Roland v-synth xt Owner's Manual
181
Effects List
Appendices
33: Vocal Multi
A limiter/de-esser, enhancer, 3-band equalizer, and delay are
connected in series.
connected in series.
A limiter holds down high signal levels to prevent distortion.
A de-esser cuts the sibilant sounds of a voice, producing a gentler tone.
fig.MFX-33
34: Guitar Multi
Guitar Multi provides Comp/Limiter, Overdrive or Distortion,
Chorus or Flanger, and Delay effects connected in series.
Chorus or Flanger, and Delay effects connected in series.
fig.MFX-34
Parameter
Value
Description
Limtr Mode
LIMITER, DE-
ESSER
ESSER
Selects whether the effect will func-
tion as a limiter or as a de-esser.
tion as a limiter or as a de-esser.
* If the Limiter Mode is DE-
ESSER, the limiter settings
are ignored. Conversely, if the
Limiter Mode is LIMITER, the
de-esser settings are ignored.
are ignored. Conversely, if the
Limiter Mode is LIMITER, the
de-esser settings are ignored.
Limtr Thresh-
old
old
-60–0 dB
Adjusts the level (Threshold
Level) at which the limiter will
begin to operate.
Level) at which the limiter will
begin to operate.
Limtr Release
#1
#1
0–127
Adjusts the time until when the lim-
iter will turn off after the input level
falls below the threshold level.
iter will turn off after the input level
falls below the threshold level.
Limtr Gain
-60– +12 dB
Adjusts the gain of the sound
that passes through the limiter.
that passes through the limiter.
DE Sens
0–127
Adjusts the sensitivity relative
to the input volume, which con-
trols how the effect is applied.
to the input volume, which con-
trols how the effect is applied.
DE Frequency
1000–10000 Hz
Adjusts the frequency at which
the de-esser effect will apply.
the de-esser effect will apply.
Enhan Sens
0–127
Sensitivity of the enhancer
Enhan Frequen-
cy
cy
0–127
Sets the lower limit of the fre-
quencies to which the enhance-
ment effect is added.
quencies to which the enhance-
ment effect is added.
Enhan Mix Lev-
el
el
0–127
Level of the overtones generated
by the enhancer
by the enhancer
Enhan Level
0–127
Volume of the enhancer sound
EQ Low Freq
50–4000 Hz
Frequency of the low range
EQ Low Gain
-15– +15 dB
Gain of the low range
EQ Mid Freq
50–20000 Hz
Frequency of the middle range
EQ Mid Q
0.5, 0.7, 1.0, 2.0,
4.0, 8.0
4.0, 8.0
Gain of the middle range
Set a higher value for Q to nar-
row the range to be affected.
Set a higher value for Q to nar-
row the range to be affected.
EQ Mid Gain
-15– +15 dB
Gain of the middle range
EQ Hi Freq
2000–20000 Hz
Frequency of the high range
EQ Hi Gain
-15– +15 dB
Gain of the high range
Delay Time
0–1300 ms, note Adjusts the delay time from the
direct sound until the delay
sound is heard.
sound is heard.
Delay Feedback -98– +98%
Adjusts the proportion of the de-
lay sound that is fed back into
the effect. Negative (-) settings
will invert the phase.
lay sound that is fed back into
the effect. Negative (-) settings
will invert the phase.
Low Damp Freq 50–4000 Hz
Adjusts the frequency below
which sound fed back to the ef-
fect will be cut.
The Low Damp function damps
the low frequency band of the
delay sound quicker than other
bands, which makes for a clearer
delay effect.
which sound fed back to the ef-
fect will be cut.
The Low Damp function damps
the low frequency band of the
delay sound quicker than other
bands, which makes for a clearer
delay effect.
Low Damp Gain -36–0 dB
Degree of Low Damp
3-Band
EQ
Limiter/
De-esser
L
R
Enhancer
Delay
Hi Damp Freq
2000–20000 Hz
Adjusts the frequency above
which sound fed back to the ef-
fect will be cut.
High Damp, by attenuating the
higher frequencies first, makes
the delay sound more natural.
which sound fed back to the ef-
fect will be cut.
High Damp, by attenuating the
higher frequencies first, makes
the delay sound more natural.
Hi Damp Gain
-36–0 dB
Degree of High Damp
Delay Level
0–127
Volume of the delay sound.
Parameter
Value
Description
Comp Sw
OFF, ON
Turns the comp/limiter on/off.
Comp Thresh-
old
old
-60–0 dB
Sets the volume level at which
the compression begins.
the compression begins.
Comp Attack
0–127
Sets the time after the sound vol-
ume is crossed the compressor
threshold until compression be-
gins.
ume is crossed the compressor
threshold until compression be-
gins.
Comp Release
0–127
Specifies the time from when the
volume drops below the com-
pressor threshold until com-
pression is no longer applied.
volume drops below the com-
pressor threshold until com-
pression is no longer applied.
Comp Ratio
1.5:1, 2:1, 4:1,
100:1
100:1
Sets the “source sound:output
sound” compression ratio.
sound” compression ratio.
Comp Gain
-60– +12 dB
Adjusts the output gain.
Distortion Sw
OFF, ON
Selects whether to use overdrive
or distortion.
or distortion.
Drive Mode
OD, DS
Selects whether to use overdrive
(OD) or distortion (DS).
(OD) or distortion (DS).
Drive
0–127
Degree of distortion
Amp Sim Sw
OFF, ON
Turns the amp simulator on/off.
Amp Type
SMALL,
BUILT-IN, 2-
STACK, 3-
STACK
BUILT-IN, 2-
STACK, 3-
STACK
Type of guitar amp
SMALL: small amp
BUILT-IN: single-unit type amp
2-STACK: large double stack
amp
3-STACK: large triple stack amp
SMALL: small amp
BUILT-IN: single-unit type amp
2-STACK: large double stack
amp
3-STACK: large triple stack amp
Distortion Level 0–127
Volume of the overdrive or dis-
tortion sound.
tortion sound.
Mod Mode
(Chorus /
Flanger)
(Chorus /
Flanger)
CHORUS,
FLANGER
FLANGER
Selects whether to use chorus or
flanger.
flanger.
Mod Rate
0.05–10.0 Hz,
note
note
Adjusts the speed of modulation
for the chorus or flanger.
for the chorus or flanger.
Mod Depth
0–127
Adjusts the depth of modulation
for the chorus or flanger.
for the chorus or flanger.
Parameter
Value
Description
Chorus/
Flanger
Flanger
Overdrive/
Distortion
L
R
Comp/
Limiter
Limiter
Delay
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