Fujifilm 1x4 Crystal Archive Supreme 10.2 cm x 170 m, glossy 1048309 Benutzerhandbuch

   

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FUJIFILM PRODUCT INFORMATION BULLETIN        FUJICOLOR CRYSTAL ARCHIVE PAPER SUPREME <NEW>

 

 
 

  If exposed paper remains unprocessed for extended 

periods of time under normal room conditions or is 
subjected to high temperature and/or high humidity, 
changes in the color balance and other properties 
may occur. 

  The time between exposure and development 

should be fixed in order to obtain consistent quality. 
Avoid waiting until the next day to develop the 
exposed paper. Rather than holding the paper for 
processing the next day, initiate processing as soon 
as possible. 

 
 

4. PROCESSING 

 
This paper is designed for use with FUJICOLOR 
Paper Process CP-40FA, CP-43FA, CP-47L, CP-48S, 
and CP-49E, or RA-4 type processes.   
 
 

5. 

 

POST-PROCESSING PAPER (PRINT) 

HANDLING/STORAGE 

 
Since prints are usually used for the long-term 
recording of images, as much effort as possible is 
made to use materials that exhibit the least amount of 
change over time, but the effects of light, heat, oxygen 
in the air, contaminating gases, humidity and mold 
cannot be completely avoided. It is possible, however, 
to minimize the change in the photographic image or 
base material by maintaining the appropriate storage 
conditions for prints, such as those used by museums 
and art galleries. Temperature and humidity control is 
the most important key to minimizing the change that 
occurs in prints. Prints stored in the dark under the 
following conditions may be expected to show almost 
no change over time. 

 

Storage Period with

Almost No Change  Temperature 

Relative 

Humidity 

More than 20 years 

Below 10

｡

C (50

｡

F) 

30% - 50% 

10 - 20 years 

Below 25

｡

C (77

｡

F) 

30% - 50% 

 

 
 

  Notes on Print Storage 

1 

Prints should be inserted into albums, mounted, or 
placed into a bag (plastic*) for photographic prints 
before being stored. 

*

 

Made of polyester, polystyrene, polyethylene, or 

polypropylene plastic, etc. 

2 

Even during normal storage, it is recommended that 
prints be stored at a place as free as possible from 
hot and humid conditions, and away from direct 
sunlight and other strong light or from direct 
illumination. The following are examples of 
undesirable storage conditions. 

  Storage in a room closet facing a wall exposed to 

cold outside air (which may cause 
condensation). 

  Storage in a place near the ceiling, such as an 

attic, the top of a closet or cupboard (where high 
temperatures may occur). 

3 

Storing prints with their front surfaces facing each 
other may result in unexpected problems. For this 
reason, prints should be stored with their front 
surfaces facing away from each other. If the 
adjacent print placement is unavoidable, it is 
necessary to keep the surfaces separated by, for 
example, the use of interleaving sheets of paper.   

 
 

6. 

LIGHT SOURCES FOR VIEWING 

 
When inspecting finished color prints, it is essential 
that an illumination source be used that has superior 
spectral characteristics, adequately high color 
temperature and sufficient brightness. This is because 
results can appear different, depending on light quality. 
For precise results, prints should be examined under 
the conditions designated by ISO 3664-2000. As a 
general guide, the following conditions are 
recommended. 

 

Color Temperature 

: 5000 300 K 

Average Illumination 

: 500 Lux or more 

General Color Rendering Index  : Ra 90 or more* 

 

*  To attain these values, special fluorescent lamps 

designed for color evaluation (e.g. EDL type) 
should be used. 

 
When inspecting finished prints, be careful to shut out 
all external light and colored reflected light.