Behringer Single Diaphragm Condenser Microphone C-4 Benutzerhandbuch

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SINGLE DIAPHRAGM CONDENSER MICROPHONES C-4 User Manual
1.  Introduction
Congratulations! By purchasing the BEHRINGER C-4, you have obtained 2 condenser 
microphones that offer the highest quality standards and the best audio characteristics.
Both microphones have been matched to one another (matched pair), and are 
therefore particularly well-suited for stereo recordings. Of course, you can also 
use the microphones individually.
Their outstanding characteristics make these microphones a valuable tool in the studio 
and on the stage.
2.  Power Supply
Phantom power (+48 V) is required to operate your microphone. We assume no liability 
for damage caused to your C-4 through defective phantom power. Before activating 
phantom power, mute your playback system and connect the C-4 to the microphone input 
of your mixing console. After activating phantom power, the C-4 requires several seconds 
to stabilize itself.
3.  Pickup Patterns
Both microphones feature a capsule with a cardioid pickup pattern. Microphones with 
this polar pattern are most sensitive to sound coming from in front of the microphone, 
and also to a lesser extent from the sides. Sound coming from behind the microphone 
will be greatly attenuated. This makes the cardioid polar pattern most suitable for 
recording individual instruments or vocals within a group.
The so-called proximity effect is typical for microphones with the cardioid pickup 
pattern. Depending on the distance between the microphone and the sound source, 
a slight increase in the lower frequency range occurs. The shorter the distance, the more 
pronounced this effect. By cleverly selecting the position and the angle of your 
microphone, you can effectively manipulate the proximity effect and thus affect how your 
recording sounds. Experiment with various positions in order to gain more experience.
4.  Possible Applications
Both microphones have been matched to one another (matched pair). Therefore, they are 
particularly well-suited for stereo recordings. Regardless of whether you are miking 
an entire ensemble or a single sound source (e.g. drums, piano or background vocals), 
this pair of condenser microphones lets you achieve outstanding spatial impressions in 
every recording session.