Alesis DEQ230D User Manual

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Connections 
 22 
Mono connections 
 
 
 
 
 
 
 
 
 
This example shows how to connect the DEQ230 to one mono 
source. You can use this method to connect two mono sources or 
one stereo source to the DEQ230. You would need two insert 
cables to make both of  these connections. 
 
Stereo connections 
 
Use two insert cables to connect the DEQ230 to the main L/R 
bus in the same way you would connect it to a pair of  channel 
inserts. Simply connect one insert cable to the left main insert of  
the mixer, and connect the two mono jacks to the CHAN A 
INPUT and OUTPUT of  the DEQ230. Use another insert cable 
to connect the right main insert to the CHAN B INPUT and 
OUTPUT of  the DEQ230.  
 
You can also simply connect the balanced main outputs of  the 
mixer to the inputs of  the DEQ230, then connect the outputs of  
the equalizer to the inputs of  your mixdown recorder, monitor 
system, etc.  
 
 
Balanced I/O 
 
Some recording consoles have separate balanced jacks for the 
sends and returns instead of  a single TRS jack. If  your recording 
console has these connections, use a balanced TRS cable to 
connect the insert send to the INPUT of  the equalizer, and 
another balanced TRS cable to connect the equalizer OUTPUT to 
the insert return.  
 
Operating Levels 
 
The DEQ230D can operate in either a +4dBu or –10dBV setting. 
A rear panel switch allows you to configure the unit to your audio 
environment. 
 
The DEQ230 is a “line level” device, which means that it operates 
at a nominal level of  –10dBV, with a maximum input level of  
+8dBV. Some equipment operates at a nominal level of  +4dBu, 
and can run the signal up to +24dBu. To prevent clipping, reduce 
the level being sent from this equipment.  
 
If  you are unsure about the nominal operating level of  the 
equipment to which you will be connecting the DEQ230, refer to 
the Reference Manual for that equipment.  
Since the DEQ230 has two 
channels, A and B, you can 
connect two independent 
sources. For example, you 
could use channel A to EQ 
the rhythm guitar and 
channel B to EQ the bass 
guitar. Or use channel A on 
the kick drum and channel B 
for the snare drum. 
Modern production values 
sometimes lead to the heavy 
use of compression during 
the mastering process. When 
processing CD audio, you 
may find it necessary at 
times to lower the Channel 
Level of the active program 
so as to avoid clipping the 
output stage of the DEQ230. 
This will allow additional 
headroom for more 
extensive equalization. See 
pg. 42 for details on the 
Channel Level function. 
Never place the equalizer 
between the power amp and 
the speakers, as the high-
powered levels created by 
the power amp will damage 
the DEQ230.