Manuel D’UtilisationTable des matièresIMPORTANT NOTES4How To Use This Manual5Quick Start5Advanced Use5Appendices5Notation Used in This Owner’s Manual5Contents6Main Features11Panel Descriptions12Front Panel12Rear Panel15Getting Ready16Connecting External Devices16Turning On the Power17Turning Off the Power17Restoring the Factory Settings (Factory Reset)17Listening to the Demo Songs18Quick Start19Producing Sound20Getting Started20About the Playing Modes of the SH-32 (PATCH/PERFORMANCE)20Switching Modes20Standalone Play of Sounds (PREVIEW)21Playing a Sound with a MIDI Keyboard22Listening to the Preset Sounds23Using the Effects24Playing a Rhythm Set25Modifying the Sound26Creating Sounds26Easy Sound Editing271. Selecting a Waveform (Oscillator)272. Working on Oscillator Waveforms (FILTER)293. Adding Changes in the Volume (AMP)314. Adding Modulation to the Sound (LFO)325. Adding an Effect34Saving the Sound35Playing Arpeggio (Arpeggiator)36Turning On/Off the Arpeggiator36Changing the Arpeggiator Tempo38Playing the Arpeggio Together with a Rhythm Pattern39Playing a Chord at the Touch of a Finger (Chord Memory)41Using the Chord Memory Function41Switching Chord Forms42Advanced Use43Chapter 1. An Overview of the SH-3244How the SH-32 is Organized Internally44MIDI Connectors44Sound Generator44Arpeggiator44Controller44Patches, Rhythm Sets, and Performances45Patches (A11–D88)45Rhythm Sets (r1U, r2U, r3P, r4P)45Performances (1-1–8-8)46How Characters and Numerals Are Displayed46About Memory47Temporary Memory47Rewritable Memory47Non-Rewritable Memory47Main Setting Destinations48Objects of Settings That Change with the SH-32’s Mode50Chapter 2. Creating Your Own Sounds52Creating Sounds that Reflect the Position of Sliders/Knobs (MANUAL)52Using Preview Function Hold to Continue Playing a Sound52Determining the Basic Waveform and Pitch (OSC 1 & 2)52Oscillator ON/OFF and Mix Balance (OSC 1, OSC 2, BALANCE)52Selecting the Fundamental Waveform (WAVE, VARIATION)53Determining the Pitch (OCTAVE, PITCH)54Creating a Fatter Sound by Adding Components One Octave Below the Sound (SUB OSC)54Changing the Pitch Over Time (PITCH ENV, ENV DEPTH)54Changing the Pulse Width of a Square Wave Periodically (PWM)55Creating a Metallic Sound (OSC 1X2 RING)—Ring Modulator55Creating an Assertive Solo Sound (OSC 1X2 SYNC)—Oscillator Sync55Changing the Characteristics of Sounds (FILTER)56Internal Filter Types and Functions (TYPE, SLOPE)56Setting the Cutoff Frequency (CUTOFF)57Using Resonance to Add Fullness to the Sound (RESONANCE)57Changing the Cutoff Over Time (A D S R, ENV DEPTH)57Changing the Filter According to the Keyboard Position (KEY FOLLOW)58Changing the Volume (AMP)58Changing the Volume Over Time (A D S R, ENV DEPTH)58Increasing and Decreasing the Rate of Change in Volume According to the Keyboard Position (TIME K...59Setting the Volume for Each Patch, Rhythm Set, or Performance59Modulating the Sound (LFO 1 & 2)59LFO Arrangement and Functions59Turning the LFO On and Off, and Switching Waveforms (LFO 1, LFO 2, FORM)59Adjusting the Rate of Modulation (RATE)60Adjusting the Modulation Depth (DESTINATION, DEPTH)60Synchronizing the Modulation to the Song Tempo (BPM SYNC, BEAT/CYCLE)61Other LFO Settings (FADE IN, KEY SYNC)61Other Settings (settings that can be saved to Patches)61Settings for Use in Playing Monophonic Sounds (SOLO, LEGATO)61Layering Sounds for Greater Fatness (UNISON)62Applying the Portamento Function (PORTAMENTO, PORTA TIME)62Applying Analog-Like Modulation to the Pitch (ANALOG FEEL)62Changing the Pan When Using Stereo Output (PAN)63Effect Settings63Saving the Sounds You Have Created (WRITE)63Auditioning to a Patch at the Save Destination63Chapter 3. Applying Effects to the Sound (INS-FX, REV/DELAY)64About the Onboard Effects64Ways of Connecting Effects (INS > REV SERIES)64Using the Insertion Effects (INS-FX)64Turning the Insertion Effects On and Off64Selecting the Insertion Effects Type (TYPE)64Setting the Insertion Effects65Using the Reverb/Delay (REV/DELAY)65Turning