Fujifilm finepix f610 Manual Do Utilizador

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Advanced 
Features
54
PHOTOGRAPHY MENU
STILL IMAGE MENU
Use this setting to soften or emphasize outlines or
to adjust the image quality.
HARD
Emphasizes the outlines.
Best for shots of subjects such as buildings
or text where you want sharp images.
SOFT
Softens the outlines.
Best for shots of subjects such as people,
where a softer image is desirable.
NORMAL : Best for ordinary photography.
Provides edge sharpness that is ideal
for ordinary shots.
SHARPNESS
Brightness adjustment allows you to change just
the amount of light emitted by the flash to suit the
photography conditions or to achieve a desired
effect.
Adjustment range: ±2 steps
–0.6 EV to +0.6 EV in approx. 0.3 EV increments
(total: 5 levels selectable)
See P.102 for information on EVs.
!
Depending on the type of subject and the shooting distance,
brightness adjustment may have no effect.
!
The image may appear dark when the shutter speed is set to
speeds higher than 1/1000 sec.
FLASH BRIGHTNESS ADJUSTMENT
SHARPNESS
SHARPNESS
SOFT
SOFT
NORMAL
NORMAL
HARD
HARD
FLASH
FLASH
ー0.3
0.3
ー0.6
0.6
±0
+0.3
0.3
Use this mode for shots where the brightness of the
subject and background differ markedly and the
light is not metered as desired in MULTI mode.
MULTI (Pattern): Light metering where the
camera automatically
assesses the scene and
selects the optimum exposure.
SPOT: Light metering where the exposure is
optimized for the center of the image.
AVERAGE: Light metering where an average
value for the entire image is used.
!
In the “
B
”, “
?
” and “
r
” modes, light metering is fixed at
the MULTI setting and cannot be changed.
PHOTOMETRY
PHOTOMETRY
PHOTOMETRY
MULTI
MULTI
SPOT
SPOT
AVERAGE
AVERAGE
The Light Metering Modes are Effective for the Following Subjects 
MULTI
In this mode, the camera uses automatic scene recognition to analyze the subject and provide
optimum exposure in a wide range of shooting conditions. This mode should be used for everyday
photography.
SPOT
This mode is useful for subjects with strongly contrasting light and dark areas where you want to
achieve the correct exposure for a particular feature.
AVERAGE
The advantage of this mode is that the exposure tends not to change for different compositions or
subjects. This mode is particularly effective for shots of people wearing black or white clothing and
shots of scenery.
ERASE FRAME
PLAYBACK FUNCTIONS
1
2
1 Set the Power switch to “
w
”.
2 Press “d” or “c” to select the frame (file) to be
erased.
You can do the following in the erase confirmation
screen:
To select frames (files): “d” or “c”
To erase the displayed frame (file): 
E
” button
Return to single-frame playback: 
T
” button
Press the “
W
” button. An erase confirmation
screen is displayed.
!
Frames (files) labelled as “
” must be
unprotected before being erased.
!
If  “
¬
” is displayed for a frame (file),
DPOF settings have been specified for that frame (file). Press
the “
E
” button again to erase the frame (file).
ISO 200
P
6M
2003 . 2.26  12:00 PM
100-0009
ISO
ISO  200
 200
 7 /20/ 2003  12:00   PM
500   F5 .6 
1M
1M
1M
1M
0
1
0
2
3
ISO  200
1M
2003 .   7.20   12:00 PM
OK
設定終了
コマ選択
DPOF:00009
DPOF:00009
100-0009
ISO
ISO  200
 200
 7 /20/ 2003   12:00 PM
500   F5 .6  
OK
OK
ERASE OK?
ERASE OK?
1M
1M
Previous frame
Next frame
Back (Cancel)
Erase
Mistakenly erased frames (files) cannot be
recovered. Take care when erasing frames (files).
Copy important frames (files) that should not be
erased to a PC’s hard disk, etc.