Yamaha MOTIF XS8 User Manual
Editing a Performance
MOTIF XS Owner’s Manual
147
V
oice mode
Song mode
P
attern mode
Mixing mode
Master mode
Utility mode
File mode
P
erf
ormance
mode
Sampling
mode 1
Sampling
mode 2
Ref
erence
4 Q (Bandwidth)
This varies the signal level at the Frequency setting to
create various frequency curve characteristics. The higher
the setting the smaller the Q (Bandwidth). The lower the
setting, the greater the Q (Bandwidth).
create various frequency curve characteristics. The higher
the setting the smaller the Q (Bandwidth). The lower the
setting, the greater the Q (Bandwidth).
Settings: 0.1 – 12.0
n When the Shape parameters (1) of the Low and High are set
to “shelv,” the Q parameters (
4) of the Low and High are not
available.
Controller settings—[F3] Ctrl Asgn
(Controller Assign)
(Controller Assign)
You can assign MIDI Control Change Numbers to the
controllers and knobs on the front panel for the selected
Performance. For example, you could use the ASSIGN 1
and 2 knobs to control effect depth, while using the Foot
Controller to control modulation. These control
assignments are called “Controller Assign.” You can have
independent Controller Assign settings for each
Performance.
controllers and knobs on the front panel for the selected
Performance. For example, you could use the ASSIGN 1
and 2 knobs to control effect depth, while using the Foot
Controller to control modulation. These control
assignments are called “Controller Assign.” You can have
independent Controller Assign settings for each
Performance.
1 Ribbon Controller Control No.
Determines the Controller Change number generated
when you run your finger across the surface of the Ribbon
Controller.
when you run your finger across the surface of the Ribbon
Controller.
Settings: 00 – 95
2 Foot Controller 1 Control No.
Foot Controller 2 Control No.
Determines the Control Change number generated when
you use the Foot Controller connected to the FOOT
CONTROLLER jack.
you use the Foot Controller connected to the FOOT
CONTROLLER jack.
Settings: 00 – 95
3 Foot Switch Control No.
Determines the Control Change number generated when
you use the Footswitch connected to the FOOT SWITCH
ASSIGNABLE jack.
you use the Footswitch connected to the FOOT SWITCH
ASSIGNABLE jack.
Settings: 000 – 100
n When a Control Change number of 96 or higher is selected,
the function indicated to the right of the number is enabled for
control, but no MIDI Control Change number is actually
assigned to the Footswitch.
control, but no MIDI Control Change number is actually
assigned to the Footswitch.
4 Assign 1 Control No.
Assign 2 Control No.
Determines the Control Change number generated when
you control the ASSIGN1 knob and ASSIGN2 knob with the
TONE1 lamp turned on.
you control the ASSIGN1 knob and ASSIGN2 knob with the
TONE1 lamp turned on.
Settings: 00 – 95
5 A. Function 1 Control No.
A. Function 2 Control No.
Determines the Control Change numbers generated when
you press the ASSIGNABLE FUNCTION buttons.
you press the ASSIGNABLE FUNCTION buttons.
Settings: 00 – 95
6 Breath Controller Control No.
Determines the Control Change number generated when
you use a Breath Controller connected to the MIDI IN
connector of this instrument.
you use a Breath Controller connected to the MIDI IN
connector of this instrument.
Settings: 00 – 95
Audio In settings—[F4] Audio In
You can set parameters related to audio input from the A/D
INPUT connector and the mLAN connector.
INPUT connector and the mLAN connector.
n The mLAN Input (m1 – 14) is available only for the MOTIF XS8.
This is available for MOTIF XS6/7 only when an optional
mLAN16E2 has been installed.
mLAN16E2 has been installed.
1 Volume
Determines the output level of the Audio Input Part.
Settings: 0 – 127
2 Pan
Determines the stereo pan position of the Audio Input Part.
Settings: L63 (far left) – C (center) – R63 (far right)
3 Mono/Stereo
Determines the signal configuration for the Audio Input Part,
or how the signal or signals are routed (stereo or mono).
or how the signal or signals are routed (stereo or mono).
Settings: L mono, R mono, L+R mono, stereo
L mono
Only the L channel of the audio input is used.
–
+
0
Frequency
Frequency
12.0
0.1
3
4
6
1
2
5
Output Settings—[SF1] Output
1
2 3
4
6 5
7