Behringer lx1-x Benutzerhandbuch

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X V-AMP LX1-X User Manual
(22) 
AC IN. Connect the enclosed power supply to the AC IN connector. 
As soon as you plug the power supply into the mains, your X V-AMP 
is automatically “on”. More information on the power supply can be 
found in chapter 9 “Specifications”.
3.  Operating Modes (Configurations)
An outstanding characteristic of the entire V-AMP product line is the freedom 
to personally select which signal segments (according to your own needs and 
desires) will be fed to the outputs. To optimally adjust your X V-AMP to various 
studio and live situations, you can select one of the 9 possible configurations. 
These configurations assign where individual signals for line outputs and 
headphone outputs are coming from—and all this independent from the 
settings stored in the presets.
3.1  Selecting a CONFIGURATION
When you press NOISE GATE  
(3)
  and COMPRESSOR  
(5)
  at the same time, 
CONFIGURATION mode is activated or deactivated. The key LEDs are blinking as 
long as you are in CONFIGURATION mode.
Dialing up individual configurations in CONFIGURATION mode is done by using 
NOISE G.  
(3)
  and COMPR.  
(5)
. A table with the respective configurations is 
shown below.
Volume is adjustable globally by using the ADJUST control.
Input gain can be adjusted using ADJUST + TAP, so that you can adjust your 
X V-AMP globally to instruments with varying output signal levels, whereby the 
following goes: a higher setting is for quieter instruments, and a lower setting is 
for louder instruments.
OPERATING MODE
X V-AMP CONFIGURATION
PHONES (with all 
speaker and amp 
simulations)
P1
FLAT: Neutral EQ
P2
LOUDNESS: Increasing bass and highs
P3
PRESENCE: Accentuation of upper mids, lowering of bass tones
AMP + FX 
(without speaker 
simulations)
A1
FLAT: Neutral EQ
A2
LOUDNESS: Increasing bass and highs
A3
PRESENCE: Accentuation of upper mids, lowering of bass tones
only FX (without 
speaker and amp 
simulations)
F1
FLAT: Neutral EQ
F2
LOUDNESS: Increasing bass and highs
F3
PRESENCE: Accentuation of upper mids, lowering of bass tones
Tab. 3.1: Operating modes (CONFIGURATIONS)
3.2  Application (example)
Our example shows a typical X V-AMP application: Connection to a guitar amp 
(BEHRINGER V-TONE GMX212) using operating modes A1-F3 (without speaker 
simulation). The V-TONE GMX212 features a stereo aux input, while many other 
amps have only a mono instrument input. For jam sessions at your own pad, 
connect a set of high-quality headphones (e.g. our BEHRINGER HPS3000) to the 
LINE OUT/PHONES connector.
EUROLIVE B1220
Tape Out
Stereo Line Inputs
Main Out
Rec Out
HPS3000
AC In
Instrument In
V-TONE GMX212
Lo Input
Electric guitar
XENYX1204FX
EUROPOWER EP2000
X V-AMP
Mono 
Amp Out
Stereo
Line/Phones
Out
STORE
NOISE G.
COMPR.
REVERB
MODUL.
DELAY
PEDAL
CONFIGURE
BASS EQ
PRESENCE
GAIN
2ND FUNCTION
COPY
/ VOLUME
ADJUST
TAP
BYPASS/TUNER
TUNER
PHONES
AMP + FX
EFFECT
SPEED
VOLUME
FX ONLY
CON
FIGU
RATION  
                  PEDAL AS
SIGN
WAH
1
2
3
4
Fig. 3.1: Standard application (example)