Kolpak DA-98 Manual De Usuario

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Section 10 – Operations related to timecode
06/97 – 1.00 – 10-9
together, keeping a strict relationship between the 
audio and timecode tracks.
In all other cases, we suggest using either the DA-
98’s internal generator or timecode from tape. If 
you use these as sources, there will be no jitter 
problems, and any problems of synchronization 
with the digital audio clock are eliminated.
When recording timecode from a timecode 
generator
, make sure that there is a common 
video reference for both the DA-98 and the gener-
ator (set the 
CLOCK
 of the DA-98 to 
VIDEO
).
When recording timecode from another DTRS 
unit
, synchronize the two units using ABS chase 
(setting the timecode/audio source unit to be a 
slave unit as described in 9.2.3, “Master/slave set-
tings (CHASE mode)”
). After the two units have 
been synchronized in this way, timecode and 
audio can be transferred together.
When recording timecode from a digital source 
(audio or video)
, make sure that the DA-98 and 
the other unit are locked to a common word (audio 
recorder) or video (video recorder) clock refer-
ence. After the two machines have been synchro-
nized in this way, timecode and audio can be 
transferred together.
When recording timecode from an analog 
recorder
, feed the analog recorder or its external 
synchronizer and the DA-98 with a common video 
source, and use the video resolve function of the 
analog recorder or synchronizer, if this is 
provided. 
If the analog recorder has no video resolve func-
tion, it may have a timecode chase function, which 
can be driven by any timecode source from the 
following list: 
timecode already recorded on an audio track of 
the DA-98 
timecode recorded on other DTRS units, using 
ABS chase with the DA-98
timecode recorded on any other recorders syn-
chronized with the DA-98
a timecode generator, video-synchronized with 
the DA-98.
If your analog recorder cannot chase to external 
timecode, you must first record the timecode from 
the analog recorder on an audio track of the DA-
98 and then transfer the timecode to the dedicated 
timecode track.
Timecode recorded on the audio track in this way 
is synchronized to the audio clock, and can subse-
quently be transferred (through patching) to the 
timecode track.
10.5.6 Recording timecode from external 
sources
1) Set the 
Time Mode
 to 
TC
2) Set the timecode record source to 
External
TC
3) Press the 
TC REC
 switch to arm the timecode 
track.
4) Start the external source to check the status of 
the external timecode.
If no external timecode has been received since the 
DA-98 has been switched on, the tape counter will 
show all hyphens. 
If external timecode has been received since the 
DA-98 has been switched on, but is not currently 
being received, the tape counter will flash.
If the external timecode is currently being received 
at normal (play) speed, the tape counter will show 
the value of the timecode currently being received. 
If the external timecode is being received from a 
NOTE
When recording timecode from an external digital 
source, make sure the digital clock of the DA-98 and 
that of the external source are synchronized, as 
explained in 4.2.3, “Word clock connections” and 4.2.2, 
“Video connections”
. A warning message will appear if 
the timecode source and the DA-98 are not synchro-
nized, but timecode can still be recorded. However, the 
resulting timecode recording will probably cause syn-
chronization problems in the future.
NOTE
Do not use any timecode recorded on the DA-98’s dedi-
cated subcode track as the timecode master when trans-
ferring timecode from an analog recorder.