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210
CHAPTER
21
The Vocoder of the VIRUS
NOTES ABOUT THE
VOCODER:
The vocoder can also be controlled
by any part of the multimode. If
more than one part of the multi-
mode contains an activated
vocoder, only the vocoder of the
part with the lowest part number
is active.
by any part of the multimode. If
more than one part of the multi-
mode contains an activated
vocoder, only the vocoder of the
part with the lowest part number
is active.
The vocoder takes a lot of comput-
ing power. This reduces the maxi-
mum number of voices dependent
on the number of vocoder bands
used. A vocoder with 32 bands
takes approximately 4 voices away,
although the vocoder only starts to
reduce the number of voices when
there is an audio signal at the
vocoder input. 10 seconds after the
signal is diminished, the VIRUS
”frees” the voices again to get back
the maximum polyphony.
ing power. This reduces the maxi-
mum number of voices dependent
on the number of vocoder bands
used. A vocoder with 32 bands
takes approximately 4 voices away,
although the vocoder only starts to
reduce the number of voices when
there is an audio signal at the
vocoder input. 10 seconds after the
signal is diminished, the VIRUS
”frees” the voices again to get back
the maximum polyphony.
As mentioned before, the whole
filter section is exchanged to the
vocoder, parameters, parameters
like saturation or the filter routing
are not available anymore.
filter section is exchanged to the
vocoder, parameters, parameters
like saturation or the filter routing
are not available anymore.
If you would like to use the vocoder
as an external effect device,
choose one external input in the
VOCODER MODE parameter page
(modulator signal) and the carrier
signal by the INPUT SELECT page.
as an external effect device,
choose one external input in the
VOCODER MODE parameter page
(modulator signal) and the carrier
signal by the INPUT SELECT page.
A similar task has to be performed
to use several multimode parts to
feed the vocoder. Use OUTPUT
SELECT (OutSel) within the desired
multimode patches to route them
to the auxiliary sends. Then select
these auxiliary sends in the
VOCODER MODE and INPUT page.
Isn’t that easy?
to use several multimode parts to
feed the vocoder. Use OUTPUT
SELECT (OutSel) within the desired
multimode patches to route them
to the auxiliary sends. Then select
these auxiliary sends in the
VOCODER MODE and INPUT page.
Isn’t that easy?
The auxiliary sends of more than
one part are mixed automatically
(similar to a mixing desk). There-
fore, a whole drum track (which
consists of several multiparts for
several instruments) can be used
at once to drive the vocoder’s in.
Using FILTER BALANCE you can bal-
ance the level of the original sig-
nal.
one part are mixed automatically
(similar to a mixing desk). There-
fore, a whole drum track (which
consists of several multiparts for
several instruments) can be used
at once to drive the vocoder’s in.
Using FILTER BALANCE you can bal-
ance the level of the original sig-
nal.
The effect section (chorus, delay)
and the output selection can be
used in a vocoder patch.
and the output selection can be
used in a vocoder patch.