Fujifilm FinePix S20 Pro Folheto

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63
Advanced 
Features
62
Multiple exposure provides a way of overlaying
images on top of each other to give a final image
that cannot be got through normal photography.
!
When the image is overexposed, use negative compensation
in the Brightness (exposure compensation) setting to correct
the exposure (
➡P.53).
!
Only the optical zoom can be used for multiple exposure
shots. The digital zoom (
➡P.28) does not function.
!
This mode is cancelled when turning the camera off.
MULTIPLE EXPOSURE
±0
OFF
OFF
OFF
OFF
MULT
ULTI-EXPOSURE
XPOSURE
OFF
OFF
ON
ON
h Continuous shooting and auto bracketing are disabled when MULTI-EXPOSURE is selected.
h You cannot change the photography menu settings or the quality setting during shooting.
h There is no limit on the number of multiple exposures.
1
A preview screen appears when taking a picture.
h To overlay more images: Press “c”.
h To record the image: Press the “MENU/OK”
button.
h To return to the previous image: Press “d”.
h To stop without recording any images: 
Press the “BACK” button.
!
A preview image is always shown, regardless of the IMAGE
DISPLAY setting (
➡P.84). However, note that the Preview
zoom function cannot be used.
!
Changing the Photography mode exits Multiple exposure
mode without recording the images.
PREVI
PREVIEW
MULT
ULTI-EXPOSURE
XPOSURE
OK
OK
BACK
BACK
CANCEL
CANCEL
NEXT
NEXT
REC
REC
CANCEL ALL
CANCEL ALL
2
From the 2nd shot onwards, the yellow “
T
” icon
appears on the screen.
BACK
BACK
CANCEL
CANCEL
33
33
250
250 F5.6
ISO
ISO  200
 200
Use this setting to soften or emphasize outlines or
to adjust the image quality.
HARD
Emphasizes the outlines.
Best for shots of subjects such as
buildings or text where sharp images
are desirable.
SOFT
Softens the outlines.
Best for shots of subjects such as
people, where a softer image is
desirable.
NORMAL : Best for ordinary photography.
Provides edge sharpness that is ideal
for ordinary shots.
SHARPNESS
SHARPNESS
SHARPNESS
NO
NORM
RMAL
AL
SOFT
SOFT
HARD
ARD
±0
OFF
OFF
OFF
OFF
STILL PHOTOGRAPHY MENU
STILL PHOTOGRAPHY MENU
Use this setting to photograph the same image with
different exposure settings. Bracketing shoots 3
continuous frames, one of which is correctly
exposed while the remaining two are underexposed
and overexposed respectively by a set amount.
Bracketing settings (3)
±1/3 EV, ±2/3 EV, ±1 EV
See P.117 for more information on EVs.
!
If the underexposed or overexposed frame is outside the
camera’s control range, the shot is not taken with the
specified setting increments.
!
Flash photography cannot be used.
!
This feature always takes 3 shots. However, if there is
insufficient space on the media for 3 shots, no picture will be
taken.
BRACKETING
1
OFF
OFF
AUTO
AUTO
±1/3
1/3
BRACKETING
BRACKETING
±1   EV
±1   EV
±2/3 EV
±2/3 EV
±1/3 EV
±1/3 EV
After setting the exposure for bracketing:
1 Hold down the “
f
” button.
2 Turn the Command dial to select “
j
”.
2
P 250
250 F5.6
33
33
ISO
ISO  200
 200
0
1
0
2
‘ PHOTOMETRY
Use this setting for scenes where the brightness of the
subject and background differ markedly so that the
MULTI setting is unlikely to achieve the desired result.
MULTI (Pattern):
Light metering where the camera assesses the
scene and selects the correct exposure.
SPOT:
Light metering where the exposure is optimized
for the center of the image.
AVERAGE:
Light metering where an average value for the
entire image is used.
!
In the “
B
”, “
?
” and “
r
” modes, light metering is locked
at the MULTI setting and cannot be changed.
OFF
OFF
AUTO
AUTO
±1/3
1/3
MULTI
ULTI
SPOT
SPOT
AVERAGE
AVERAGE
PHOT
PHOTOM
OMETRY
ETRY
The photometry modes are effective for the following subjects 
MULTI 
In this mode, the camera uses automatic scene recognition to analyze the subject and provide optimum
exposure in a wide range of shooting conditions. This mode should be used for everyday photography.
SPOT
This mode is useful for subjects with strongly contrasting light and dark areas where you want to achieve the
correct exposure for a particular feature.
AVERAGE
The advantage of this mode is that the exposure tends not to change for different compositions or subjects.
This mode is particularly effective for shots of people wearing black or white clothing and shots of scenery.