Godin xtsa 用户指南
The Electric Voices
The xtSA delivers electric sounds via the Godin humbucker-
single-humbucker pick-up configuration and thanks to a spe-
cial 5-way switch set-up, extra meaty humbucker tones co-
exist with glassy single coil sounds in the second and forth
position.
The xtSA delivers electric sounds via the Godin humbucker-
single-humbucker pick-up configuration and thanks to a spe-
cial 5-way switch set-up, extra meaty humbucker tones co-
exist with glassy single coil sounds in the second and forth
position.
The Acoustic and Synth Voices
Turn down the electric volume and raise the volume on the
RMC transducer saddles and the xtSA becomes an incredibly
authentic-sounding 'acoustic' guitar. The acoustic voice of the
xtSA is enhanced by an onboard preamp with a three-way
graphic EQ. The two outputs are set up so that the electric
and acoustic voices can be blended in the guitar using a sin-
gle patch cord or at the amp/mixer using both outputs. The
third voice on the xtSA comes in the form of its synth tracking,
which simply put, is the best in the business. As with all of
Godin synth-ready instruments, a built-in 13-pin connector
provides direct access to all Roland GR-Series synths as well
as most other 13-pin devices.
Turn down the electric volume and raise the volume on the
RMC transducer saddles and the xtSA becomes an incredibly
authentic-sounding 'acoustic' guitar. The acoustic voice of the
xtSA is enhanced by an onboard preamp with a three-way
graphic EQ. The two outputs are set up so that the electric
and acoustic voices can be blended in the guitar using a sin-
gle patch cord or at the amp/mixer using both outputs. The
third voice on the xtSA comes in the form of its synth tracking,
which simply put, is the best in the business. As with all of
Godin synth-ready instruments, a built-in 13-pin connector
provides direct access to all Roland GR-Series synths as well
as most other 13-pin devices.
Tone
Volume
Custom Godin Pickups
Pos. 1 - A,B
Pos. 2 - A,B,C
Pos. 3 - C
Pos. 4 - C,D,E
Pos. 5 - D,E
Pos. 1 - A,B
Pos. 2 - A,B,C
Pos. 3 - C
Pos. 4 - C,D,E
Pos. 5 - D,E
The xtSA features 3 output jacks:
Output #1 is a regular 1/4" electric guitar output
Output #2 is a 13-Pin output and is capable of carrying all three
voices (electric, acoustic, synth). The 13-pin cable can be used
in conjunction with GR Series guitar synths and most other 13-
pin devices.
Output #3 is a dual function jack. Used on its own it serves as
a mix output carrying the signal from the acoustic bridge trans-
ducers as well as the magnetic pickups. Separate volume con-
trols on the guitar make it easy to mix the two signals.
Output #1 is a regular 1/4" electric guitar output
Output #2 is a 13-Pin output and is capable of carrying all three
voices (electric, acoustic, synth). The 13-pin cable can be used
in conjunction with GR Series guitar synths and most other 13-
pin devices.
Output #3 is a dual function jack. Used on its own it serves as
a mix output carrying the signal from the acoustic bridge trans-
ducers as well as the magnetic pickups. Separate volume con-
trols on the guitar make it easy to mix the two signals.
When an additional cable is inserted into output # 1 (electric
output) the magnetic pickup signal is removed from the mix out-
put so that there is now a separate output for both the magnetic
and bridge transducer pickup systems.
output) the magnetic pickup signal is removed from the mix out-
put so that there is now a separate output for both the magnetic
and bridge transducer pickup systems.
3 Outputs - 3 cords
You can use all three outputs to carry out the dedicated signal
into three different channels or amp sources.
You can use all three outputs to carry out the dedicated signal
into three different channels or amp sources.
*tip: when all three outputs are used you can insert a dummy
plug into the “guitar out” jack on the guitar synth to remove the
guitar from the synths’s stereo output.
plug into the “guitar out” jack on the guitar synth to remove the
guitar from the synths’s stereo output.
three-way selector
momentary S1/S2
V
olume
Treb
le
Mid
Bass
Synth Volume
A
B
C
D
E
Pos. 1
Pos. 5