GE X-9 ユーザーズマニュアル

When you have made connections as described in 
“Connections” on page 10, you can start playing a 
song.

With the program fader at its lowest level (0) and the 
master fader also at 0, load a CD in the player, or put 
a record on the turntable connected in the earlier step 

(“Record turntables” on page 10 and “CD decks, 
etc.” on page 10).

Cue up the CD or record using the cue functions as 
described below (use headphones to monitor the 
CUE output while the 

 indicator for the program 

with the record is lit).

Set the amplifier volume to less than full setting.

Bring the 

 fader up to about the 

 mark, and 

slowly bring adjust the program fader until the over-
all level is what you want.

Use the program meter to view the level of the pro-
gram signal, and the stereo 

 meters to check 

the overall level of the signal fed from the X-9 out-
puts.

If the top segment of a meter (

) is lit for most 

of the time, the sound coming out of the X-9 will be 

distorted. You should therefore try to keep the level 
so that the red segments of the meters are not lit all 
the time.

You can set the time that the meters take to fall back, 
as well as the time that they hold peak values, using 
the 

12Mr

 and 

13Mp

 menus (see “Meter release time” 

on page 19 and “Meter peak hold time” on page 19).

The X-9’s cue system allows you to preview a pro-
gram through headphones before playing it back 
through the main amplifier system.

Use the controls as described in 
“Headphones (connecting and 
using)” on page 12 to select the 
cue output to the headphones.

Press any of the program 

 

keys, the microphone 

key, 

the sampler 

 key or the 

 cue key to lis-

ten to the cue signal for that source.

When one of these keys is active (that is, the source is 
routed through the cue mix to the headphones), the 
key is lit.

Remember that no monitoring of the cue signals is 
possible if none of the 

keys is lit.

The programs and samplers, are monitored done pre-
fader (that is, moving the program fader or adjusting 
the sampler 

 controls has no effect on the 

monitor signal level). On the other hand, the master 
cue output is monitored post-fader (moving the mas-
ter fader affects the monitoring volume).

The microphone is monitored after the 

 con-

trol.

Use the 

 headphone control to adjust the 

balance between the cue and master signals in the 
headphones.