Behringer Pro Mixer DX2000USB 用户手册

PRO MIXER DX2000USB User Manual

The sub bass output  

(63) 

 on the back panel comes with two rotary controls, 

one for output LEVEL  

(62) 

 (max. +22 dBu) and another for adjusting the crossover 

frequency of the low pass filter, CROSSOVER FREQUENCY. 

(61) 

 (low pass filter 

variable from 30 Hz to 200 Hz). This can be used to drive a very low frequency 

sound system in a studio or club to provide added bottom end.

A connector  

(37) 

 for an optional standard 12 V working light is offered, 

immediately above the bargraph meters. You should only use 5 Watt lights. 

We have not yet mentioned the big non-latching TRACK START buttons  

(20) 

 

immediately below the faders on channels 3 to 7. These have nothing to do with 

the audio side of your desk. They are REMOTE CONTROL buttons for interfacing 

with certain audio sources such as CD players, CART machines etc. which have 

remote jacks built into them. Please refer to the manufacturer’s specifications 

to see if your equipment conforms to this protocol. If it does, connection to 

the DX2000USB is by simple jack leads  

(55) 

 on the rear panel. Please ensure 

that your equipment’s remote control output does not exceed 30 V DC/50 mA 

(This is unlikely!).
The advantages of REMOTE CONTROL are purely ergonomic—you don’t have 

to stretch over the desk to bring in an audio file, jingle or music CD in on cue. 

For clarity of function it is best to associate each REMOTE button on the 

DX2000USB with the device supplying audio to the stereo channel immediately 

above it. Otherwise things could get very confusing! Please refer to the 

specifications of the equipment you want to connect.

A mono audio output  

(60) 

 is provided for connection to lighting controllers with 

a sound-to-light facility. Connection is via a standard ¼" jack on the back panel. 

Sensitivity is conveniently adjustable from the DX2000USB by the LIGHT LEVEL 

knob  

(40) 

 to the left of the bargraph meters. Too high, and the lights will stay on, 

too low and they won’t flash at all. Adjust LIGHT LEVEL until lights flash in time 

with the music.

Follow us on a walk along the rear panel of your PRO MIXER, starting left:

(50) 

Channel inserts. For inserting into the channel signal, pre-EQ and pre-fader.  

Unbalanced, send and return on a single ¼" jack socket, wired tip = send 

(out), ring = return (in) and sleeve = ground/screen.

(51) 

Line input. Balanced ¼" jack socket, wired tip = hot (+ve), ring = cold (-ve) 

and sleeve = ground/screen.

(52) 

Mic input. Balanced XLR, wired pin 1 = ground/screen, 2 = hot (+ve)  

and 3 = cold (-ve).

(53) 

(Aux) Send. Unbalanced ¼" jack socket, wired tip = signal and  

sleeve = ground/screen.

(54) 

(Aux) Return. Unbalanced ¼" jack sockets, wired tip = signal and  

sleeve = ground/screen.

(55) 

Remote control. ¼" jack socket.

(56) 

Line Input (Input 7). Unbalanced ¼" jack sockets, wired tip = signal and 

sleeve = ground/screen.

(57) 

CD inputs. RCA sockets.

(58) 

CD inputs. RCA sockets.

(59) 

Phono/Line inputs. RCA sockets.

(60) 

Light out. Unbalanced ¼" jack socket, wired tip = signal and  

sleeve = ground/screen.

(63) 

Sub bass out. Balanced XLR, wired pin 1 = ground/screen, pin 2 = hot (+ve) 

and pin 3 = cold (-ve).

(64) 

Main inserts. For inserting into the main mix signal. Unbalanced, send and 

return of one channel on a single ¼" jack socket, wired tip = send (out), 

ring = return (in) and sleeve = ground/srceen.

(65) 

Main outputs. Balanced ¼" jack sockets, wired tip = hot (+ve),  

ring = cold (-ve) and sleeve = ground/screen.

(66) 

Record out (with voice). RCA sockets.

(67) 

Main outputs. Balanced XLR, wired pin 1 = ground/screen, pin 2 = hot (+ve) 

and pin 3 = cold (-ve).

(61)

(60)

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(68) (69) (53)

(55)

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(63) (62) (67)

(70) (54) (56) (57)

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(50)

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