Alesis 03D User Manual
Key Feature Discussion
5
03D—Owner’s Manual
Four-band Parametric EQ & Library
The 03D input channels, stereo input channel, stereo output, bus outs, aux sends, and
onboard effects returns all feature four-band fully parametric EQ, with variable gain,
frequency, Q, and bypass. That’s 160 bands of EQ! High and low EQ bands can be used
as shelving, peaking, or HPF and LPF, respectively. See EQ on page 45 for more infor-
mation.
onboard effects returns all feature four-band fully parametric EQ, with variable gain,
frequency, Q, and bypass. That’s 160 bands of EQ! High and low EQ bands can be used
as shelving, peaking, or HPF and LPF, respectively. See EQ on page 45 for more infor-
mation.
EQ settings can be stored as programs in the EQ library, with all channel settings in a
channel library program, or with all mix settings in a mix scene. Real-time EQ adjusts
can be automated using the onboard Automix function. See Automix on page 175 for
more information.
channel library program, or with all mix settings in a mix scene. Real-time EQ adjusts
can be automated using the onboard Automix function. See Automix on page 175 for
more information.
The EQ library contains 40 preset programs and 40 user programs. User programs
allow you to store frequently used EQ settings, and they can be titled for easy identifi-
cation. The unique collection of preset EQ programs are designed for specific applica-
tions and instruments, and provide a good reference and starting point when making
EQ adjustments. See EQ Library on page 48 for more information.
allow you to store frequently used EQ settings, and they can be titled for easy identifi-
cation. The unique collection of preset EQ programs are designed for specific applica-
tions and instruments, and provide a good reference and starting point when making
EQ adjustments. See EQ Library on page 48 for more information.
Motorized Faders
The 03D features 60 mm motorized faders that move automatically when a mix scene
is recalled or an automix is played, providing a clear visual indication of fader levels. A
fade time of up to 10 seconds can be set individually for each mix scene. Faders can be
grouped together in one of four fader groups for multiple fader control. See Fader
Groups on page 112 for more information. Faders of a pair of channels configured as a
stereo pair move simultaneously. See Stereo Pairs on page 114 for more information.
is recalled or an automix is played, providing a clear visual indication of fader levels. A
fade time of up to 10 seconds can be set individually for each mix scene. Faders can be
grouped together in one of four fader groups for multiple fader control. See Fader
Groups on page 112 for more information. Faders of a pair of channels configured as a
stereo pair move simultaneously. See Stereo Pairs on page 114 for more information.
The ST OUT and ST IN faders always control the stereo output and stereo input chan-
nel levels, respectively. The EFFECT RETURN fader controls the return levels of the
two onboard effects processors. The operation of faders 1 to 16, however, depends on
the selected mixing layer. When the mixing layer is set to 1–16, the faders work with
input channels 1 to 16. When set to 17–24/MASTER, however, they work with input
channels 17 to 24, the aux sends, and the bus outputs. See Mixing Layer on page 31 for
more information. As well as perform channel level adjustments, faders are used as aux
send and effects send level controls. Fader operation is set using the FADER MODE
buttons. See Fader Mode on page 13 for more information.
nel levels, respectively. The EFFECT RETURN fader controls the return levels of the
two onboard effects processors. The operation of faders 1 to 16, however, depends on
the selected mixing layer. When the mixing layer is set to 1–16, the faders work with
input channels 1 to 16. When set to 17–24/MASTER, however, they work with input
channels 17 to 24, the aux sends, and the bus outputs. See Mixing Layer on page 31 for
more information. As well as perform channel level adjustments, faders are used as aux
send and effects send level controls. Fader operation is set using the FADER MODE
buttons. See Fader Mode on page 13 for more information.
Onboard Effects Processors
The 03D features two onboard stereo multi-effects processors: Effect 1 and Effect 2.
These provide a wide range of quality effects, including reverb, delay, chorus, flange,
amp simulator, and more. There are 34 different effects types available. The effects pro-
cessors are fed by the Effect 1 and Effect 2 buses, and the processed signals are returned
through the effects return channels. Effects can be applied to input channels and the
stereo input channel.
These provide a wide range of quality effects, including reverb, delay, chorus, flange,
amp simulator, and more. There are 34 different effects types available. The effects pro-
cessors are fed by the Effect 1 and Effect 2 buses, and the processed signals are returned
through the effects return channels. Effects can be applied to input channels and the
stereo input channel.
Effects settings can be stored as programs in the effects library, which contains 64 preset
programs and 32 user programs. User programs allow you to store your own effects
programs, and they can be titled for easy identification. See Effects Library on page 125
for more information. Effects settings are also stored in mix scenes.
programs and 32 user programs. User programs allow you to store your own effects
programs, and they can be titled for easy identification. See Effects Library on page 125
for more information. Effects settings are also stored in mix scenes.
Existing outboard gear can be patched into the 03D via the four aux sends.