Tapco MIX.FX MIX10FXP Benutzerhandbuch
No.
Title
Description
Example of its use
1
ROOM 1
This room has a bright tone with lots of
scattered refl ections to simulate harder,
more refl ective surfaces.
scattered refl ections to simulate harder,
more refl ective surfaces.
Useful on vocals that require a
brighter reverb to cut through
the mix, or for giving acoustic
instruments a livelier vibe.
brighter reverb to cut through
the mix, or for giving acoustic
instruments a livelier vibe.
2
ROOM 2
This preset features a medium sized
room/lounge sound, with just enough
enhancement of the lower mids to
produce a warm tone.
room/lounge sound, with just enough
enhancement of the lower mids to
produce a warm tone.
Useful for vocals on songs that
require a larger, more “wet” sound,
or for giving dimension to bright
horns without adding harshness.
require a larger, more “wet” sound,
or for giving dimension to bright
horns without adding harshness.
3
ROOM 3
This preset simulates the sound of a small
concert stage, with a medium reverb time
and reverberant space.
concert stage, with a medium reverb time
and reverberant space.
Useful for vocals or guitars in fast
paced, high-energy songs that call
for a “live” sounding reverberation.
paced, high-energy songs that call
for a “live” sounding reverberation.
4
ROOM 4
This reverb has a warm bodied tone and
medium long reverb time to simulate the
live acoustics of a theater space.
medium long reverb time to simulate the
live acoustics of a theater space.
Perfect for vocals, drums, acoustic
and electric guitars, keyboards, and
more.
and electric guitars, keyboards, and
more.
5
HALL 1
This reverb simulates the sound of a
spacious, yet cozy, heavily draped and
carpeted concert hall with an especially
warm tone.
spacious, yet cozy, heavily draped and
carpeted concert hall with an especially
warm tone.
Perfect for adding natural concert
hall ambience to close-mic’ed
orchestral instruments.
hall ambience to close-mic’ed
orchestral instruments.
6
HALL 2
This hall reverb is characterized by its large,
spacious sound, long pre-delay, and
vibrant tone.
spacious sound, long pre-delay, and
vibrant tone.
Adds life to acoustic instruments
and vocals from solos to full-on
symphonies and choirs.
and vocals from solos to full-on
symphonies and choirs.
7
PLATE
This preset emulates vintage mechanical
reverberation that was generated with a
metal plate. Its sound is characterized by
lots of early refl ections and no pre-delay.
reverberation that was generated with a
metal plate. Its sound is characterized by
lots of early refl ections and no pre-delay.
Perfect for thickening percussive
instruments, such as a snare drum,
or tight vocal arrangements.
instruments, such as a snare drum,
or tight vocal arrangements.
8
CATHEDRAL
This reverb emulates the extremely long
tails, dense diffusion and long pre-delays
and refl ections that would be found in a
very large, stone walled house of worship.
tails, dense diffusion and long pre-delays
and refl ections that would be found in a
very large, stone walled house of worship.
Gives amazing depth to choirs,
wind instruments, organs, and soft
acoustic guitars.
wind instruments, organs, and soft
acoustic guitars.
9
CHORUS
This preset provides a soft, ethereal
sweeping effect that is useful for
thickening and for making a particular
sound pop out of the mix.
sweeping effect that is useful for
thickening and for making a particular
sound pop out of the mix.
Perfect for enhancement of electric
and acoustic guitar and bass, or to
add a dramatic effect to vocals,
particularly group harmonies and
choirs.
and acoustic guitar and bass, or to
add a dramatic effect to vocals,
particularly group harmonies and
choirs.
10
CHORUS + REVERB
This preset perfectly combines the chorus
effect above with a large, roomy reverb.
effect above with a large, roomy reverb.
This lets you both thicken your sound
with the chorus effect while adding
warmth and spaciousness thanks to
the smooth reverb.
with the chorus effect while adding
warmth and spaciousness thanks to
the smooth reverb.
11
DELAY 1 (50 MS)
DOUBLER
This effect simulates the sound of a vocal
or instrument being recorded twice
(double tracked) on a multi-track recorder.
or instrument being recorded twice
(double tracked) on a multi-track recorder.
Provides a vibe that is similar to
chorus without the subtle swirl.
chorus without the subtle swirl.
12
DELAY 2 (180 MS)
TAPE SLAP
This effect provides a single, relatively rapid
delay of the original signal, with the added
warmth that vintage tape-based echo
units provided.
delay of the original signal, with the added
warmth that vintage tape-based echo
units provided.
Often used on vocals for a 1950’s
era feel, or on guitars for a surf-type
tone. Often used by people whose
favorite number is 12.
era feel, or on guitars for a surf-type
tone. Often used by people whose
favorite number is 12.
13
14
15
DELAY 3 (300MS)
DELAY 4 (380MS)
DELAY 5 (480 MS)
These delay presets provide three repeats
of the original signal. The default delay
time for each preset is shown in ms - the
smaller the time, the faster the delay.
of the original signal. The default delay
time for each preset is shown in ms - the
smaller the time, the faster the delay.
These work best with full, up-beat
music like rock where the delay
needs to cut through the mix.
music like rock where the delay
needs to cut through the mix.
16
REVERB + DELAY
(250MS)
(250MS)
This effect combines the Room 4 reverb
effect with the echoes of the 3-repeat
delay effect.
effect with the echoes of the 3-repeat
delay effect.
Perfect for thickening vocals while
adding dimensions, it can also be
used as a spacey effect on electric
guitars.
adding dimensions, it can also be
used as a spacey effect on electric
guitars.
17
PUNK (probably
not available)
not available)
Turns all lyrics into those of teenage
rebellion about never having a nice
girlfriend/car/dad/mom/school/job.
rebellion about never having a nice
girlfriend/car/dad/mom/school/job.
Perfect for spelling bees and
primary school concerts.
primary school concerts.
21
TABLE OF INTERNAL EFFECTS