Yamaha GO46 Benutzerhandbuch
13
Front Panel
A
INPUT 1/2 jacks
These inputs are intended for microphones with XLR connectors or instruments with 1/4"
jacks. When connecting devices to the INPUT jacks on both the front and rear panels, the
input on the front panel takes precedence and will automatically be active.
These inputs are intended for microphones with XLR connectors or instruments with 1/4"
jacks. When connecting devices to the INPUT jacks on both the front and rear panels, the
input on the front panel takes precedence and will automatically be active.
B
[GAIN 1]/[GAIN 2] knobs
Controls the preamplification of the signal being applied to INPUT 1/2 on the front/rear
panel.
Controls the preamplification of the signal being applied to INPUT 1/2 on the front/rear
panel.
While recording, make sure to record at the highest level possible (without distortion or clipping) to
get the greatest benefit from the wide dynamic range of the 24-bit converter. Always remember
that a properly recorded, clean take is far more valuable than having to use the best corrective
plug-in to fix an inferior take.
get the greatest benefit from the wide dynamic range of the 24-bit converter. Always remember
that a properly recorded, clean take is far more valuable than having to use the best corrective
plug-in to fix an inferior take.
C
SIGNAL and CLIP LED
Provides visual level monitoring of the signal to be recorded on INPUT 1/2 on the front/rear
panel. The lower blue LED indicates the presence of a signal, while the upper red one indicates
an overload of the input converter.
Provides visual level monitoring of the signal to be recorded on INPUT 1/2 on the front/rear
panel. The lower blue LED indicates the presence of a signal, while the upper red one indicates
an overload of the input converter.
D
[+48V] switch
Supplies +48 V phantom power to INPUT 1/2 on the front panel. Turn this switch on if you are
connecting a condenser microphone that requires external +48 V power.
Supplies +48 V phantom power to INPUT 1/2 on the front panel. Turn this switch on if you are
connecting a condenser microphone that requires external +48 V power.
Connectors and controls
Observe the following precautions when turning on phantom power.
■ Make sure that the PHANTOM switch is off when phantom power is not needed.
■ Make sure that no equipment other than phantom-powered microphones is
■ Make sure that the PHANTOM switch is off when phantom power is not needed.
■ Make sure that no equipment other than phantom-powered microphones is
connected to the inputs 1 and 2 jacks on the front panel when turning phantom
power on. Applying phantom power to equipment other than phantom-
powered microphones can damage the equipment. The exception to this rule is
balanced dynamic microphones, which can safely be left connected while
phantom power is applied to input jacks 1 and 2.
power on. Applying phantom power to equipment other than phantom-
powered microphones can damage the equipment. The exception to this rule is
balanced dynamic microphones, which can safely be left connected while
phantom power is applied to input jacks 1 and 2.
■ To minimize the possibility of speaker damage, turn phantom power on ONLY
while your power amplifier or powered speakers are switched off. It’s also a good
idea to turn the mixers output controls — [MASTER] knob and HEADPHONE
LEVEL knob — all the way down when turning phantom power on.
idea to turn the mixers output controls — [MASTER] knob and HEADPHONE
LEVEL knob — all the way down when turning phantom power on.
5
7
3
6
8
1
2
4
NOTE