Behringer Xenyx Q1202USB Brochure

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The flagship of the XENYX QX 

USB Series is the QX2442USB with 
10 state-of-the-art, XENYX-powered mic 
inputs, 4 stereo channels, 4 Aux Sends, 
4 stereo Aux Returns, plus our easy to 
use “one knob” compressors on all mono 
channels. Other features exclusive to 
the QX2442USB are: four subgroups 
for mixing flexibility; L/R Main Inserts 
(the ideal path for connecting graphic 
equalizers or compressor/limiters); 
and 8 each Direct Outs and Sub Outs for 
analog recording purposes. Enjoy the 
freedom of wireless mic functionality, 
thanks to the built-in ULM receiver port. 
No task is too big or too small for the 
XENYX QX2442USB!

How about eight XENYX mic channels 

with inserts, dedicated compressors, 
3-band EQ with semi-parametric mids 
and three Aux Sends? You get all of this 
with the QX2222USB—plus four stereo 
line-level channels, two convenient mix 
subgroups and onboard KLARK TEKNIK 
24-bit digital FX processing, with dual 
user-addressable parameter controls, and 
our built-in dual-channel ULM wireless 
mic receiver port. All this and much more 
in a rugged, roadworthy steel chassis.

Building on the feature set of the 

X1622USB, the X1832USB comes with two 
additional mic strips (including channel 
inserts), for a total of six XENYX mic 
preamps. Thanks to the built-in ULM 
receiver port you also get our seamless 
wireless mic capability. The onboard 
stereo 9-band graphic equalizer, 
which can be assigned to the main or 
monitor buses, provides superb system 
EQ and works in conjunction with the FBQ 
feedback detection circuitry to eliminate 
annoying mic squeals. Other features 

include full-sized faders for Mon and FX 
Sends, along with our proprietary XPQ 
3D stereo surround effect and Voice 
Canceller. The ultra-versatile X1832USB 
also has an additional Aux Send 
(switchable pre/post), for a total of three, 
and two assignable subgroups.

The X1622USB features four 

XENYX-fueled mic inputs with channel 
Inserts, “one knob” compressors and 
3-band British-style EQs with a sweepable, 
semi-parametric mid frequency band. 
The four stereo line-level channels 
offer enhanced fine-tuning via 4-band 
EQ, which is extremely handy for 
adjusting critical keyboard midrange 
frequencies. Aux 1 Sends are switchable 
(pre-/post-fader) and individual channels 
can be assigned to two subgroups 
for mixing flexibility. You also get our 
seamless wireless mic functionality, 
thanks to the built-in ULM receiver port.

The X1222USB ups the ante with 

six mono mic inputs. These two additional 
channels can also be used for stereo 
line-level devices, such as keyboards 
or sound modules. Building on the 
feature set of the two previous models, 
the QX1222USB comes equipped with 
channel Inserts for inputs 1-4, a stereo 
7-band graphic EQ, which can be assigned 
to the main or monitor buses, and our 
proprietary FBQ Feedback Detection 
System. Enjoy the freedom of wireless 
mic functionality, thanks to the built-in 
ULM receiver port. Other features 
include full-sized faders for MON and 
FX SENDs, our XPQ 3D stereo surround 
effect (creates a broader, enhanced 
stereo image), and a handy Voice 
Canceller function for removing vocals 
from pre-recorded tapes and CDs for 
“instant-karaoke” applications.

Clip LEDs, mute, main mix and 
subgroup routing switches, solo 
and PFL functions on all channels 

2 subgroups with separate outputs 
for added routing flexibility and 
2 multi-functional stereo aux returns 
with flexible routing 

Balanced main mix outputs with 
¼" jack and gold-plated XLR 
connectors, separate control room, 
headphones and stereo rec outputs 

Control room/phones outputs with 
multi-input source matrix; rec inputs 
assignable to main mix or control 
room/phones outputs

4 state-of-the-art, phantom-powered 
XENYX Mic Preamps comparable to 
stand-alone boutique preamps 

2 aux sends per channel: 1 pre/post 
fader switchable for monitoring/FX 
applications, 1 post fader 
(for internal FX or as external send) 

Clip LEDs, mute, main mix and 
subgroup routing switches, solo and 
PFL functions on all channels 

2 subgroups with separate outputs 
for added routing flexibility;  
2 multi-functional stereo aux 
returns with flexible routing 

Main mix outputs with ¼" jack and 
gold-plated XLR connectors, 
separate control room, headphones 
and stereo rec outputs 

Control room/phones outputs with 
multi-input source matrix; rec inputs 
assignable to main mix or control 
room/phones outputs