Korg C-720 Benutzerhandbuch
Appendix > Sounds
68
Appendix
Sounds
Var.
Name
CC 0
CC32
PC*
Osc.
Description
PIANO 1
1
GrandPiano**
121
0
0
4
Samples recorded from a gorgeous-sounding concert grand piano. It also includes
four dynamic levels, sustain samples, and key-off samples, plus other EPx effects. Per-
fect for classical compositions as well as any other style that requires an accurate
acoustic piano sound.
four dynamic levels, sustain samples, and key-off samples, plus other EPx effects. Per-
fect for classical compositions as well as any other style that requires an accurate
acoustic piano sound.
2
BriteGrand**
121
0
1
4
As the above, but slightly more open-sounding.
3
Rock Piano
121
1
1
2
Bright, spacious and clean piano. Excellent for pop or rock music.
4
Piano&Str.
121
2
0
4
A mix of warm piano and full, lush strings.
PIANO 2
1
Honky-Tonk
121
0
3
2
Classic, detuned saloon-piano.
2
MelloGrand**
121
1
0
4
Warm, slightly dark-sounding piano. Mostly good for classical music.
3
Piano&Pad
121
3
0
4
A mix of warm piano and warm, synthetic pads.
4
Elec.Grand
121
0
2
2
An electronic piano sound, typical of the late 70s. Extremely dynamic, with varying
timbre according to keyboard dynamics. Good for pop and funky music.
timbre according to keyboard dynamics. Good for pop and funky music.
5
M1 Piano
121
1
2
2
The classic, ringing sound of the Korg M1 sampled piano, so often heard in pop music
during the late 80s.
during the late 80s.
E. PIANO 1
1
Tine EP 1
121
0
4
4
The most classic electric piano using hammer-struck metallic tines. It is extremely
dynamic, producing a soft tone when played lightly, or an aggressive tone when
played hard.
dynamic, producing a soft tone when played lightly, or an aggressive tone when
played hard.
2
SuitTineEP
121
1
4
2
As the above, but warmer and with the addition of a phaser effect.
3
DynoTineEP
121
2
4
2
This electric piano has a very wide dynamic range, and is particularly suited to funky
music.
music.
4
Tine EP 2
121
4
4
2
As Tine EP1, but with a tremolo effect.
E. PIANO 2
1
Dig. EP 1
121
0
5
2
An electronic piano sound created by means of the FM synthesis, extremely popular
during the mid 80s. Wide dynamic range. It is particularly suited to pop music of the
age.
during the mid 80s. Wide dynamic range. It is particularly suited to pop music of the
age.
2
Dig. EP 2
121
1
5
2
As the above, but slightly brighter.
3
Reed EP
121
3
4
1
An electric piano sound, often heard in pop music.
4
TremReedEP
121
5
4
1
As the above, but with a tremolo effect.
HARPSI/CLAV
1
Harpsi 8
121
0
6
3
This is the classic instrument for baroque music. Harpsichord uses plucked strings, so
there is no touch response.
there is no touch response.
2
Harpsi 16
121
1
6
4
As the above, but with the addition of a register one octave lower.
3
Clav
121
0
7
2
The clavinet sound. This is often heard in funk and soul music. The leftmost pedal is
used to trigger glide down.
used to trigger glide down.
4
Synth Clav
121
1
7
3
A synth-generated clavinet sound. The leftmost pedal is used to trigger glide down.
VIBES/GUITAR
1
Vibes 1
121
0
11
2
A sampled orchestral vibraphone with a great dynamic range.
2
Vibes 2
121
1
11
2
As the above, but with no tremolo.
3
Nylon Gtr.
121
0
24
2
A gorgeous, full-sounding nylon-strings guitar. The leftmost pedal is used to trigger
glide down.
glide down.
C720_English.fm Page 68 Tuesday, October 10, 2006 4:14 PM