M-AUDIO 49i ユーザーズマニュアル
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KeyStudio 49i User Guide
KeyStudio 49i Audio Setup and Controls
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Using the Mic and Instrument Inputs
Channel 1 of M-Audio KeyStudio 49i is a high gain, low noise microphone preamp It is a low impedance input with an XLR
connector for a dynamic microphone Channel 2 contains a high impedance instrument preamp, designed to add gain to an
electric guitar or bass, or even a high impedance microphone You may also attach a direct box or passive transformer to the
M-Audio KeyStudio Microphone Input (Channel 1), which will then allow you to plug another electric or acoustic guitar or other high
impedance instrument into the M-Audio KeyStudio’s Mic Input Additional information on using the Mic and Instrument inputs can be
found in the next two sections
connector for a dynamic microphone Channel 2 contains a high impedance instrument preamp, designed to add gain to an
electric guitar or bass, or even a high impedance microphone You may also attach a direct box or passive transformer to the
M-Audio KeyStudio Microphone Input (Channel 1), which will then allow you to plug another electric or acoustic guitar or other high
impedance instrument into the M-Audio KeyStudio’s Mic Input Additional information on using the Mic and Instrument inputs can be
found in the next two sections
Setting Input Gain
M-Audio KeyStudio 49i provides up to 45dB of gain on the Channel 1 Mic In and 35dB of gain on the Channel 2 Instrument
In Microphones, electric guitars, and electric basses typically emit a low signal level, requiring a “pre-amp” such as M-Audio
KeyStudio 49i provides
In Microphones, electric guitars, and electric basses typically emit a low signal level, requiring a “pre-amp” such as M-Audio
KeyStudio 49i provides
Plug in your microphone or instrument with the gain controls turned down, and turn the gain up incrementally while testing
the mic or playing the instrument When the green signal LED shows fairly consistent activity, you’ve reached a good signal
level for the M-Audio KeyStudio mic preamp Some users may wish to experiment a little further to find what audibly might be
referred to as a “sweet spot ” Note that when the red clip LED lights, it is indicating that the preamp output is very close to
peaking (-1 dB), and the input signal is on the threshold of distorting Let your ears be the judge, but when the clip LED lights
and stays lit, you are approaching or have reached distortion in your M-Audio KeyStudio signal
the mic or playing the instrument When the green signal LED shows fairly consistent activity, you’ve reached a good signal
level for the M-Audio KeyStudio mic preamp Some users may wish to experiment a little further to find what audibly might be
referred to as a “sweet spot ” Note that when the red clip LED lights, it is indicating that the preamp output is very close to
peaking (-1 dB), and the input signal is on the threshold of distorting Let your ears be the judge, but when the clip LED lights
and stays lit, you are approaching or have reached distortion in your M-Audio KeyStudio signal
The best method to find the ideal recording level is to turn up the input gain, and then turn it down once you’ve started to
clip the input signal You must also consider the level that is being sent from M-Audio KeyStudio to your recording software
Check the input meters within your software and make sure that they are neither too low nor clipping (too “hot”) An
adjustment in gain on M-Audio KeyStudio may be necessary, but your optimal recording level within your software should
approach but never reach the maximum level Additionally, because the M-Audio KeyStudio 49i preamps provide quite a bit of
gain, it is recommended to turn the gain all the way down on unused inputs You will find more information on setting record
levels in the manual of your music software
clip the input signal You must also consider the level that is being sent from M-Audio KeyStudio to your recording software
Check the input meters within your software and make sure that they are neither too low nor clipping (too “hot”) An
adjustment in gain on M-Audio KeyStudio may be necessary, but your optimal recording level within your software should
approach but never reach the maximum level Additionally, because the M-Audio KeyStudio 49i preamps provide quite a bit of
gain, it is recommended to turn the gain all the way down on unused inputs You will find more information on setting record
levels in the manual of your music software
Using the Aux Inputs
M-Audio KeyStudio 49i has a pair of line inputs labeled “Aux Input ” They are designed to interface with both the left and right input
from a stereo source, such as a synthesizer, drum machine, or CD player
from a stereo source, such as a synthesizer, drum machine, or CD player
Using computer software (like Ableton Live Lite or M-Audio Session) to record your MIDI sequences or KeyStudio 49i piano
performances as audio tracks allows you to apply software plug-in effects to these tracks MIDI sequences from an external sound
module can be recorded by connecting your external MIDI module’s audio outputs to your KeyStudio Aux inputs In Local On mode,
the KeyStudio 49i built-in piano sound can be recorded as audio by selecting the inputs of KeyStudio 49i within your recording
software and then playing the keyboard After recording, you can mix those tracks with other audio tracks (such as vocals and guitar)
entirely from within your computer
performances as audio tracks allows you to apply software plug-in effects to these tracks MIDI sequences from an external sound
module can be recorded by connecting your external MIDI module’s audio outputs to your KeyStudio Aux inputs In Local On mode,
the KeyStudio 49i built-in piano sound can be recorded as audio by selecting the inputs of KeyStudio 49i within your recording
software and then playing the keyboard After recording, you can mix those tracks with other audio tracks (such as vocals and guitar)
entirely from within your computer
Important: The Aux inputs and the built-in piano sound blend with the Instrument and Microphone inputs before their
signals are sent to a connected computer via USB. If the Aux inputs or the built-in piano sound are used simultaneously
with the Instrument and Microphone inputs, the resulting recording will be a mix of the various signals. It is not possible
to separate these blended signals after a recording has been made. If you want to edit or mix the Piano, Microphone,
Instrument or Aux inputs after the recording has been made, then you will need to do the recording of each of these sound
sources one at a time and on separate tracks.
signals are sent to a connected computer via USB. If the Aux inputs or the built-in piano sound are used simultaneously
with the Instrument and Microphone inputs, the resulting recording will be a mix of the various signals. It is not possible
to separate these blended signals after a recording has been made. If you want to edit or mix the Piano, Microphone,
Instrument or Aux inputs after the recording has been made, then you will need to do the recording of each of these sound
sources one at a time and on separate tracks.