Roland Fantom-S88 User Manual
62
Creating a Patch
Matrix Control 1–4 Source
Sets the MIDI message used to change the tone parameter with the
Matrix Control.
Matrix Control.
Value
OFF:
Matrix control will not be used.
CC01–31, 33–95:
Controller numbers 1–31, 33–95
For more information about Control Change messages, please
refer to
refer to
“MIDI Implementation”
(Parameter List).
PITCH BEND:
Pitch Bend
AFTERTOUCH:
Aftertouch
SYS CTRL1–SYS CTRL4:
MIDI messages used as common matrix controls.
VELOCITY:
Velocity (pressure you press a key with)
KEY FOLLOW:
Key follow (keyboard position with C4 as 0)
TEMPO:
The specified tempo (sequencer tempo) or the tempo
of an external MIDI sequencer.
of an external MIDI sequencer.
LFO1:
LFO 1
LFO2:
LFO 2
PITCH ENV:
Pitch envelope
TVF ENV:
TVF envelope
TVA ENV:
TVA envelope
Velocity and Key follow correspond to Note messages.
• Although there are no MIDI messages for LFO 1 through TVA
Envelope, they can be used as Matrix Control. In this case, you
can change the tone settings in realtime by playing patches.
can change the tone settings in realtime by playing patches.
• If you want to use common controllers for the entire Fantom-S,
select “SYS CTRL1”–”SYS CTRL4.” MIDI messages used as
System Control 1–4 are set with the System Ctrl 1–4 Source
parameters (p. 190).
System Control 1–4 are set with the System Ctrl 1–4 Source
parameters (p. 190).
• There are parameters that determine whether or not Pitch Bend,
Controller Number 11 (Expression) and Controller Number 64
(Hold 1) are received (p. 61). When these settings are “ON,” and
the MIDI messages are received, then when any change is made
in the settings of the desired parameter, the Pitch Bend,
Expression, and Hold 1 settings also change simultaneously. If
you want to change the targeted parameters only, then set these
to “OFF.”
(Hold 1) are received (p. 61). When these settings are “ON,” and
the MIDI messages are received, then when any change is made
in the settings of the desired parameter, the Pitch Bend,
Expression, and Hold 1 settings also change simultaneously. If
you want to change the targeted parameters only, then set these
to “OFF.”
• There are parameters that let you specify whether specific MIDI
messages will be received for each channel in a performance (p.
90). When a patch with Matrix Control settings is assigned to a
part, confirm that any MIDI messages used for the Matrix
Control will be received. If the Fantom-S is set up such that
reception of MIDI messages is disabled, then the Matrix Control
will not function.
90). When a patch with Matrix Control settings is assigned to a
part, confirm that any MIDI messages used for the Matrix
Control will be received. If the Fantom-S is set up such that
reception of MIDI messages is disabled, then the Matrix Control
will not function.
CTRL Destination 1–4
(Matrix Control Destination 1–4)
(Matrix Control Destination 1–4)
Matrix Control Destination selects the tone parameter that is to be
controlled when using the Matrix Control. The following parameters
can be controlled. When not controlling parameters with the Matrix
Control, set this to “OFF.” Up to four parameters can be specified for
each Matrix Control, and controlled simultaneously.
controlled when using the Matrix Control. The following parameters
can be controlled. When not controlling parameters with the Matrix
Control, set this to “OFF.” Up to four parameters can be specified for
each Matrix Control, and controlled simultaneously.
In this manual, Parameters that can be controlled using the
Matrix Control are marked with a “
Matrix Control are marked with a “
★
.”
●
Opening and Closing the Filter
CUTOFF:
Changes the cutoff frequency.
RESONANCE:
Emphasizes the overtones in the region of the cutoff
frequency, adding character to the sound.
frequency, adding character to the sound.
●
Changing the Volume, Pan, and Pitch
LEVEL:
Changes the volume level.
PAN:
Changes the pan.
PITCH:
Changes the pitch.
●
Changing How the Effects Are Applied
OUTPUT LEVEL:
Changes the volume of output levels.
CHORUS SEND:
Changes the amount of chorus.
REVERB SEND:
Changes the amount of reverb.
●
Applying LFO to Modulate Sounds
LFO1/LFO2 PCH DEPTH:
Changes the vibrato depth.
LFO1/LFO2 TVF DEPTH:
Changes the wah depth.
LFO1/LFO2 TVA DEPTH:
Changes the tremolo depth.
LFO1/LFO2 PAN DEPTH:
Changes the effect that the LFO will
have on pan.
have on pan.
LFO1/LFO2 RATE:
Changes the LFO cycle rate. Changes the
speed of the LFO cycles.
speed of the LFO cycles.
* The speed will not change if LFO Rate is set to “note.”
●
Changing the Pitch Envelope
PIT ENV A-TIME:
Changes the Env Time 1 parameter of the pitch
envelope.
envelope.
PIT ENV D-TIME:
Changes the Env Time 2 and Env Time 3
parameters of the pitch envelope.
parameters of the pitch envelope.
PIT ENV R-TIME:
Changes the Env Time 4 parameter of the pitch
envelope.
envelope.
●
Changing the TVF Envelope
TVF ENV A-TIME:
Changes the Env Time 1 parameter of the TVF
envelope.
envelope.
TVF ENV D-TIME:
Changes the Env Time 2 and Env Time 3
parameters of the TVF envelope.
parameters of the TVF envelope.
TVF ENV R-TIME:
Changes the Env Time 4 parameter of the TVF
envelope.
envelope.
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