor 

signal to the headphone and speaker output. If you connect the speaker output to 

a monitor that is identical with the monitor speakers on stage, you can tell how 

the stage sound is perceived.

This section is split up in an aux send section (left side) and an aux return 

section (right side). The aux send paths 1 and 2 can individually be switched from 

pre-fader to post-fader depending on whether you want to use them as monitor 

or effect signal paths. As with all outputs, both aux master outputs feature 10 dB 

headroom as well as a MUTE and SOLO switch.
In the aux return section, you can adjust the signals of the devices (CD player, 

effects unit, submixer, etc.) connected to the aux inputs which are then routed to 

the monitor buses and the main mix. 

PRE/POST
This is the global PRE/POST switch for the aux buses. For utmost flexibility, 

each AUX bus can individually be switched from pre-fader to post-fader.

AUX SEND
The Master AUX SEND controls 1 and 2 adjust the signals' volume level of the 

respective aux send connector. This way you adjust the sum of the AUX 1 and 

AUX 2 signals on the input channels.

MUTE
The MUTE switch mutes the aux outputs.

SOLO
The aux send signals can individually be listened to using the SOLO function.

MON
A signal sent from AUX RETURN can be added to the stage mix using the 

MON control.

AUX RETURN
The AUX RETURN controls adjust the volume level of the aux return signals in the 

main mix.