Korg D3200 ユーザーズマニュアル

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With the PRE setting, the channel fader will send the input 
signal to the master bus, setting the monitor level. With the 
PST
 setting, the send level to the master bus will be the same 
as the recording level.
You can also make this setting in the MIXERSEND (EFF/
AUX/REC)
“Rec Send” tab page.
(8) Move to the location where you want to start record-
ing. (
(9) Put the D3200 in record-ready condition.
Press the REC key (REC and PLAY keys will blink).
(10)Start recording.
Press the PLAY key (REC and PLAY keys will light).
Perform the part to be recorded.
(11)Stop recording.
When you have finished performing, press the STOP 
key (REC and PLAY keys will go dark). Return to the 
location at which you started recording, set the REC/
PLAY
 key of the tracks you recorded to PLAY (key lit 
green). Play back, and verify that your performance was 
recorded correctly.
The ATT setting in the “EQ/ATT” (or “Ch View”) tab page 
is common to recording and playback. If you have turned 
down ATT substantially for recording, you may need to ad-
just it for playback.
1-2. Switching virtual tracks
Each song contains up to 32 tracks and one master track (ster-
eo).
In addition, each track has eight “virtual tracks,” labelled A–
H.
When you record or play back, you can specify which of 
these virtual tracks A–H will be used.
This means that you can switch between virtual tracks to 
record multiple “takes” of a performance, and then choose 
the best take.
(1) Select the desired virtual track.
In the TRACK“Vtrk1–32” tab page, click the 
 
buttons to select the track that you want to record, and 
then click the “V-Level” 
←→ buttons (or the value dial 
or +/– keys) to select the virtual track.
In the case of a 24-bit song, the “Vtrk1–32” tab page will be 
named “Vtrk1–16.”
If a virtual track already contains recorded data, this is graph-
ically indicated by “
” as shown in the illustration.
(2) Record.
For details, refer to “1-1. Basic recording,” steps (2)–(11).
1-3. Overdubbing (Recording addi-
tional tracks during playback)
Here’s how to record additional performances while you lis-
ten to the playback of previously-recorded tracks.
(1) Prepare for recording.
(2) Select the tracks that you want to play back.
Press the REC/PLAY key, and then use the channel keys 
to select Play mode (key lit green) for the tracks you 
want to play back.
(3) Select the track(s) that you want to record.
Press the channel key of the tracks you want to record, to 
set them to Recorded mode (key lit red).
(4) Mute the tracks that you will not be using.
Press the CH ON key.
Press the channel keys to turn off (key unlit) the tracks 
that you are not playing or recording, so that these tracks 
will be muted.
(5) Record.
1-4. Trigger recording
Trigger recording is a function that automatically starts re-
cording when the input signal level exceeds a specified val-
ue.
Trigger/RecStart
Recording will start when the input signal level exceeds 
the specified value.
You will not be able to execute recording if MIDI Sync is set 
to MTC.
Trigger/Punch In
When the input level exceeds the specified threshold 
value while the song is playing, the recorder will switch 
from playback to recording.
(1) Prepare for recording.
(2) Adjust the settings for trigger recording.
Access the REC/PLAY MODE“RecMode” tab page, 
and click either “Trigger/RecStart” or “Trigger/Punch 
In”
 (the TRIGGER LED will light).
(3) Specify the input signal level (“Threshold”) at which 
recording will begin.
(4) If you want recording to begin from a time slightly ear-
lier than the moment that the input signal exceeds the 
“Threshold” (i.e., so that the attack is recorded), you 
can set the “PreTriggerTime.”
Trigger recording will cause recording to start when the 
threshold is exceeded, but the PreTriggerTime lets you 
prevent the attack of the first note from being cut off.
Trk32
Trk1
A
B
C
D
E
F
G
H
A
B
C
D
E
F
G
H
Master Trk
A
B
C
D
E
F
G
H
A
B
C
D
E
F
G
H
A
B
C
D
E
F
G
H
A
B
C
D
E
F
G
H
A
B
C
D
E
F
G
H
Trk2
Trk3
Trk4
Trk5
SONG
(1)
(1)
(2)
(3)
(4)