Behringer BASS V-AMP ユーザーズマニュアル

BASS V-AMP/BASS V-AMP PRO

4. PRESETS OF THE BASS V-AMP/BASS V-AMP PRO

that the recording is done optimally, capturing your sound the

way you want it. Simply put: no annoying back-and-forth trips

between studio and control room.

3.3 Recording situation

Depending on the recording situation and the desired effect,

all studio modes come into play (S1, S2 und S3). While S1 carries

the complete signal (including all amps, speakers and effects

simulations) in stereo, S2 produces two mono signals, whereby

the right output contains the signals with all the simulations,

while the left output without the effects. A typical home recording

setup is shown in fig. 1.3.

S3 serves the purpose of recording a fully unprocessed signal

(right output) and still hear it with all the effects applied (left

output). Since the BASS V-AMP PRO has an additional PRE DSP

INSERT, this operating mode (known as Re-Amping) is possible

in every output mode (see fig. 2.5 and 2.6). Figure 2.6 describes

the possibility of recording the direct signal via an analog sound

card input and simultaneously recording the completely processed

signal. Should the sound of your mix require reworking, you

dont have to bring the signal in again, since the direct signal is

still available.

In the case of the BASS V-AMP PRO, you can directly feed a

digital mixing console (our BEHRINGER DDX3216 in this

illustration). The unit can be externally synchronized via

worldclock (fig. 2.5).

3.4 Live setup with a connection to an

external bass amplifier

The BASS V-AMP/BASS V-AMP PRO is naturally in top form

when it is used as a preamp in connection with an external bass

amplifer. In the case of the BASS V-AMP, it is advisable to connect

your bass amp via the L/AMP OUT output, while the R/DI OUT

output is used to connect to the mixing console or the stage box

(fig. 1.6 and 2.3). Connecting the BASS V-AMP PRO to a mixing

console should be done via the ULTRA-G DI OUT output.

The advantage of this application: You are ultra-flexible, since

you can set up the necessary monitor volume/tone needed for

the stage directly on the external bass amplifier, and at the same

time utilize the various sound options of the BASS V-AMP/

BASS V-AMP PRO. When you use the R/DI output of the

BASS V-AMP to control your mixing console, the front mix

benefits from the unique sound achieved by the BASS V-AMP,

which is optimized for P.A. applications by virtue of utilizing the

equalizer in the channel strip of the mixing console.

In the case of the BASS V-AMP, selecting studio 3

(S3) and connecting Line Out R with Aux In L lets

you bring the direct signal in addition to the output

signal by using the aux control.

When you connect line out L with aux in R (plug

plugged in half-way) in S3 mode, you can add the

direct signal to the effect signal.

Avoid connecting line out L to aux in L as well as

line out R and aux in R, as feedback may occur.

4. PRESETS OF THE BASS V-AMP/

BASS V-AMP PRO

The BASS V-AMP/BASS V-AMP PRO features 125 rewritable

presets, divided into 25 banks. Therefore, there are five presets

per preset bank. Each preset consists of a maximum of five

ingredients:
s

the simulation of an amplifier (incl. GAIN, EQ and VOLUME

settings),

the loudspeaker simulation,

a pre-amp effect (e.g. Denoiser, Auto Wah, Wah Wah),

a post-amp multi effect (e.g. stereo delay, modulation

effect or a combination of both) and

the compressor setting.

An overview of all presets of your BASS V-AMP/

BASS V-AMP PRO is included with this users manual.

4.1 Recalling presets

The most recently used preset is automatically recalled each

time you power the unit on. The following example in fig. 4.1

shows the BASS V-AMP: preset D in the 25th bank was selected.

In this case you can press the keys A, B, C or E to recall a

different preset of the same preset bank. You can select a

different preset bank by pressing either one of the two arrow

keys.

Tab. 3.1: Operating modes of the BASS V-AMP/BASS V-AMP PRO with application examples

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Am p w/out FX

Am p + FX

Live 1 (L1)

+3Live EQ, Amp, FX

/3without effects

+3Live EQ, Amp, FX /3w/out effect section

Live 3 (L3)

For A mp

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ZRXW Cab Sim

For A mp

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Am p, Cab Sim + FX

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Am p w/out FX +

Cab Sim

Am p, Cab S im + FX

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Studio 1 (S1)

Studio 2 (S2)

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Amp w/out FX +

Cab S im

A mp, Cab Sim + FX

Live 2 (L2)

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(digital Cab Sim out)

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Studio 3 (S3)