Rotel RSP-1098 User Manual
13
Unpacking
Remove the unit carefully from its packing. Find
the remote control and other accessories. Save
the box as it will protect the RSP-1098 if you
move or need to return it for maintenance.
the remote control and other accessories. Save
the box as it will protect the RSP-1098 if you
move or need to return it for maintenance.
Placement
Place the RSP-1098 on a solid, level surface
away from sunlight, heat, moisture, or vibra-
tion. Make sure that the shelf can support the
weight of the unit.
away from sunlight, heat, moisture, or vibra-
tion. Make sure that the shelf can support the
weight of the unit.
Place the RSP-1098 close to the other com-
ponents in your system and, if possible, on its
own shelf. This will make initial hookup, and
subsequent system changes easier.
ponents in your system and, if possible, on its
own shelf. This will make initial hookup, and
subsequent system changes easier.
The RSP-1098 can generate heat during nor-
mal operation. Do not block ventilation open-
ings. Allow a minimum of 10 cm (4 inches)
of unobstructed space around the unit. If in-
stalled in a cabinet, make sure that there is
adequate ventilation.
mal operation. Do not block ventilation open-
ings. Allow a minimum of 10 cm (4 inches)
of unobstructed space around the unit. If in-
stalled in a cabinet, make sure that there is
adequate ventilation.
Don’t stack other components or objects on
top of the RSP-1098. Don’t let any liquid fall
into the unit.
top of the RSP-1098. Don’t let any liquid fall
into the unit.
CONNECTIONS
Although, the RSP-1098’s rear panel looks
daunting, connecting the unit to your system
is straightforward. Each of the source compo-
nents in the system are connected to the
RSP-1098 inputs with a pair of standard RCA
cables for analog audio, a video connection
(composite, S-Video, or Component Video),
and an optional digital audio cable (coax or
optical).
daunting, connecting the unit to your system
is straightforward. Each of the source compo-
nents in the system are connected to the
RSP-1098 inputs with a pair of standard RCA
cables for analog audio, a video connection
(composite, S-Video, or Component Video),
and an optional digital audio cable (coax or
optical).
NOTE
: Surround formats like Dolby Digital and
DTS are digital formats and the RSP-1098
can only decode them when a digital input
signal is available. For this reason, you should
always connect your DVD player’s digital
outputs to the RSP-1098, using either the op-
tical or coax inputs.
can only decode them when a digital input
signal is available. For this reason, you should
always connect your DVD player’s digital
outputs to the RSP-1098, using either the op-
tical or coax inputs.
The outputs of RSP-1098 are sent to the power
amplifier(s) with standard RCA cables from
preamp audio outputs. The video signal from
the RSP-1098 is sent to the TV monitor using
composite video, S-Video, or Component Video
connections.
amplifier(s) with standard RCA cables from
preamp audio outputs. The video signal from
the RSP-1098 is sent to the TV monitor using
composite video, S-Video, or Component Video
connections.
In addition, the RSP-1098 has MULTI input con-
nections for a source component that does its
own surround decoding, remote IR sensor
inputs, and 12V trigger connections for remote
turn-on of other Rotel components.
nections for a source component that does its
own surround decoding, remote IR sensor
inputs, and 12V trigger connections for remote
turn-on of other Rotel components.
NOTE
: Do not plug any system component
into an AC source until all connections have
been properly made.
been properly made.
Video cables should have a 75 ohm imped-
ance. The S/PDIF digital audio interface stan-
dard also specifies a 75 ohm impedance and
all good digital cables adhere to this require-
ment. Do NOT substitute conventional audio
interconnect cables for digital or video signals.
Standard audio interconnects will pass these
signals, but their limited bandwidth reduce per-
formance.
ance. The S/PDIF digital audio interface stan-
dard also specifies a 75 ohm impedance and
all good digital cables adhere to this require-
ment. Do NOT substitute conventional audio
interconnect cables for digital or video signals.
Standard audio interconnects will pass these
signals, but their limited bandwidth reduce per-
formance.
When making signal connections, connect LEFT
channels to LEFT channel jacks and RIGHT chan-
nels to RIGHT channel jacks. All RCA-type
connections on the RSP-1098 follow these stan-
dard color codes:
channels to LEFT channel jacks and RIGHT chan-
nels to RIGHT channel jacks. All RCA-type
connections on the RSP-1098 follow these stan-
dard color codes:
Left channel audio: white RCA jack
Right channel audio: red RCA jack
Composite video: yellow RCA jack
Right channel audio: red RCA jack
Composite video: yellow RCA jack
NOTE
: Each source input must be properly
configured using the INPUT SETUP menu of
the OSD menu system. We recommend go-
ing to this menu after connecting each source
to configure it as desired. See Input Setup of
the Setup section for information.
the OSD menu system. We recommend go-
ing to this menu after connecting each source
to configure it as desired. See Input Setup of
the Setup section for information.
Analog Audio Inputs &
Outputs
Outputs
The following connections are used for con-
necting analog audio signals to and from the
RSP-1098. See the
necting analog audio signals to and from the
RSP-1098. See the
Making Connections topic
for specific instructions on connecting each type
of component.
of component.
NOTE
: Normally, the RSP-1098 converts ana-
log inputs to digital signals. All of the digital
processing is available including bass man-
agement, digital crossovers, speaker level and
delay settings and a number surround mode
options including 2-ch stereo, Dolby Pro Logic
II, etc. Alternatively, there is an analog by-
pass surround mode that routes 2-ch analog
inputs directly to the Volume control and
preamp outputs, bypassing the digital pro-
cessing entirely for pure analog stereo.
processing is available including bass man-
agement, digital crossovers, speaker level and
delay settings and a number surround mode
options including 2-ch stereo, Dolby Pro Logic
II, etc. Alternatively, there is an analog by-
pass surround mode that routes 2-ch analog
inputs directly to the Volume control and
preamp outputs, bypassing the digital pro-
cessing entirely for pure analog stereo.
CD Inputs
A left/right pair of RCA analog audio inputs
for connecting a CD player.
for connecting a CD player.
Tuner Inputs
A left/right pair of RCA analog audio inputs
for connecting an AM/FM tuner.
for connecting an AM/FM tuner.
TAPE Inputs
A pair of RCA inputs, labeled TAPE IN, for
connecting the left/right analog audio signals
from an audio tape deck or recording device.
connecting the left/right analog audio signals
from an audio tape deck or recording device.
TAPE Outputs
A pair of RCA inputs, labeled TAPE OUT, for
sending left/right line level analog audio sig-
nals for recording on a tape deck or record-
ing device.
sending left/right line level analog audio sig-
nals for recording on a tape deck or record-
ing device.
NOTE
: These outputs should be connected to
the inputs of the same tape deck connected
to the TAPE IN inputs.
to the TAPE IN inputs.
English