Denon AVR-4806CI User Manual
59
Basic Operation
¢ Parameters
MODE:
• DH1:
• DH1:
Reference room (small room with weak reverberations).
• DH2:
Live room (room with a bit stronger reverberations than
DH1).
DH1).
• DH3:
Large room (larger room than DH1, offers a sense of
distance and sound diffusion effects).
distance and sound diffusion effects).
• BYPASS:
Stereo sound.
DECODER:
Select this when playing analog, PCM or other 2-channel
sources.
The signals are converted into multichannel signals using
the decoders shown below and played in the Dolby
Headphone mode.
sources.
The signals are converted into multichannel signals using
the decoders shown below and played in the Dolby
Headphone mode.
• PL
II
C:
Dolby Pro Logic
II
Cinema mode.
• PL
II
M
Dolby Pro Logic
II
Music mode.
• NEO:6 C:
DTS NEO:6 Cinema mode.
• NEO:6 M:
DTS NEO:6 Music mode.
• OFF:
The signals are played in the Dolby Headphone mode as
such (2 channels).
such (2 channels).
– Recording –
When RECOUT mode is set to “SOURCE”, with this
amplifier signals encoded in the Dolby Headphone mode
can be output from the recording output terminals and
recorded on another recorder (
amplifier signals encoded in the Dolby Headphone mode
can be output from the recording output terminals and
recorded on another recorder (
page 95).
The Dolby Headphone
• The Dolby Headphone mode is set when headphones are
connected to the PHONES jack while in the DOLBY/DTS
SURROUND mode.
SURROUND mode.
1
Press the
SURROUND PARAMETER
button.
• Display the “Surround Parameter” menu.
2
Press the
CURSOR
D
D or H
H button to select the
parameter.
3
Press the
CURSOR
F
F or G
G button to select the
setting.
4
Press the
ENTER
or
SURROUND PARAMETER
button to complete the setting.
¢ Surround parameters t
DTS NEO:6 Mode:
• Cinema:
• Cinema:
This mode is optimum for playing movies. Decoding is
performed with emphasis on separation performance to
achieve the same atmosphere with 2-channel sources as
with 6.1-channel sources.
This mode is effective for playing sources recorded in
conventional surround formats as well, because the in-phase
component is assigned mainly to the center channel (C) and
the reversed phase component to the surround (SL, SR and
SB channels).
performed with emphasis on separation performance to
achieve the same atmosphere with 2-channel sources as
with 6.1-channel sources.
This mode is effective for playing sources recorded in
conventional surround formats as well, because the in-phase
component is assigned mainly to the center channel (C) and
the reversed phase component to the surround (SL, SR and
SB channels).
• Music:
This mode is suited mainly for playing music. The front
channel (FL and FR) signals bypass the decoder and are
played directly so there is no loss of sound quality, and the
effect of the surround signals output from the center (C) and
surround (SL, SR and SB) channels add a natural sense of
expansion to the sound field.
channel (FL and FR) signals bypass the decoder and are
played directly so there is no loss of sound quality, and the
effect of the surround signals output from the center (C) and
surround (SL, SR and SB) channels add a natural sense of
expansion to the sound field.
CENTER IMAGE (0.0 to 1.0: default 0.3):
The center image parameter for adjusting the expansion of
the center channel in the DTS NEO:6 MUSIC mode has been
added.
the center channel in the DTS NEO:6 MUSIC mode has been
added.