Behringer Europack UB1002FX Owner's Manual

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EURORACK UB1202FX/UB1002FX User Manual
LEVEL
The LEVEL control determines the volume of the channel being sent to the 
main mix.
+4/-10
The stereo inputs of the EURORACK have an input sensitivity switch which selects 
between +4 dBu and -10 dBV. At -10 dBV (home-recording level), the input is 
more sensitive (requires less level to drive it) than at +4 dBu (studio level).
2.3  Connector array of the main section
L
R
R
IN
L
R
OUT
L
R
L
FX SEND
PHONES
MAIN OUT
CTRL ROOM OUT
Fig.2.3: Connectors of the main section
FX SEND
The FX SEND connector outputs the signal you picked up from the individual 
channels using the FX controls. You can connect this to the input of an external 
effects device in order to process the FX bus’ master signal. Once an effects mix is 
created, the processed signal can then be routed from the effects device outputs 
back into a stereo input.
◊ 
If the connected effects processor receives no input signal, 
the FX SEND control is probably too low. This also goes for the 
built-in effects processor.
◊ 
Adjust your external effects processor to 100% wet (effects signal 
only), because the effects signal is added to the main mix along with 
the “dry” channel signals.
◊ 
In this instance, the FX control of the channel being used as an effects 
return should be turned fully counterclockwise, otherwise feedback 
problems can occur!
PHONES/CONTROL ROOM OUT
The stereo PHONES connector (at the top of the connector panel) is where 
headphones are connected. The unbalanced CONTROL ROOM OUT connectors 
carry the summed effects and main mix signals as well as soloed channel signals. 
The PHONES/CONTROL ROOM control in the main section adjusts the level of both 
headphones and main monitor outputs.
MAIN OUT
The MAIN OUT connectors are unbalanced mono connectors. The main mix 
signal appears here at a level of 0 dBu. The MAIN MIX fader adjusts the volume of 
these outputs. Depending on how you wish to use your mixer and which gear you 
own, you can connect the following equipment:
Live PA systems:
A stereo dynamics processor (optional), stereo equalizer (optional) and the stereo 
power amplifier for full-range loudspeakers with passive crossovers.
If you wish to use multi-way loudspeaker systems without an integrated 
crossover, you have to use an active crossover and several power amplifiers. 
Often, limiters are already built into active crossovers (e.g. BEHRINGER SUPER-X 
PRO CX2310 and ULTRADRIVE PRO DCX2496). Active crossovers are implemented 
directly before the power amplifier, and they divide the frequency range into 
several segments that are first amplified in the amplifiers and then passed on to 
the corresponding loudspeakers.
Recording:
For mastering, using a stereo compressor such as the COMPOSER PRO-XL 
MDX2600 can be recommended. Use it to custom-tailor the dynamic 
characteristics of your signal to the dynamic range of the recording equipment 
you are using. The signal is in this case passed on from the compressor into 
the recorder.
CD/TAPE INPUT
The CD/TAPE INPUTs are used to bring an external signal source (e.g. CD player, 
tape deck, etc.) into the console. They can also be used as a standard stereo line 
input, so the output of a second EURORACK or BEHRINGER ULTRALINK PRO MX882 
can be connected. Alternatively the line or tape output of a hi-fi amplifier with 
source selection switch could also be hooked up here, allowing you to easily listen 
to additional sources (e.g. cassette recorder, minidisk player, sound card etc.).
TAPE OUTPUT
These connections are laid out as RCA connectors and are wired parallel to 
MAIN OUT. Connect the inputs of a computer sound card or a recorder here. 
The output signal level is set up using the highly accurate MAIN MIX fader.
2.4  Main section
POWER
+48 V
CLIP
6
0
20
L
R
PHONES
/
CONTROL ROOM
10
10
15
20
25
30
40
60
0
MAX
F X TO
CTRL RM
2–TR TO
MIX
2–TR TO
CTRL RM
MAIN MIX
MAIN SECTION
Fig. 2.4: Control elements of the main section