Harman MPMI Benutzerhandbuch

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Soundcraft MFXi MPMi User Guide Issue 1210
USING YOUR MFXi/MPMi CONSOLE
The final output from your sound system can only ever be as good as the 
weakest link in the chain, and especially important is the quality of the 
source signal because this is the starting point of the chain.  Just as you 
need to become familiar with the control functions of your mixer, so you 
must recognise the importance of correct choice of inputs, microphone 
placement and input channel settings. However, no amount of careful 
setting up can take account of the spontaneity and unpredictability of 
live performance. The mixer must be set up to provide “spare” control 
range to compensate for changing microphone position and the absorp-
tion effect of a large audience (different acoustic characteristics from 
soundcheck to show).  
MICROPHONE PLACEMENT
Careful microphone placement and the choice of a suitable type of micro-
phone for the job is one of the essentials of successful sound reinforce-
ment.  The diagrams on the left show the different pick-up patterns for 
the most common types of microphone.  Cardioid microphones are most 
sensitive to sound coming from in front, and hypercardioid microphones 
offer even greater directivity, with a small amount of pickup behind the 
microphone.  These types are ideal for recording vocalists or instruments, 
where rejection of unwanted sounds and elimination of feedback is impor-
tant.  The aim should be to place the microphone as close as physically 
possible to the source, to cut out unwanted surrounding sounds, allow a 
lower gain setting on the mixer and avoid feedback. Also a well chosen and 
well placed microphone should not need any appreciable equalisation.
There are no exact rules  -  let your ears be the judge.  In the end, the 
position that gives the desired effect is the correct position!
INITIAL SETUP
Once you have connected up your system (see the sections on connec-
tion and wiring earlier in this manual for guidance) you are ready to set 
initial positions for the controls on your mixer.  
Set up individual input channel as follows:
Connect your sources (microphone, keyboard etc.) to the required 
inputs.  
 
WARNING:  Phantom powered mics should be connected before the 
+48V is switched on.  Ensure the PA system is OFF when switching 
phantom power on or off.
• 
Set Master faders at 0, input faders at 0, and set power amplifier 
levels to about 70%.
Provide a typical performance level signal and press the PFL button 
on the first channel, monitoring the level on the bargraph meters.
Adjust the input gain until the meter display is in the amber section, 
with occasional peaks to the first red LED at a typical maximum 
source  level. This  allows  sufficient  headroom  to  accommodate 
peaks and establishes the maximum level for normal operation 
(but see note below).