the Reverb/Delay On and Off65Selecting the Reverb/Delay Type (TYPE)65Setting the Reverb/Delay66Applying Effects in Performance Mode66Selecting the Effect Settings Used in a Performance (Effect Source)66About Effect Settings in Performance Mode67Chapter 4. Playing the Rhythm Sets68Selecting Rhythm Sets and Playing the Percussion Instruments68Editing a Rhythm Set68Making Settings for the Overall Rhythm Set68Making Settings for Each Rhythm Tone (Percussion Instrument)69Saving Changed Settings (WRITE)70Chapter 5. Using in Performance Mode71Selecting a Performance and Playing the Patch for Each Part71Selecting the Patch for Each Part (Part Assign Mode)71Playing Sound in More Than One Part (Multitimbre)71Layering Patches for a Thicker Sound (Part Stack Function)72Editing a Performance72Settings Affecting the Overall Performance72Making Settings for Each Patch or Rhythm Set in the Parts73Securing the Number of Oscillators in Each Part (Oscillator Reserve)73Saving Changed Settings (WRITE)73Chapter 6. Using Arpeggiator (ARPEGGIATOR)74About Arpeggiator74Playing Arpeggios74Turning Arpeggiator On and Off74Determining the Tempo for Arpeggio Performances74Selecting Styles for Arpeggio Performances (STYLE)74The Relationship Between Arpeggio Styles and Rhythm Styles75Changing the Beat and Shuffle (GRID)75Applying Staccato and Tenuto (DURATION)76Changing the Range of the Arpeggio (RANGE)76Selecting Ascending/Descending Variations (Different Ways of Playing the Sounds) (MOTIF)76Creating Your Own Styles77Creating Styles by Playing the Notes as They Are to Be Performed (REALTIME)77Creating Styles by Playing Sounds One At a Time (STEP)78Creating Styles Using an External Sequencer79Saving the Styles You Have Created (STORE)79Using Arpeggiator in Performance Mode80Selecting the Style80Specifying the Part Used to Play the Arpeggio80Arpeggiator Parameter Settings80Creating Styles80Chapter 7. Using the Chord Memory Function (CHORD)81About the Chord Memory Function81Performing with the Chord Memory Function81Turning Chord Memory Function On and Off81Selecting Chord Forms81Creating Your Own Chord Forms82Using the Chord Memory Function in Performance Mode82Selecting the Chord Form82Specifying the Part to Use the Chord Memory Function82Chord Memory Parameter Settings83Creating Chord Forms83Chapter 8. Using the SH-32 with External MIDI Devices84About MIDI84MIDI Connectors84About MIDI Channels84Setting the MIDI Channel (MIDI CH)84Setting the Receive Channel in Patch Mode84Setting the Receive Channel for Each Part84Playing the SH-32 from an External MIDI Keyboard85Changing the Sound with Modulation (MOD)85Determining the Amount the Pitch is Changed with the Pitch Bender (P. BEND)86Changing the Sound with Aftertouch (AFTERTOUCH)86Changing the Sound According to the Force Used to Play the Keys (VELOCITY)87Selecting SH-32 Sounds from an External MIDI Device87Synchronizing Arpeggiator and the LFO to an External MIDI Device88Saving SH-32 Settings on an External Sequencer (BULK DUMP)88Restoring Saved Content to the SH-3289Chapter 9. Other Settings90Settings Applied to the SH-32 Overall (System Settings)90Procedure for Making the System Settings90What the System Settings Do/ System Setting Functions90Switching the Low Boost Function On and Off92Selecting the Status to Use When the Power is Turned On93Selecting the MIDI Messages Used to Transmit Panel Control Information93Changing the SH-32’s Device ID Number93Restoring the Factory Settings (Factory Reset)94Appendices95Troubleshooting96Error Message List98Patch List99Rhythm Set List100Performance List101Arpeggio Style List102Rhythm Style List103Chord Form List104Parameter List105Patch Parameters105Rhythm Set Parameters106Performance Parameters106System Parameters106Effects List107Insertion Effects Parameters107Reverb/Delay Parameters113MIDI Transmit/Receive Setting List115Specifications117Index118Blank Chart Use these for keeping notes regarding your tone settings.121Taille: 5,4 MoPages: 124Language: EnglishOuvrir le manuel
