Mackie DLM12 Benutzeranleitung
Owner’
s Manual
5
Owner’s Manual
Hookup Diagrams
Small Coffee Shop
BASS +2
TREBLE +2
AUX
LEVEL
R
L
100 - 240V
50 - 60Hz 250W
POWER
Line
Mic
Ch 1
Mix
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES FOR
THE U.S. AND ICES-003, FOR CANADA. OPERATION IS SUBJECT TO
THE FOLLOWING TWO CONDITIONS: (1) THIS DEVICE MAY NOT
CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST
ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE
THAT MAY CAUSE UNDESIRED OPERATION.
REVISION
SERIAL NUMBER
WARNING:
AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR
TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
1
THRU
2
TRS =
TRS = Line
XLR
RISK OF ELECTRIC SHOCK
DO NOT OPEN
AVIS: N'OUVREZ PAS LA COUVERTURE. N'EXPOSEZ
PAS CET ÉQUIPEMENT À LA PLUIE OU À L'HUMIDITÉ.
MEM
SYS
2
1
2000W Digital Loudspeaker
BASS +2
TREBLE +2
AUX
LEVEL
R
L
100 - 240V
50 - 60Hz 250W
POWER
Line
Mic
Ch 1
Mix
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES FOR
THE U.S. AND ICES-003, FOR CANADA. OPERATION IS SUBJECT TO
THE FOLLOWING TWO CONDITIONS: (1) THIS DEVICE MAY NOT
CAUSE HARMFUL INTERFERENCE, AND (2) THIS DEVICE MUST
ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE
THAT MAY CAUSE UNDESIRED OPERATION.
REVISION
SERIAL NUMBER
WARNING:
AVIS: RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR
TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
1
THRU
2
TRS =
TRS = Line
XLR
RISK OF ELECTRIC SHOCK
DO NOT OPEN
AVIS: N'OUVREZ PAS LA COUVERTURE. N'EXPOSEZ
PAS CET ÉQUIPEMENT À LA PLUIE OU À L'HUMIDITÉ.
MEM
SYS
2
1
2000W Digital Loudspeaker
DLM loudspeakers are the perfect tool for singer-songwriters touring the local coffee shops.
Bring your favorite axe and mic, DLM loudspeakers and cables and power cords.
Compact and portable perfection.
In this example, a dynamic microphone is connected to the channel 1 input of a DLM12 loudspeaker.
Be sure that the mic/line switch is down in order to get an extra 30 dB boost for the mic. Be sure the
switch is OUT if anything other than a microphone is attached to the channel 1 input. Adjust the level
and EQ, as described on page 12.
and EQ, as described on page 12.
Now grab your axe and plug it directly into the channel 2 input. Or if you use effects, connect the guitar
to the effects input and another cable from the effects output to the channel 2 input. Adjust the level and
EQ for the guitar now.
An additional DLM8 or DLM12 loudspeaker is great for monitoring. Simply connect a cable from the
main DLM loudspeaker’s THRU jack to the monitor loudspeaker’s channel 1 input [mic/line switch OUT!].
Also, make sure the Ch 1/Mix switch is down on the main DLM, as well, so a mix of the vocals and
guitar is relayed to the monitor. Release the kickstand for a perfect angle
For the output, you will want to set a speaker mode, described in detail on page 13. For this type of
setup, PA works well for the main DLM12. However, don’t count out the soloist mode! It has a nice low cut
and a brilliant high end. Select the monitor mode for the DLM12 monitor. Lastly, you can ring out before
you play, utilizing the DLM’s feedback destroyer [page 13] or just let it kill the feedback while playing.