Korg 2E ii User Manual

: “to A (LFO1 Int. to A)” and “to B (LFO1 Int. to 

B)” specify by how much the LFO will change the tone.
JS-Y Int.

: “to A” and “to B” specify the depth of the 

wah effect that will be produced by the LFO when the 
joystick of this instrument is moved toward yourself, 
or when CC#2 is received.
“Int. to A” and “Int. to B” specify the depth of the wah 
effect that will be produced by the LFO when “AMS” 
(Alternate Modulation Source) is operated. For exam-
ple if “AMS” is set to AfterT, applying pressure to the 
keyboard of the TR, will apply a wah effect.

Indicates settings for the filter EG, which controls time-
variant changes in tone (

the EG here, and set the depth of its effect in the Mod.1 
page “Filter EG” parameter.

When the Filter EG changes the cutoff frequency, the 
tone will change. However depending on the volume 
changes produced by the Amplifier EG, this can be 
heard in different ways. For example by changing the 
speed at which the tone and volume begin (attack) or 
decay, you can significantly vary the character of the 
tonal change. It is a good idea to adjust the changes of 
both the Filter EG (tone) and the Amplifier EG (vol-
ume) as you proceed with editing. (

☞

“5.1: Ed–Amp1, 

EG page, 5.2: Ed–Amp2, EG page)

These settings affect the volume. Here you can adjust 
the way in which the Amp EG and LFO produce time-
varying and cyclic changes in volume, and how the 
controllers etc. will affect the volume.
Amp1 applies to OSC1, and Amp2 applies to OSC2.
Amp2 can be used if “Mode (Oscillator Mode)” is set 
to Double.

For example, the volume of a piano note begins at a 
high volume the instant you play the note, and then 
decreases gradually. The volume of an organ note 
remains constant as long as you continue pressing the 
key. The volume of a note on a violin or wind instru-
ment can be varied during the note by the musician 
(i.e., by regulating the amount of pressure on the bow 
or the force of the breath).

Adjusts the volume of the sound that has passed 
through the oscillator, filter, and amp.

Specifies the pan (stereo position) after the signal has 
passed through the oscillator, filter, and amp. Nor-
mally you will set this to C064. If “Mode (Oscillator 
Mode)” is Double and you wish to create a sense of 
stereo, set the 5.1: Ed-Amp1 and 5.2: Ed-Amp2 param-
eter “Pan” to left and right for oscillators 1 and 2 
respectively. With a setting of Random, the pan will 
change randomly each time you play a note on this 
instrument, producing an interesting effect.

“Intensity” specifies the depth of the panning effect 
that will occur when “AMS” is operated.

If you set “AMS” to Note No., the pan will change 
according to the keyboard position at which you play a 
note on a this instrument. With a setting of LFO1 or 2, 
the pan will sweep from side to side (auto pan). Other 
settings allow you to move the oscillator pan by oper-
ating a controller.

This is valid when “Mode (Oscillator Mode)” is set to 
Drums

. If this is checked, the pan location specified by 

the Drum Kit for each drum sound will be used. If this 
is unchecked, all drum sounds will sound at the same 
location. Preload and GM drum kits are set to stereo 
settings. Normally you will leave this checked.

This lets you vary the volume relative to the position of 
the key you are playing on the keyboard.

• When Ramp “Low” has a positive (+) value, the 

volume will increase as you play lower on the 
keyboard. With a negative (–) value, the volume 
will decrease as you play lower on the keyboard.

• When Ramp “High” has a positive (+) value, the 

volume will increase as you play higher on the 
keyboard. With a negative (–) value, the volume 
will decrease as you play higher on the keyboard.

Volume

Time

Piano

Volume decays gradually

Volume

Time

Organ

Volume remains constant 
until note is released