Avid Technology Car Video System PT 用户手册
Media Station|PT Guide
110
Opening an AAF Sequence for
Playback on a Video Satellite
System
Playback on a Video Satellite
System
You can open an AAF sequence for playback on
a video satellite system from volumes that do or
do not support direct playback.
a video satellite system from volumes that do or
do not support direct playback.
Importing an AAF Sequence into
Media Station|PT from a Volume
Supporting Direct Playback
Media Station|PT from a Volume
Supporting Direct Playback
Volumes supporting direct playback can include
local video storage or Unity.
local video storage or Unity.
To import an AAF sequence into Media Station|PT
from a volume supporting direct playback:
from a volume supporting direct playback:
1
If the AAF sequence you received contains
linked media, copy the media as follows:
• Copy all OMF video files and OMF-
wrapped WAV or AIFF files to the OMFI Me-
diaFiles folder.
diaFiles folder.
• Copy all MXF files to the Avid MediaFiles
folder.
2
Refresh the media database by doing one of
the following:
• Launch Media Station|PT.
– or –
• Choose File > Refresh Media Directories
3
In Media Station|PT, open the bin where you
want to import the AAF sequence. (If the bin is
already open, click inside it to make it the active
window.)
already open, click inside it to make it the active
window.)
4
Choose File > Import.
5
Locate the AAF sequence on the volume sup-
porting direct playback.
One of the following occurs:
• If you imported an AAF sequence that refers to
external (linked) media, the sequence appears
in the bin.
in the bin.
• If you imported an AAF sequence with embed-
ded media, Media Station|PT automatically
copies the embedded media to the designated
media file folders.
copies the embedded media to the designated
media file folders.
6
When the sequence appears in the bin, drag
the sequence into the Record Monitor to place it
in the Timeline.
in the Timeline.
If your Pro Tools session contains video re-
gions of one frame rate, you cannot import
a satellite video track that refers to video of
a different frame rate—regardless of the
fact that you're not playing the actual
video. You must first delete the existing
video regions. If you have a 1080 sequence
at 50 fps and your Pro Tools session con-
tains video clips at 25 fps, you can convert
the project in Media Station|PT to SD (see
“Down-Converting an HD Project to SD
Video” on page 54) and re-export the AAF
at 25 fps. You can use the same technique if
you have a 1080 sequence at 59.94 fps and
your Pro Tools session contains video clips
at 29.97 fps.
gions of one frame rate, you cannot import
a satellite video track that refers to video of
a different frame rate—regardless of the
fact that you're not playing the actual
video. You must first delete the existing
video regions. If you have a 1080 sequence
at 50 fps and your Pro Tools session con-
tains video clips at 25 fps, you can convert
the project in Media Station|PT to SD (see
“Down-Converting an HD Project to SD
Video” on page 54) and re-export the AAF
at 25 fps. You can use the same technique if
you have a 1080 sequence at 59.94 fps and
your Pro Tools session contains video clips
at 29.97 fps.