Behringer Europack UB1222FX-Pro User Manual

EURORACK UB1222FX-PRO User Manual

Fig. 2.16: Voltage supply and fuse

FUSE HOLDER/IEC MAINS RECEPTACLE
The console is connected to the mains via the cable supplied, which meets the 

required safety standards. Blown fuses must only be replaced by fuses of the 

same type and rating. The mains connection is made via a cable with IEC mains 

connector. An appropriate mains cable is supplied with the equipment.

POWER 
Use the POWER switch to power up the mixing console. The POWER switch 

should always be in the “Off” position when you are about to connect your unit 

to the mains.
To disconnect the unit from the mains, pull out the main cord plug. 

When installing the product, ensure that the plug is easily accessible. If mounting 

in a rack, ensure that the mains can be easily disconnected by a plug pull or by an 

all-pole disconnect switch on or near the rack.

PHANTOM
The PHANTOM switch activates the phantom power supply for the XLR 

microphone inputs, which is required to operate condenser microphones. 

The red +48 V LED lights up when phantom power is on. As a rule, 

dynamic microphones can still be used with phantom power switched on, 

provided that they are wired in a balanced configuration. In case of doubt, 

contact the microphone manufacturer!

SERIAL NUMBER
Please note the important information on the serial number given in 

chapter 1.3.3.

00  SMALL HALL
03  MID HALL
06  BIG HALL
09 CHURCH
10  SMALL ROOM
13  MID ROOM
16  BIG ROOM
19 CHAPEL
20 PLATE
27 SPRING
30  GATED REV

36 REVERSE
40  EARLY REFL
44 AMBIENCE
48 STADIUM
49  AMBIENCE FX
50 DELAY
59 ECHO
60 CHORUS
66 FLANGER
70 PHASER
74  PITCH SHIFT

80  CHORUS & REVERB
82  FLANGER & REVERB
84  PHASER & REVERB
86  PITCH & REVERB
88  DELAY & REVERB
90  DELAY & GATED
91  DELAY & REVERSE
92  DELAY & CHORUS
94  DELAY & FLANGER
96  DELAY & PHASER
98  DELAY & PITCH

24 – BIT MULTI – FX PROCESSOR

Fig. 3.1: Effects presets overview

24-BIT MULTI-EFFECTS PROCESSOR
Here you can find a list of all presets stored in the multi-effects processor. 

This built-in effects module produces high-grade standard effects such as 

reverb, chorus, flanger, delay and various combination effects. The integrated 

effects module has the advantage of requiring no wiring. This way, the danger 

of creating ground loops or uneven signal levels is eliminated at the outset, 

completely simplifying the handling.
These effect presets are designed to be added to dry signals. If you move the 

FX TO MAIN control, you mix the channel signal (dry) and the effect signal.
This also goes for mixing effects signals with the monitor mix. The main 

difference is that the mix ratio is adjusted using the FX TO MON control. Of course, 

a signal has to be fed into the effects processor via the FX control in the channel 

strip for both applications.

FOOT

SW

Fig. 3.2: Connection socket for the footswitch

FOOTSWITCH
Connect a standard footswitch to the footswitch connector; use this to switch the 

effects processor on and off. A flashing dot at the bottom of the display indicates 

if the effects processor is muted via the footswitch.

XPQ TO

MAIN

PROGRAM

(PUSH)

SURROUND

MA X

0

24–BIT A/D & D/A CONVERTER

24–BIT DUAL ENGINE DSP

LEVEL

Fig. 3.3: Digital effects module and XPQ surround function control elements 

LEVEL
The LED level meter on the effects module should display a sufficiently high 

level. Take care to ensure that the clip LED only lights up at peak levels. If it is 

lit constantly, you are overloading the effects processor and this could cause 

unpleasant distortion. The FX SEND fader determines the level that reaches the 

effects module.