Manuel Du PropriétaireTable des matièresIMPORTANT NOTES4How To Use This Manual5Quick Start5Advanced Use5Appendices5Notation Used in This Owner’s Manual5Contents6Main Features11Panel Descriptions12Front Panel12Rear Panel15Getting Ready16Connecting External Devices16Turning On the Power17Turning Off the Power17Restoring the Factory Settings (Factory Reset)17Listening to the Demo Songs18Quick Start19Producing Sound20Getting Started20About the Playing Modes of the SH-32 (PATCH/PERFORMANCE)20Switching Modes20Standalone Play of Sounds (PREVIEW)21Playing a Sound with a MIDI Keyboard22Listening to the Preset Sounds23Using the Effects24Playing a Rhythm Set25Modifying the Sound26Creating Sounds26Easy Sound Editing271. Selecting a Waveform (Oscillator)272. Working on Oscillator Waveforms (FILTER)293. Adding Changes in the Volume (AMP)314. Adding Modulation to the Sound (LFO)325. Adding an Effect34Saving the Sound35Playing Arpeggio (Arpeggiator)36Turning On/Off the Arpeggiator36Changing the Arpeggiator Tempo38Playing the Arpeggio Together with a Rhythm Pattern39Playing a Chord at the Touch of a Finger (Chord Memory)41Using the Chord Memory Function41Switching Chord Forms42Advanced Use43Chapter 1. An Overview of the SH-3244How the SH-32 is Organized Internally44MIDI Connectors44Sound Generator44Arpeggiator44Controller44Patches, Rhythm Sets, and Performances45Patches (A11–D88)45Rhythm Sets (r1U, r2U, r3P, r4P)45Performances (1-1–8-8)46How Characters and Numerals Are Displayed46About Memory47Temporary Memory47Rewritable Memory47Non-Rewritable Memory47Main Setting Destinations48Objects of Settings That Change with the SH-32’s Mode50Chapter 2. Creating Your Own Sounds52Creating Sounds that Reflect the Position of Sliders/Knobs (MANUAL)52Using Preview Function Hold to Continue Playing a Sound52Determining the Basic Waveform and Pitch (OSC 1 & 2)52Oscillator ON/OFF and Mix Balance (OSC 1, OSC 2, BALANCE)52Selecting the Fundamental Waveform (WAVE, VARIATION)53Determining the Pitch (OCTAVE, PITCH)54Creating a Fatter Sound by Adding Components One Octave Below the Sound (SUB OSC)54Changing the Pitch Over Time (PITCH ENV, ENV DEPTH)54Changing the Pulse Width of a Square Wave Periodically (PWM)55Creating a Metallic Sound (OSC 1X2 RING)—Ring Modulator55Creating an Assertive Solo Sound (OSC 1X2 SYNC)—Oscillator Sync55Changing the Characteristics of Sounds (FILTER)56Internal Filter Types and Functions (TYPE, SLOPE)56Setting the Cutoff Frequency (CUTOFF)57Using Resonance to Add Fullness to the Sound (RESONANCE)57Changing the Cutoff Over Time (A D S R, ENV DEPTH)57Changing the Filter According to the Keyboard Position (KEY FOLLOW)58Changing the Volume (AMP)58Changing the Volume Over Time (A D S R, ENV DEPTH)58Increasing and Decreasing the Rate of Change in Volume According to the Keyboard Position (TIME K...59Setting the Volume for Each Patch, Rhythm Set, or Performance59Modulating the Sound (LFO 1 & 2)59LFO Arrangement and Functions59Turning the LFO On and Off, and Switching Waveforms (LFO 1, LFO 2, FORM)59Adjusting the Rate of Modulation (RATE)60Adjusting the Modulation Depth (DESTINATION, DEPTH)60Synchronizing the Modulation to the Song Tempo (BPM SYNC, BEAT/CYCLE)61Other LFO Settings (FADE IN, KEY SYNC)61Other Settings (settings that can be saved to Patches)61Settings for Use in Playing Monophonic Sounds (SOLO, LEGATO)61Layering Sounds for Greater Fatness (UNISON)62Applying the Portamento Function (PORTAMENTO, PORTA TIME)62Applying Analog-Like Modulation to the Pitch (ANALOG FEEL)62Changing the Pan When Using Stereo Output (PAN)63Effect Settings63Saving the Sounds You Have Created (WRITE)63Auditioning to a Patch at the Save Destination63Chapter 3. Applying Effects to the Sound (INS-FX, REV/DELAY)64About the Onboard Effects64Ways of Connecting Effects (INS > REV SERIES)64Using the Insertion Effects (INS-FX)64Turning the Insertion Effects On and Off64Selecting the Insertion Effects Type (TYPE)64Setting the Insertion Effects65Using the Reverb/Delay (REV/DELAY)65Turning