Behringer Europack UB1202FX Manual Do Proprietário

EURORACK UB1202FX/UB1002FX User Manual

Congratulations! In purchasing our EURORACK UB1002FX/UB1202FX you have 

acquired a mixing console whose small size belies its incredible versatility and 

audio performance.
The BEHRINGER EURORACK mixing console offers you premium-quality 

microphone preamplifiers with optional phantom power supply, balanced line 

inputs and the ability to connect external effects processors. Because of its 

extensive and carefully thought-out routing possibilities, your EURORACK lends 

itself equally to both live and studio use.

IMP “Invisible” Mic Preamp
The microphone channels are fitted with BEHRINGER’s premium quality IMP 

invisible mic preamps that boast the following features:

130 dB dynamic range for an incredible amount of headroom

A bandwidth ranging from below 10 Hz to over 200 kHz for crystal-clear 

reproduction of even the finest nuances

The extremely low-noise and distortion-free circuitry gua rantees absolutely 

natural and transparent signal repro duction

They are perfectly matched to every conceivable micro phone with up to 

60 dB gain and +48 volt phantom power supply

They enable full utilization of the greatly extended dynamic range of your 

24-bit/192 kHz HD recorder, thereby main taining optimal audio quality

Multi-effects processor
In addition, the UB1002FX/UB1202FX offers an effects processor equipped with 

24-bit A/D and D/A converters. The FX processor puts at your disposal 100 presets 

with first-class room simulations, delay and modulation effects, and many 

multi-effects in outstanding audio quality.

A mixing console fulfils three main functions:

Signal processing: 
Preamplification
Microphones convert sound waves into voltage that has to be amplified 

several-fold; then, this voltage is turned into sound that is reproduced 

in a loudspeaker. Because micro phone capsules are very delicate in their 

construction, output voltage is very low and therefore susceptible to 

interference. Therefore, mic signal voltage is amplified directly at the mixer 

input to a higher signal level that is less prone to interference. This higher, 

interference-safe signal level has to be achieved through amplification 

using an amplifier of the highest quality in order to amplify the signal 

and add as little noise to it as possible. The IMP “Invisible” Mic Preamp 

performs this role beautifully, leaving no traces of noise or sound coloration. 

Interference that could take place at the preamplification level could affect 

signal quality and purity, and would then be passed on to all other devices, 

resulting in inaccurate sounding program during recording or playback.

Level-setting
Signals fed into the mixer using a DI-box (Direct Injection) or the output of a 

sound card or a keyboard, often have to be adjusted to the operating level of 

your mixing console.
Frequency response correction
Using the equalizers found in each channel strip, you can simply, quickly and 

effectively adjust the way a signal sounds.

Signal distribution: 
Individual, processed signals from the channel strips are compiled on busses 

and are fed into the main section for further processing. Connections for 

recording equipment, power amplifiers, headphones as well as CD/tape 

connectors are available here. The mix is sent to the internal FX processors or 

external effects processors via aux sends and returns. Similarly, a mix can be 

created for the musicians on the stage (monitor mix).

Mix: 
All other mixing console functions fall under this vital category. Creating a 

mix means primarily adjusting the volume levels of individual instruments 

and voices to one another as well as giving them the appropriate weight 

within the overall frequency spectrum. Likewise, you’ll have to sensibly 

spread individual voices across the stereo image of a signal. At the end of 

this process, adjusting the level of the entire mix to other equipment in the 

signal path is required (e. g. recorder/crossover/amplifier).

The interface of BEHRINGER mixing consoles is optimized for these tasks, 

enabling you to easily keep track of the signal path.

The user’s manual is designed to give you both an overview of the controls, 

as well as detailed information on how to use them. In order to help you 

understand the links between the controls, we have arranged them in groups 

according to their function. If you need to know more about specific issues, 

please visit our website at http://behringer.com. Additional information and 

explanations about various music industry/audio technology terminology 

can be found on individual product pages as well as in the glossary area of 

behringer.com. 

For the moment, just try and trace the signal path from the microphone input 

to the FX SEND connector. Don’t be put off by the huge range of possibilities; 

it’s easier than you think! If you look at the overview of the controls at the same 

time, you’ll be able to quickly familiarize yourself with your mixing console and 

you’ll soon be making the most of all its many possibilities.

1.3.1  Shipment
Your mixing console was carefully packed in the factory to guarantee safe 

transport. Nevertheless, we recommend that you carefully examine the 

packaging and its contents for any signs of physical damage that may have 

occurred during transit.