Roland KR-17 User Manual

Page of 212
 
40
Chapter 1 Performance
 
Chapter 1
 
Adjusting the Sound to Achieve the 
 
Preferred Tone Quality (Equalizer)
 
The KR features a built-in, five-band digital equalizer.
An equalizer boosts or cuts specific sound pitches (frequency ranges) to adjust the 
sound balance for the overall performance. For example, you can boost the highs to 
get a crisper sound, or boost the low end for a more powerful sound.
You can also adjust the sound to compensate for the acoustical characteristics of the 
performance space.
If raising the slider for each frequency ends up distorting the sound, you can correct 
the distortion with the Master Level slider.
 
1.
 
Press the [Equalizer] button.
 
The “Equalizer screen” appears.
 
fig.d-eq.eps_60
 
2.
 
Touch the Type icon to make your selection.
 
3.
 
Touch the slider to make adjustment.
 
Display
Explanation
Piano
 
The optimal settings for piano performance are selected.
 
Power
 
Boosts both the low- and high-frequency ranges.
 
Mild
 
Lows and highs are restrained for a pleasant-sounding tone.
 
Clear
 
This setting slightly boosts the midrange for a simple pop feeling.
 
Bright
 
This setting boosts the high frequencies for a brilliant, sparkling sound.
 
Flat
 
All slider values are set to “0.”
 
User
 
 
Displayed
Settings 
Value
Explanation
Low
 
-60–0–+60
Low-frequency range. This is the range of 
frequencies for instruments like drums, bass, 
organ, guitar and strings.
 
   –
 
-60–0–+60
Mid-low-frequency range. This is the range of 
frequencies for lower brass and woodwind 
instruments.
NOTE
Raising the overall volume 
with the Master Level slider 
and the [Volume] knob when 
the frequency sliders are 
already at high levels not only 
may distort the sound and 
cause ear pain, it can also place 
unreasonable strain on the 
built-in speakers and internal 
circuitry. Use the KR at a 
moderate volume level.
When <Flat> is selected (when 
all sliders are at “0”), then even 
when [Equalizer] is pressed, 
the indicator does not light up.
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