Sony MSPSMS11000 ユーザーズマニュアル

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Changing track height 
You can change the height of individual tracks by dragging their borders in the track list. In the example below, the main video track 
is fairly large to show the details of the scene while the two tracks above it, which are overlays, have been resized to a shorter 
height. 
Using the track list 
This section describes the different controls in the track header of each track. Some controls are specific to either video or audio 
tracks. 
Video track header 
Button or Control 
Name 
Description 
Minimize track height 
Minimizes track height. 
Maximize track height 
Maximizes track height. 
Track number and color 
Track numbers and colors help organize a multitrack project. 
Track name (scribble strip)  Allows you name a track. To name a track, double-click the scribble strip and 
type the track’s name. 
Track motion 
Track motion is used to move a video track across a background. Picture-in­
picture effects and scrolling title sequences are two simple cases where this 
tool is important. 
Track FX 
Adds track effects plug-ins. 
Mute 
Temporarily mutes playback of the track so that you can focus on other tracks. 
Solo 
Isolates a track for playback. 
Compositing Mode 
Determines how the transparency in a video track is generated. 
Make Compositing Child 
Creates a parent/child compositing relationship with the track above. 
Audio track header 
Button or Control  Name 
Description 
Minimize track height 
Minimizes track height. 
Maximize track height 
Maximizes track height. 
Track number and color 
Track numbers and colors help organize a multitrack project. 
Track name (scribble strip)  Allows you name a track. To name a track, double-click the scribble strip and 
type the track’s name. 
Arm for record 
Prepares a track for recording. You may record directly into audio tracks. A 
track is ready when you see the recording meter appear on it. 
Record Input 
Allows you to choose a recording device. 
Track FX 
Adds track effects plug-ins. 
Mute 
Temporarily mutes playback of the track so that you can focus on other tracks. 
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 CHAPTER 2