Benutzerhandbuch für Behringer SX4882

Inhaltsverzeichnis

• 1. Introduction

  4
  • 1.1 The manual

    4
    • 1.1.1 Nomenclature

      4
    • 1.1.2 An unholistic approach

      4
    • 1.1.3 Key

      4
  • 1.2 Before you get started

    4
    • 1.2.1 Shipment

      4
    • 1.2.2 Initial operation

      4
    • 1.2.3 Online Registration

      4
• 2. EURODESK overview

  4
  • 2.1 Architecture

    4
  • 2.2 Metering

    5
• 3. Input/output channel

  5
  • 3.1 Channel strip

    5
  • 3.2 Input switching

    5
  • 3.3 Input gain setting

    5
  • 3.4 Main equalizer

    6
  • 3.5 Aux sends

    6
  • 3.6 Routing and muting

    6
  • 3.7 B-channel

    7
• 4. Inserts

  7
• 5. Subgroup and direct outputs

  8
  • 5.1 Subgroups

    8
  • 5.2 Direct outputs

    8
• 6. Master panel

  9
  • 6.1 Aux masters

    9
    • 6.1.1 Aux sends

      9
    • 6.1.2 Aux returns

      9
  • 6.2 MIX-B master

    10
  • 6.3 Monitoring

    10
  • 6.4 Headphones

    11
  • 6.5 PFL/SOLO

    11
    • 6.5.1 PFL

      11
    • 6.5.2 SOLO

      11
  • 6.6 Talkback

    11
• 7. Connections

  12
  • 7.1 Rear panel

    12
  • 7.2 Connector pinout

    14
• 8. The patchfield

  15
  • 8.1 The normalized bay

    15
  • 8.2 The patchfield

    15
  • 8.3 Looming problems

    15
• 9. Equalization

  16
• 10. Gain optimization

  16
• 11. Impedances and tuning

  17
• 12. (Un)balanced lines

  17
• 13. Start-up

  18
  • 13.1 A-channel setting up procedure

    18
    • 13.1.1 Selecting inputs

      18
    • 13.1.2 Initializing channel for gain-setting

      18
    • 13.1.3 Auditioning a signal

      18
  • 13.2 Desk/tape setting up procedures

    18
    • 13.2.1 Desk normalization

      18
    • 13.2.2 Multitrack initialization

      18
    • 13.2.3 Recording levels

      18
    • 13.2.4 Auditioning a mix

      18
• 14. 8-track MIDI suite/dance production studio

  18
  • 14.1 Sends

    19
  • 14.2 Auxless headphones mix

    19
  • 14.3 Returns

    19
  • 14.4 Lining up record/sample inputs

    19
  • 14.5 Mixdown

    20
• 15. 16-track recording with 2 samplers

  20
  • 15.1 Recording

    20
  • 15.2 Headphones

    20
  • 15.3 Mixdown

    20
• 16. Professional 24-track studio

  20
  • 16.1 Recording

    20
  • 16.2 Very tricky headphones

    20
  • 16.3 Wet monitoring

    21
  • 16.4 Mixdown

    21
• 17. Live P.A. with 2-track recording

  21
• 18. Live concert with 24-track recording

  22
• 19. Expanding the EURODESK

  23
  • 19.1 Connections

    23
  • 19.2 Alignment

    23
• 20. Timecode

  23
• 21. Bouncing

  23
• 22. Input/output configuration

  23
• 23. Modifications

  24
  • 23.1 Aux sends > post EQ

    24
  • 23.2 MIX-B source > post fader

    24
  • 23.3 LED meters > pre fader

    24
• 24. Specifications

  25
• 25. Warranty

  28