Nady Systems rsm-2 Folheto
USER GUIDE
RSM-2 Ribbon Studio Microphone
UNPACKING, INSPECTION, STORAGE AND TRANSPORT
Your RSM-2 microphone was carefully packed at the factory, and the shipping carton (and soft padded box) was designed to protect
the unit during shipping. Please retain this container for subsequent transport and in the highly unlikely event that you ever need to
return your microphone for servicing. Please note: since the ribbon assembly of the RSM-2, as with all ribbon microphones, is extremely
fragile, you must verify immediately upon receipt of your microphone that it has not been damaged during shipment and is operating
correctly. The warranty on this microphone does not extend beyond an initial inspection, since these microphones can be so easy dam-
aged during handling and use. If the unit arrived damaged please return it immediately to where you bought it. Units that are damaged
in use can be returned to Nady Systems and the ribbon assembly replaced for a fixed charge (see Service section below).
the unit during shipping. Please retain this container for subsequent transport and in the highly unlikely event that you ever need to
return your microphone for servicing. Please note: since the ribbon assembly of the RSM-2, as with all ribbon microphones, is extremely
fragile, you must verify immediately upon receipt of your microphone that it has not been damaged during shipment and is operating
correctly. The warranty on this microphone does not extend beyond an initial inspection, since these microphones can be so easy dam-
aged during handling and use. If the unit arrived damaged please return it immediately to where you bought it. Units that are damaged
in use can be returned to Nady Systems and the ribbon assembly replaced for a fixed charge (see Service section below).
STANDARD ITEMS SUPPLIED
OPTIONAL ACCESSORIES
• RSM-2 ribbon microphone with attached stand mount
and XLR cable
• Instruction manual
• Warranty card
• Soft padded box
and XLR cable
• Instruction manual
• Warranty card
• Soft padded box
FEATURES
Congratulations on purchasing the Nady RSM-2 Ribbon Studio Microphone. This superior neoclassic
microphone is designed for use in contemporary, state-of-the-art studios, yet offers the unique
natural sound previously only available on such classic large ribbon mics as the legendary RCA 44,
which is still used to make great recordings today after almost 70 years. Perfect for recording studio
vocals, acoustic instruments, strings, horns, orchestras and choral groups, ambient instrument audio,
and many live sound applications. Powerful and versatile, and with the unmatched natural sound of
classis ribbon mics, the RSM-2 meets the stringent requirements of even the most demanding digital
recording and live broadcasting applications.
This manual covers the operation of the RSM-2 microphone and the available optional accessories.
To take full advantage of the superb features of your microphone, and to enjoy long and trouble-free
use, please read this user’s guide carefully. As ribbon microphones are, by their design, very sensitive
to damage from mishandling and use, it is very important to read and observe the precautions below
about proper use.
microphone is designed for use in contemporary, state-of-the-art studios, yet offers the unique
natural sound previously only available on such classic large ribbon mics as the legendary RCA 44,
which is still used to make great recordings today after almost 70 years. Perfect for recording studio
vocals, acoustic instruments, strings, horns, orchestras and choral groups, ambient instrument audio,
and many live sound applications. Powerful and versatile, and with the unmatched natural sound of
classis ribbon mics, the RSM-2 meets the stringent requirements of even the most demanding digital
recording and live broadcasting applications.
This manual covers the operation of the RSM-2 microphone and the available optional accessories.
To take full advantage of the superb features of your microphone, and to enjoy long and trouble-free
use, please read this user’s guide carefully. As ribbon microphones are, by their design, very sensitive
to damage from mishandling and use, it is very important to read and observe the precautions below
about proper use.
• MPF-6 Pop Filter (highly recommended, as ribbon micro-
phones are very susceptible to damage from strong air
blasts, as with percussive sounds during recording)
blasts, as with percussive sounds during recording)
• Unparalleled, uncompromised sound of a classic ribbon (velocity) mic
• Low tension 50 mm long, 2 micron thick aluminum ribbon design for characteristic “large, mellow” ribbon audio reproduction with
smooth, natural extended low and high ends
• Unmatched fast, accurate transient response, ultra-high 165 dB SPL capability, and overall stunning realism
• Figure-8 audio directional (pickup) pattern for front and rear sides, extended sweet spots (as compared to large diaphragm condenser
mics), slightly different frequency responses from front and rear, and increased off-axis high-frequency response on sides, with
decreased treble and lower audio levels above and below on-axis
decreased treble and lower audio levels above and below on-axis
• Discrete volume control of separate sources possible with stereo mics setups (source in principal axis of mic and in off-axis null of the
other)
• Manufactured with the finest materials, machined housing, and advanced internal shock-mount construction for structural integrity and
rugged reliability