Avid Technology Car Video System PT User Manual
Media Station|PT Guide
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Do one of the following:
• If you are using Media Station|PT on the
same computer as Pro Tools and are ready
to use it to import the files you just ex-
ported Media Station|PT, exit Pro Tools.
to use it to import the files you just ex-
ported Media Station|PT, exit Pro Tools.
• If you were unable to save the audio por-
tion of the AAF sequence to storage that is
directly accessible from Media Station|PT,
copy the audio files from their saved loca-
tion to the OMFI MediaFiles folder (for
AIFF or WAV media) or Avid MediaFiles
folder (for MXF media) on a drive con-
nected to your Media Station|PT system
directly accessible from Media Station|PT,
copy the audio files from their saved loca-
tion to the OMFI MediaFiles folder (for
AIFF or WAV media) or Avid MediaFiles
folder (for MXF media) on a drive con-
nected to your Media Station|PT system
Exporting Audio Files Using
Bounce to Disk
Bounce to Disk
Use the Bounce to Disk command to create pre-
mixed files of the current Pro Tools session. This
does not export the individual files on the Time-
line, but it does guarantee that the mix you hear
in Media Station|PT will be identical to the mix
you hear in Pro Tools, including all panning, ef-
fects and automation.
mixed files of the current Pro Tools session. This
does not export the individual files on the Time-
line, but it does guarantee that the mix you hear
in Media Station|PT will be identical to the mix
you hear in Pro Tools, including all panning, ef-
fects and automation.
To export audio files using Bounce to Disk:
1
In Pro Tools, finalize the mix.
2
Select the time range of the session that you
want to export. (All audible tracks in that time
range will be included in the bounce, whether
they are selected or not.)
range will be included in the bounce, whether
they are selected or not.)
3
Choose File > Bounce to > Disk.
4
Select the Enforce Avid Compatibility option.
Enforce Avid Compatibility creates frame-accu-
rate edits, wraps the files as OMFI (unless you
choose MXF), and limits the sample rate options
to 44.1 or 48 kHz. Dithering without noise shap-
ing will be applied to files being bounced from
24-bit to 16-bit.
rate edits, wraps the files as OMFI (unless you
choose MXF), and limits the sample rate options
to 44.1 or 48 kHz. Dithering without noise shap-
ing will be applied to files being bounced from
24-bit to 16-bit.
5
Choose a file type from the File Type pop-up
menu.
6
Click Bounce.
7
In the Publishing Options dialog, type the
Pro Tools Comment and Clip Name.
If you selected more than one region for export,
the Clip Name field will not be available and the
names of the regions will be used for the ex-
ported files.
the Clip Name field will not be available and the
names of the regions will be used for the ex-
ported files.
Bounce to Disk dialog
Publishing Options dialog