the Reverb/Delay On and Off65Selecting the Reverb/Delay Type (TYPE)65Setting the Reverb/Delay66Applying Effects in Performance Mode66Selecting the Effect Settings Used in a Performance (Effect Source)66About Effect Settings in Performance Mode67Chapter 4. Playing the Rhythm Sets68Selecting Rhythm Sets and Playing the Percussion Instruments68Editing a Rhythm Set68Making Settings for the Overall Rhythm Set68Making Settings for Each Rhythm Tone (Percussion Instrument)69Saving Changed Settings (WRITE)70Chapter 5. Using in Performance Mode71Selecting a Performance and Playing the Patch for Each Part71Selecting the Patch for Each Part (Part Assign Mode)71Playing Sound in More Than One Part (Multitimbre)71Layering Patches for a Thicker Sound (Part Stack Function)72Editing a Performance72Settings Affecting the Overall Performance72Making Settings for Each Patch or Rhythm Set in the Parts73Securing the Number of Oscillators in Each Part (Oscillator Reserve)73Saving Changed Settings (WRITE)73Chapter 6. Using Arpeggiator (ARPEGGIATOR)74About Arpeggiator74Playing Arpeggios74Turning Arpeggiator On and Off74Determining the Tempo for Arpeggio Performances74Selecting Styles for Arpeggio Performances (STYLE)74The Relationship Between Arpeggio Styles and Rhythm Styles75Changing the Beat and Shuffle (GRID)75Applying Staccato and Tenuto (DURATION)76Changing the Range of the Arpeggio (RANGE)76Selecting Ascending/Descending Variations (Different Ways of Playing the Sounds) (MOTIF)76Creating Your Own Styles77Creating Styles by Playing the Notes as They Are to Be Performed (REALTIME)77Creating Styles by Playing Sounds One At a Time (STEP)78Creating Styles Using an External Sequencer79Saving the Styles You Have Created (STORE)79Using Arpeggiator in Performance Mode80Selecting the Style80Specifying the Part Used to Play the Arpeggio80Arpeggiator Parameter Settings80Creating Styles80Chapter 7. Using the Chord Memory Function (CHORD)81About the Chord Memory Function81Performing with the Chord Memory Function81Turning Chord Memory Function On and Off81Selecting Chord Forms81Creating Your Own Chord Forms82Using the Chord Memory Function in Performance Mode82Selecting the Chord Form82Specifying the Part to Use the Chord Memory Function82Chord Memory Parameter Settings83Creating Chord Forms83Chapter 8. Using the SH-32 with External MIDI Devices84About MIDI84MIDI Connectors84About MIDI Channels84Setting the MIDI Channel (MIDI CH)84Setting the Receive Channel in Patch Mode84Setting the Receive Channel for Each Part84Playing the SH-32 from an External MIDI Keyboard85Changing the Sound with Modulation (MOD)85Determining the Amount the Pitch is Changed with the Pitch Bender (P. BEND)86Changing the Sound with Aftertouch (AFTERTOUCH)86Changing the Sound According to the Force Used to Play the Keys (VELOCITY)87Selecting SH-32 Sounds from an External MIDI Device87Synchronizing Arpeggiator and the LFO to an External MIDI Device88Saving SH-32 Settings on an External Sequencer (BULK DUMP)88Restoring Saved Content to the SH-3289Chapter 9. Other Settings90Settings Applied to the SH-32 Overall (System Settings)90Procedure for Making the System Settings90What the System Settings Do/ System Setting Functions90Switching the Low Boost Function On and Off92Selecting the Status to Use When the Power is Turned On93Selecting the MIDI Messages Used to Transmit Panel Control Information93Changing the SH-32’s Device ID Number93Restoring the Factory Settings (Factory Reset)94Appendices95Troubleshooting96Error Message List98Patch List99Rhythm Set List100Performance List101Arpeggio Style List102Rhythm Style List103Chord Form List104Parameter List105Patch Parameters105Rhythm Set Parameters106Performance Parameters106System Parameters106Effects List107Insertion Effects Parameters107Reverb/Delay Parameters113MIDI Transmit/Receive Setting List115Specifications117Index118Blank Chart Use these for keeping notes regarding your tone settings.121Taille: 5,1 MoPages: 124Language: EnglishOuvrir le manuel
