Mackie DJ Mixer User Manual
10
d. Pro DJ Production Console
d.2 Pr
o DJ Pr
oduc
tion C
ons
ole
Rear Panel Features
1. MIC Input
This is a Neutrik “combo” input connector that ac-
cepts either a balanced male XLR connector or a 1/4"
balanced or unbalanced connector. Professional mics
usually have XLR connectors, while consumer or semi-
pro mics often have 1/4" connectors.
balanced or unbalanced connector. Professional mics
usually have XLR connectors, while consumer or semi-
pro mics often have 1/4" connectors.
The mic input signal is routed through the mic input
section, mic EQ, and then to the main mix bus.
. CD Inputs
These RCA jacks accept a stereo line-level signal from
a CD player or other line-level playback device, such as
an MP3 player.
an MP3 player.
. LINE/PHONO Inputs
These RCA jacks accept a stereo phono-level signal
from a turntable (when the line/phono [4] switch is
pushed in), or from a line-level playback device such as
a CD player or MP3 player (when the line/phono switch
is out). Check that your turntable has a phono-level
output and a moving-magnet cartridge.
pushed in), or from a line-level playback device such as
a CD player or MP3 player (when the line/phono switch
is out). Check that your turntable has a phono-level
output and a moving-magnet cartridge.
. LINE/PHONO Switch
If you connect a turntable with phono-level outputs
to the line/phono inputs [3], push this switch in to
select the phono-level input stage, which includes an
RIAA preamp for proper re-equalization of the incoming
phono signal.
select the phono-level input stage, which includes an
RIAA preamp for proper re-equalization of the incoming
phono signal.
If you are connecting a line-level playback device like
a CD or MP3 player, leave this switch out to select the
line-level preamp.
line-level preamp.
Do not press it in if you have a line-level
signal connected.
signal connected.
5. GND Terminal
These terminals are provided to connect a ground
wire from your turntable(s) to the d.2 Pro. Most turn-
tables provide a ground wire to connect to the preamp
for the purpose of eliminating “hum” in the audio signal.
Simply turn the ground terminal on the d.2 Pro counter-
clockwise to loosen it, wrap the end of the ground wire
clockwise around the terminal, and hand-tighten the
ground terminal for a secure ground connection.
tables provide a ground wire to connect to the preamp
for the purpose of eliminating “hum” in the audio signal.
Simply turn the ground terminal on the d.2 Pro counter-
clockwise to loosen it, wrap the end of the ground wire
clockwise around the terminal, and hand-tighten the
ground terminal for a secure ground connection.
. Stereo FX SEND
These 1/4" TRS jacks provide a balanced line-level
output signal from the stereo FX Send bus. Use these to
connect to the inputs of an external effects processor.
You can also use an unbalanced 1/4" TS connector.
connect to the inputs of an external effects processor.
You can also use an unbalanced 1/4" TS connector.
7. Stereo FX RETURN
These 1/4" TRS jacks accept a balanced line-level
signal from an external effects processor. They will also
accept an unbalanced 1/4" TS connector.
accept an unbalanced 1/4" TS connector.
If you are using a stereo effects processor, connect
its left and right outputs to the corresponding left and
right FX return jacks. If it is a mono effects processor,
connect its output signal to the left FX return jack, and
it will appear on both the left and right main mix bus.
right FX return jacks. If it is a mono effects processor,
connect its output signal to the left FX return jack, and
it will appear on both the left and right main mix bus.
8. BOOTH Outputs
These 1/4" TRS jacks provide a balanced line-level
signal from the main mix bus, prior to the rotary main
level control [32]. Use these to connect to a pair of
powered monitor speakers (or to the inputs of an ampli-
fier powering the monitor speakers in the booth). If you
only have one monitor speaker, just use one of the booth
outputs and push in the booth stereo/mono switch [34]
in the control section on the top panel.
level control [32]. Use these to connect to a pair of
powered monitor speakers (or to the inputs of an ampli-
fier powering the monitor speakers in the booth). If you
only have one monitor speaker, just use one of the booth
outputs and push in the booth stereo/mono switch [34]
in the control section on the top panel.
LINE
MIC
R
R
PGM 2
MAIN OUT
MIC
L
L
L
L
L
R
PHONO
CD
SEND
R
BOOTH
FX
GND
LINE
PHONO
RETURN
L(MONO)
R
R
L
R
LIVE
RECORD
~100-240 VAC 50-60Hz 20W
PGM 1
LINE
PHONO
GND
PHONO
CD
R
R
L
L