Samson MDR6 用户手册

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14
ENGLISH
Operating the MDR6
Using The HDM (HARD DISK MODE)
The MDR6 includes an exclusive HDM (HARD DISK MODE) that has been designed to interface with computer based 
hard disk recorders.  Never before have such flexible routing and monitoring been included in such a small mixer.  The 
HDM provides a seamless solution for recording and overdubbing on a hard disk recorder by providing a special record 
bus plus unique monitoring to solve latency problems.
When you are working with the mixer configured to HDM, the MDR6 engages the RECORD bus and a special 2-Track lis-
tening mode. When engaged, the HDM allows you to assign any of the channels to the RECORD bus.  In this mode, the 2-
Track output (located in the Master section) is now outputting the mix from the RECORD bus. While in HDM you can still 
mix in the 2-Track return, however, it will not be recorded since it is not sent to the RECORD (2-Track Out) bus. Therefore, 
if your hard disk recorder is connected to the 2-Track Inputs and Outputs, you can listen to the output of the hard disk 
recorder while listening to the MDR6 input channels. By listening to the tracks that you are recording directly from the 
input faders, you avoid having to loop back the track you 
are recording, thereby eliminating latency delays. Follow 
the examples below to use the HDM.
Set the MDR6 INPUT faders all the way down and the L 
& R MIX faders to the “0” position. For this example, we’ll 
first record a rhythm track sequence from a MIDI keyboard 
(any stereo track will do), then do an overdub. If you are 
using an imported loop or internal sequencer, skip the 
Recording section and go on to the Overdub section.
Recording Using HDM 
1.   Connect the output from your computer sound card 
to the MDR6’s 2-Track In and then connect the MDR6’s  
2-Track Output to the input of the sound card. 
2.   Connect the outputs from a MIDI keyboard to the ste-
reo inputs channels 5/6. 
3.   Engage the HDM switch in the MASTER section. 
4.   Press the RECORD switch on the MDR6’s channel 5/6. The input channel’s REC LED 
will flash indicating the channel is assigned to the RECORD bus.
5.    Raise the channel 5/6 fader to the nominal area (0 ).  
6.   Now,  test your listening level by starting the MIDI sequencer and slowly raising the 
Control Room output level until you have set a comfortable listening level.  If the 
sound is too low, raise the output level of your keyboard. If the sound is distorted,  
lower the output level of your keyboard.
7.   Select the record enable on the tracks you are recording to on your hard disk record-
er and set a level as described in your software manual.
8.   Press REC/PLAY on your recorder and play on the MIDI sequencer.
  
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PAN
0
L
R
HF
12K
0
15
10
10
5
5
15
MF
2.5K
15
10
10
5
15
0
5
0
LF
80Hz
0
15
10
10
5
15
5
0
30
5      
  -26
5      
-26
      60 
+26 
      60 
+26
MONO
MONO OUT
AUX OUT
 LINE IN
AUX RET
LEFT/MONO
RIGHT
CR OUT
LEFT
RIGHT
MIX OUT
LEFT
RIGHT
LINE IN
AUX RETURN
C/ROOM
+PHONES
LEFT
RIGHT
LEFT
RIGHT
2T IN
2T OUT
MIX/2T
PAN
0
L
R
HF
12K
0
15
10
10
5
5
15
MF
2.5K
15
10
10
5
15
0
5
0
LF
80Hz
0
15
10
10
5
15
5
0
30
BAL
0
L
R
HF
12K
0
15
10
10
5
5
15
MF
2.5K
15
10
10
5
15
0
5
0
LF
80Hz
0
15
10
10
5
15
5
0
BAL
0
L
R
HF
12K
0
15
10
10
5
5
15
MF
2.5K
15
10
10
5
15
0
5
0
LF
80Hz
0
15
10
10
5
15
5
0
5
0
10
5
0
10
2TK TO RETURN
5
0
10
5
0
10
AUX
0
10
AUX
0
10
AUX
0
10
AUX
0
10
GAIN
CLIP
GAIN
CLIP
3/L
4/R
5/L
6/R
10
5
0
10
5
20
30
40
10
5
0
10
5
20
30
40
15
15
10
5
0
10
5
20
30
40
10
5
0
10
5
20
30
40
15
15
10
5
0
10
5
20
30
40
10
5
0
10
5
20
30
40
15
15
10
5
0
10
5
20
30
40
10
5
0
10
5
20
30
40
15
15
10
5
0
10
5
20
30
40
10
5
0
10
5
20
30
40
10
5
0
10
5
20
30
40
15
15
15
HARD
DISK
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CHANNEL 1
CHANNEL 1
CHANNEL 2
CHANNEL 2
CHANNEL 3/4
CHANNEL 3/4
CHANNEL 5/6
CHANNEL 5/6
L
L
R
R
MIX
MIX
MIC/LINE 1
MIC/LINE 2
MIC/LINE 3/4
MIC/LINE 5/6
PHONES
MASTER SECTION
MODE
REC
REC
REC
REC
MASTER SECTION
PEAK
+6
0
-6
-20
POWER
48V