Alesis A6 User Manual

Page of 280
Chapter 8: Pre Filter, Post Filter and Voice Mixes
A
NDROMEDA 
A6 R
EFERENCE 
M
ANUAL
187
Signal Routing through the Filters
The 
PRE FILTER MIX
 outputs of 
OSC 1
 and 
OSC 2
 (along with their respective 
SUB OSC
signals), the 
RING MOD
 and 
NOISE EXT
 can be routed through the A6 using the
following procedures.
Please note that the 
PRE FILTER MIX
 output always goes to 
FILTER 1
 unless, of course,
FILTER BYPASS
 is on. The following procedures will inform you how to turn the
Filters on or off using their respective level knobs, as well as other Filter “mixing”
methods you’ll find useful.
Tip: For these examples, you can experiment with any of the components in 
PRE
FILTER MIX
: the procedures are applicable for any of them or all of them, should
you need to mix in levels of all four knobs.
For the component you select, turn its knob to its 2 o’clock position. This will
give you a moderate output level to work with. If you are trying out the VCOs,
you can also mix in their 
SUB OSC
s if you like by turning the knobs clockwise.
Check that the 
LEVEL
 knob in 
VOICE MIX
 is turned up and adjusted to provide a
comfortable listening level.
Last, turn down all the knobs in 
POST FILTER MIX
 as a starting point. The
examples that follow will tell you what knob to use when appropriate.
• To process external audio through 
FILTER 1
 only, turn up the 
FILT1 LP
 knob.
This causes 
FILTER 1
 to output its lowpass-filtered signal. To have the Filter
output other filtered signals – highpass, bandpass or notch – turn up their
respective knobs. (We’ll provide details on these controls under the 
Filter
Output Controls
 topic on the following page.)
To be certain that you’re only hearing 
FILTER 1
, make sure that the 
FILT2 LP
knob is turned fully counter-clockwise. This shuts off the output of 
FILTER 2
.
• To process external audio through 
FILTER 2
 only, press the 
F2 INPUT
 button
located on the front panel between the two Filters until the 
MIX
 LED lights.
This routes the output of 
PRE FILTER MIX
 into 
FILTER 2
. Then turn up the 
FILT2
LP
 knob and make sure that all the other knobs in this module are turned
down.
• To process external audio through filters in parallel, use the first two methods
together: when the 
MIX
 function is active, the output of 
PRE FILTER MIX
 flows
into 
FILTER 2
 independently of 
FILTER 1
. Use the 
FILT2 LP
 knob to control the
level. And since the output of 
PRE FILTER MIX
 is normally routed to 
FILTER 1
,
use any (or all) of the 
FILT1
 knobs to mix in the output of 
FILTER 1
.
This functionality of the A6 mixing system provides enormous flexibility: you
can independently mix the levels of two Filters complete with their own
RESONANCE
 levels, 
KEY TRACK
 amounts and modulation. You can even assign
a different envelope to one of the Filters for independent harmonic shaping.
• To process external audio through filters in series, press the 
F2 INPUT
 button
until either the 
NOTCH
 LED lights or the 
BP
 (bandpass) LED lights. When
either of these two LEDs are on, that means that the respective output of
FILTER 1
 will flow into 
FILTER 2
. Here are the details:
- When using 
NOTCH
 as the input, remember from Chapter 5 that the notch
in the 
FILTER 1
’s harmonic spectrum is created by using both lowpass and
highpass filtering together (page 118). The  input to Filter 2 is post-fader,
meaning that you can turn up the 
FILT1 LP
 and turn down the 
FILT1 HP
 knob
which effectively gives you a “
LOWPASS
” input instead of 
NOTCH
 as it is
labeled on the front panel. Conversely, you can turn down 
FILT1 LP
 and