Roland AT-100 User Manual
43
Using the Rhythm Performance
Using the Rhythm Performance
Starting with an Added Intro
1.
While holding down the Arranger [On/Off] button, press
Auto [Fill In] button to turn Synchro Start on.
Auto [Fill In] button to turn Synchro Start on.
The [Start/Stop] button indicator will blink.
2.
Press the [Intro/Ending] button.
The [Intro/Ending] button indicator will light.
3.
Play either the Lower keyboard or the pedalboard.
The Intro is played and the Rhythm starts.
While the Intro is playing, the [Intro/Ending] button indicator will light, until
the Intro ends then the button indicator will go dark.
the Intro ends then the button indicator will go dark.
Starting Without an Intro
1.
While holding down the Arranger [On/Off] button, press
Auto [Fill In] to turn Synchro Start on.
Auto [Fill In] to turn Synchro Start on.
The [Start/Stop] button indicator will blink.
2.
Play either the Lower keyboard or the pedalboard.
The Rhythm starts without an Intro being played.
Starting with the Intro Short and Simple
1.
While holding down the Arranger [On/Off] button, press
Auto [Fill In] to turn Synchro Start on.
Auto [Fill In] to turn Synchro Start on.
The [Start/Stop] button indicator will blink.
2.
Press the Variation [1] button.
3.
Press the [Intro/Ending] button.
The [Intro/Ending] button indicator will light.
4.
Play either the Lower keyboard or the pedalboard.
A short Intro is played and the Rhythm starts.
Starting the Rhythm Automatically When You Play the Lower
Keyboard or Pedalboard (Synchro Start)
Keyboard or Pedalboard (Synchro Start)
NOTE
If the Arranger function is ON
(the Arranger [On/Off] button
indicator is lit), it is not be able
to start the Rhythm by playing
the Pedalboard (p. 46).
(the Arranger [On/Off] button
indicator is lit), it is not be able
to start the Rhythm by playing
the Pedalboard (p. 46).
For more on the Variation
button, refer to “Adding Variety
to the Rhythm or Automatic
Accompaniment” (p. 47).
button, refer to “Adding Variety
to the Rhythm or Automatic
Accompaniment” (p. 47).
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