Брошюра для Behringer Eurodesk SX2442FX
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Balanced Main mix outputs with
¼" jack and gold-plated XLR
connectors, separate Control room,
Headphone and stereo Tape outputs
¼" jack and gold-plated XLR
connectors, separate Control room,
Headphone and stereo Tape outputs
Solo-In-Place and Pre-Fader-Listen
functions plus full-featured
Talkback section
functions plus full-featured
Talkback section
Standby switch mutes all channels
during breaks while background
music is provided via CD/Tape inputs
during breaks while background
music is provided via CD/Tape inputs
Long-wearing 60 mm
logarithmic-taper faders and
sealed rotary controls
logarithmic-taper faders and
sealed rotary controls
Internal autorange power supply for
maximum flexibility (100 – 240 V~),
noise-free audio, superior transient
response plus low power
consumption for energy saving
maximum flexibility (100 – 240 V~),
noise-free audio, superior transient
response plus low power
consumption for energy saving
High-quality components and
exceptionally rugged construction
ensure long life
exceptionally rugged construction
ensure long life
Conceived and designed by
BEHRINGER Germany
BEHRINGER Germany
Naturally we gave you a whole palette
of creative effects like reverb, chorus,
flanger, delay and pitch shifter tones,
as well as mind-bending multi-effects to
take your sound out of this world. But you
also get problem solving workhorses
like compression and gating plus final
effects such as Ultramizer, Ultrabass
and Exciter that can put a PA or studio
mix over the top. And because there
are two processors, you can cue two
separate effects, then apply one or both
to channels 1 through 20 — compression
for the vocalist, reverb for the vocalist and
snare drum, for example.
flanger, delay and pitch shifter tones,
as well as mind-bending multi-effects to
take your sound out of this world. But you
also get problem solving workhorses
like compression and gating plus final
effects such as Ultramizer, Ultrabass
and Exciter that can put a PA or studio
mix over the top. And because there
are two processors, you can cue two
separate effects, then apply one or both
to channels 1 through 20 — compression
for the vocalist, reverb for the vocalist and
snare drum, for example.
What the heck is “British EQ”?
A good thing to have on your side
when you start reaching for those channel
equalization knobs. At a live concert or in
the studio.
equalization knobs. At a live concert or in
the studio.
Think of it as kinder, gentler, more
musical EQ like the type found on classic
British consoles from the 60’s and 70’s.
Single malt scotch instead of Everclear.
Home-baked cherry cobbler instead of
an artificial cherry lollypop.
British consoles from the 60’s and 70’s.
Single malt scotch instead of Everclear.
Home-baked cherry cobbler instead of
an artificial cherry lollypop.
British EQ’s distinct configuration
of wider curves/lower Q and harmonic
phase characteristics allows you to add
or subtract EQ more generously than you
can with conventional EQ circuit designs.
When you add low midrange, you get
a firmer sound instead of a nasty bonk.
When you back high frequencies off a
bit, treble backs off just a hair instead of
turning muffled.
phase characteristics allows you to add
or subtract EQ more generously than you
can with conventional EQ circuit designs.
When you add low midrange, you get
a firmer sound instead of a nasty bonk.
When you back high frequencies off a
bit, treble backs off just a hair instead of
turning muffled.
All SX2442FX mono channels have
low and high shelving plus a sweepable
“midrange” you can move anywhere from
100 Hz to 8 kHz. Think of it as your roving
English troubleshooter.
“midrange” you can move anywhere from
100 Hz to 8 kHz. Think of it as your roving
English troubleshooter.
Kill feedback before it maims
your audience.
your audience.
When it comes to suppressing
feedback, the SX2442FX is like having
a bloodhound trained to spot trouble
frequencies a mile away.
a bloodhound trained to spot trouble
frequencies a mile away.
The 9-band graphic EQ (which you
can choose to apply to your main mix
or monitor mix via the MAIN/AUX1
button) features the FBQ Feedback
Detection system. It makes finding and
adjusting critical frequencies a snap.
or monitor mix via the MAIN/AUX1
button) features the FBQ Feedback
Detection system. It makes finding and
adjusting critical frequencies a snap.
Just push FBQ IN, then watch as LEDs
on the individual EQ sliders light up,
indicating which frequency bands are
causing feedback. Simply adjust until the
LED goes dim.
on the individual EQ sliders light up,
indicating which frequency bands are
causing feedback. Simply adjust until the
LED goes dim.
The Ins and Outs
Some manufacturers make what they
call 24-input mixers that count stuff like
CD/TAPE IN as an input. But the SX2442FX
really gives you sixteen honest mono
channels plus eight stereo channels,
making it easy to accommodate a variety
aio or live performance configurations.
You can connect up to 16 microphones or
other mono instruments and up to four
stereo instruments (keyboards or tone
modules, for example).
CD/TAPE IN as an input. But the SX2442FX
really gives you sixteen honest mono
channels plus eight stereo channels,
making it easy to accommodate a variety
aio or live performance configurations.
You can connect up to 16 microphones or
other mono instruments and up to four
stereo instruments (keyboards or tone
modules, for example).
You can combine these input in
four different sub-mixes (we call them
buses). That allows you to blend multiple
channels—say all the mics on a drum
kit or all the backup singers’ mics—to
a single fader, which is easier to adjust
for the overall mix that goes to the PA
speakers. You can also use one or more
of the sub-mix buses to create custom
monitor mixes for picky members of your
band (“More me! More me!”).
buses). That allows you to blend multiple
channels—say all the mics on a drum
kit or all the backup singers’ mics—to
a single fader, which is easier to adjust
for the overall mix that goes to the PA
speakers. You can also use one or more
of the sub-mix buses to create custom
monitor mixes for picky members of your
band (“More me! More me!”).
A zillion ways to change the channel
At the top of each mono channel,
you’ll find both a balanced XLR input with
a XENYX mic preamp and a ¼" input.
A phantom power switch located on
the back near the main power switch
accommodates condenser mics.
a XENYX mic preamp and a ¼" input.
A phantom power switch located on
the back near the main power switch
accommodates condenser mics.
Next comes is an insert for connecting
up individual signal processors or feeding
a remote broadcast feed or multitrack
recorder directly.
a remote broadcast feed or multitrack
recorder directly.
Trim control and level set LED let
you adjust the channel’s input level for
maximum headroom and minimum
noise — the huge range of this control
can handle anything from a very
timid vocalist to a close-miked guitar
amp stack.
maximum headroom and minimum
noise — the huge range of this control
can handle anything from a very
timid vocalist to a close-miked guitar
amp stack.
Each mono channel features a 3-band
EQ with semi-parametric mids (giving you
control of the Mid level and a sweepable
frequency with a boost or cut of 15 dB)
and a Trim control for adjusting input gain
via a Level Set LED.
control of the Mid level and a sweepable
frequency with a boost or cut of 15 dB)
and a Trim control for adjusting input gain
via a Level Set LED.
Continued on next page
EURODESK
SX2442