Roland AT15 User Manual
93
Various Other Settings
Adjust the Standard Pitch
(Master Tune)
The basic pitch of an instrument is generally considered as
the pitch of the middle A note. The “Master Tune” parameter
lets you adjust this basic pitch to match the pitch of any other
instruments that are playing together with the AT-15.
the pitch of the middle A note. The “Master Tune” parameter
lets you adjust this basic pitch to match the pitch of any other
instruments that are playing together with the AT-15.
1.
Press the [Utility] button.
2.
Press the Menu [
] and [
] buttons to select
“Master Tune.”
3.
Press the Value [-] and [+] buttons to adjust the
basic pitch.
basic pitch.
Settings
415.3Hz – 466.2Hz (0.1 Hz units)
To return to the basic screen, press the [Utility] button.
➔
By pressing the Value [+] and [-] buttons simultaneously, you
can restore the default setting (440.0 Hz).
➔
This setting remains stored in memory even while power is
turned off.
Selecting the MIDI Transmit
Channel (Tx MIDI Channel)
When you use the MIDI connectors of the AT-15 to transmit
musical data to external devices, for each keyboard (Upper,
Lower, and Pedal) you can specify the channel on which
your playing will be transmitted as MIDI messages. You can
modify these Tx (Transmit) MIDI settings as needed.
musical data to external devices, for each keyboard (Upper,
Lower, and Pedal) you can specify the channel on which
your playing will be transmitted as MIDI messages. You can
modify these Tx (Transmit) MIDI settings as needed.
➔
1.
Press the [Utility] button.
2.
Press the Menu [
] and [
] buttons to select
“MIDI.”
3.
Press the [Rec] button.
4.
Press the Menu [
] and [
] buttons to select
“TxMIDI Channel.”
5.
Press the Menu [
] and [
] buttons to select a
part.
Part
Solo, Upper, Lower, Pedal, Control
6.
Press the Value [-] and [+] buttons to select the
MIDI transmission channel.
MIDI transmission channel.
Channel
1-16
To return to the basic screen, press the [Utility] button.
* The CONTROL part transmits expression pedal data and PC
numbers.
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