Roland C-200 User Manual

 

Please read the section “Getting Ready to Play” on p. 15 and make 
the correct preparations for turning on the power.

This manual explains what you need to know to take full advantage 
of the C-200, divided into a Basic Operation section and an 
Advanced Operation section.

In order to present information as concisely as possible, this manual 
uses the following conventions.

• Text enclosed in square brackets [  ] indicates the name of a 

button (or knob); e.g., “the [8’I] piston.”

• Text preceded by a symbol such as 

 or an asterisk (*) 

refers to warnings. Please be sure to read these.

• Text preceded by a symbol such as 

 refers to useful 

additional information.

• Pages to which you can refer to for further information are 

indicated like this: (p. **) 

 

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Grand, glorious sound is the hallmark of the classic organ. Pro-
viding a rich and spacious ensemble sound complemented by 
crystal-clear definition, the C-200 will take you to new musical 
heights, while sustaining the tradition of quality, craftsmanship 
and innovation.
An authentic grand piano sound is included for solo and 
ensemble performances. The sound-producing mechanism of 
the harpsichord, the sound of the key release, and the resonance 
of the sounding board have been carefully analyzed, and digital 
technology is used to reproduce faithfully even the sound of the 
plectrum contacting the string when a key is released. You’ll be 
able to enjoy beautiful and realistic harpsichord sound. 
The fortepiano, the precursor of the piano as we know it today, 
produces its sounds via its strings that are struck by hammers 
operated by a keyboard. The fortepiano is built entirely of 
wood, the strings are struck by hammers covered in hide, pro-
ducing a metallic and brilliant sound. It enabled artists to pave 
new ways and therefore explore new possibilities of expression.
There is also a Celesta sound, which is similar to a glockenspiel, 
but softer and rounder. In addition, there are 12 orchestral 
sounds that can be used either in isolation or together with the 
organ section for a richer sound.

 

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The C-200’s 76-note keyboard can be split (divided) into two 
halves to simulate an instrument equipped with manual I and 
manual II.

 

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The C-200’s coupler function allows you to play the Manual I 
sound, along with the Manual II sound on the entire keyboard.

 

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In addition to equal temperament, you can choose from Werck-
meister, Kirnberger, Vallotti, and Meantone, giving you five 
temperaments that can be easily selected by pressing a single 
button.
There’s also a Transpose function, which makes it easy to trans-
pose the pitch for additional ways to vary your performance.

 

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Not only will you never need to replace the plectrums or 
strings, you’ll also never need to tune this instrument. 
Moreover, the C-200 is not affected by vibration or changes in 
humidity or temperature. You’ll always be performing with 
precisely accurate pitches guaranteed by digital technology.
It’s also easy to adjust the tuning to match other instruments.
You can furthermore use a single button to easily switch to 
Baroque pitch (A= 415Hz), Versailles pitch (A= 392 Hz), Vene-
tian pitch (A= 465Hz) or the default tuning (A= 440Hz).

 

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The built-in digital reverb lets you choose the reverberation of a 
variety of environments, ranging from a small room to a large 
hall. You can perform using acoustics that are appropriate for 
the space you are in.

 

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Whether you’re at home, in a small hall, or in a large hall, you 
can adjust the volume as appropriate for your situation or the 
ensemble with whom you’re performing. You can also use 
headphones, so you’ll feel free to practice at any time.
The [Balance] knob allows you to set the balance between man-
ual II and manual I + pedal.

 

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While reflecting the historical tradition of the classic organ, the 
C-200 provides the advantage of a light weight and compact 
form.

 

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The C-200 comes with five sections for various types of classical 
music: “Organ” (PEDAL, MANUAL I, MANUAL II), “Harpsi-
chord”, “Fortepiano”, “Piano” and “Celesta”.

 

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Optional pedal boards are available for musicians in search of 
full organ functionality.

 

C-200_e.book  Page 11  Monday, April 4, 2011  5:22 PM