Fujifilm 1x2 Crystal Archive Supreme HD 17.8 cm x 80 m, lustre 1048295 Benutzerhandbuch

Produktcode
1048295
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FUJIFILM PRODUCT INFORMATION BULLETIN  
  FUJICOLOR CRYSTAL ARCHIVE PAPER SUPREME HIGH DEFINITION
z
  Notes on Print Storage
1  Prints should be inserted into albums, mounted, or 
placed into a bag (plastic*) for photographic prints 
before being stored.
*  Made of polyester, polystyrene, polyethylene, or polypropy-
lene plastic, etc.
2  Even during normal storage, it is recommended 
that prints be stored at a place as free as possible 
from hot and humid conditions, and away from 
direct sunlight and other strong light or from direct 
illumination. The following are examples of undesir-
able storage conditions. 
• Storage in a room closet facing a wall exposed 
to cold outside air (which may cause conden-
sation).
• Storage in a place near the ceiling, such as an 
attic, the top of a closet or cupboard (where high 
temperatures may occur).
3  Storing prints with their front surfaces facing each 
other may result in unexpected problems. For this 
reason, prints should be stored with their front sur-
faces facing away from each other. If the adjacent 
print placement is unavoidable, it is necessary to 
keep the surfaces separated by, for example, the 
use of interleaving sheets of paper. 
6.
LIGHT SOURCES FOR VIEWING
When inspecting finished color prints, it is essential that 
an illumination source be used that has superior spec-
tral characteristics, adequately high color temperature 
and sufficient brightness. This is because results can 
appear different, depending on light quality. For precise 
results, prints should be examined under the conditions 
designated by ISO 3664-2000. As a general guide, the 
following conditions are recommended.
  Color Temperature 
: 5000 ± 300 K
  Average Illumination 
: 500 Lux or more
  General Color Rendering Index  : Ra 90 or more*
*  To attain these values, special fluorescent lamps designed 
for color evaluation (e.g. EDL type) should be used.
When inspecting finished prints, be careful to shut out 
all external light and colored reflected light.
7.
USE WITH FRONTIER
Please refer to the following calibration data as a gen-
eral guide when using FUJICOLOR CRYSTAL ARCHIVE 
PAPER SUPREME HIGH DEFINITION on a digital printer.
All Frontiers requires a dedicated LUT when printing.
This dedicated LUT is available on installer A3.
For availability of this CD, please contact your local dis-
tributor. 
20°C (68°F) Temperature Equalization Periods
 Unit: 
hours
Storage
Temperature
Paper Size
–20°C
(–4°F)
0°C
(32°F)
10°C
(50°F)
10.2 cm × 170 m
(4 in. ×  558 ft.)
6
5
3.5
NOTES   • Do not heat paper in order to equalize tempera tures.
 
• Remove paper from refrigeration one day before use.
• If exposed paper remains unprocessed for extended 
periods of time under normal room conditions or is 
subjected to high temperature and/or high humidity, 
changes in the color balance and other properties 
may occur.
• The time between exposure and development 
should be fixed in order to obtain consistent quality. 
Avoid waiting until the next day to develop the ex-
posed paper. Rather than holding the paper for pro-
cessing the next day, initiate processing as soon as 
possible.
4.
PROCESSING
This paper is designed to produce optimum results in 
conjunction with Fuji Minilab Process CP-48S or CP-
49E.
Combining this paper with Fuji chemicals results in 
many advantages including faster processing, greater 
processing stability, reduced contamination hazards, 
greater ease in solution preparation and higher print 
quality.
5.
POST-PROCESSING PAPER (PRINT) 
HANDLING/STORAGE
Since prints are usually used for the long-term recording 
of images, as much effort as possible is made to use 
materials that exhibit the least amount of change over 
time, but the effects of light, heat, oxygen in the air, 
contaminating gases, humidity and mold cannot be 
completely avoided. It is possible, however, to minimize 
the change in the photographic image or base material 
by maintaining the appropriate storage conditions for 
prints, such as those used by museums and art gal-
leries. Temperature and humidity control is the most 
important key to minimizing the change that occurs 
in prints. Prints stored in the dark under the following 
conditions may be expected to show almost no change 
over time.
Storage Period with 
Almost No Change
Temperature
Relative Humidity
More than 20 years
Below 10°C (50°F)
30% — 50%
10 — 20 years
Below 25°C (77°F)
30% — 50%