Adobe Production Premium, Win, ES 65054548 User Manual
Product codes
65054548
5
Adobe Creative Suite 5 Production Premium
What’s New
preserved all the way through Adobe Premiere Pro and Adobe Media Encoder to final delivery,
adding valuable production intelligence to your project. For example, having shot and script data in
each shot can help an editor assemble a rough cut more quickly.
adding valuable production intelligence to your project. For example, having shot and script data in
each shot can help an editor assemble a rough cut more quickly.
Import tapeless media formats directly into OnLocation CS5, logged with complete shot metadata.
RED Digital Cinema cameras capture extremely high-resolution raw files, enabling digital
production workflows that allow you to make image-processing decisions throughout the post-
production process. Adobe Premiere Pro CS5 provides full native support for RED R3D files,
allowing you to import them directly without transcoding, rewrapping, or installing additional
software. Because the files contain raw sensor data, you edit footage that is as close to what the
camera captured as possible, enabling you to work nondestructively on the color and look of your
projects. Work with content in all common RED R3D file permutations, including 2K, 3K, 4K, 4K
HD, 16x9, and 2x1, using a number of different frame rates. Best of all, the Mercury Playback Engine
enables real-time scrubbing and playback of RED R3D 4K and higher resolution files.
production workflows that allow you to make image-processing decisions throughout the post-
production process. Adobe Premiere Pro CS5 provides full native support for RED R3D files,
allowing you to import them directly without transcoding, rewrapping, or installing additional
software. Because the files contain raw sensor data, you edit footage that is as close to what the
camera captured as possible, enabling you to work nondestructively on the color and look of your
projects. Work with content in all common RED R3D file permutations, including 2K, 3K, 4K, 4K
HD, 16x9, and 2x1, using a number of different frame rates. Best of all, the Mercury Playback Engine
enables real-time scrubbing and playback of RED R3D 4K and higher resolution files.
The new RED Source Settings dialog box in Adobe Premiere Pro CS5 offers extensive control over
the look of RED RAW footage. Together with the ability to change color settings per clip, you can
save combinations of adjustments as custom presets that you can apply to clips.
the look of RED RAW footage. Together with the ability to change color settings per clip, you can
save combinations of adjustments as custom presets that you can apply to clips.
Get the best possible rendering from
RED RAW footage, preserve
maximum image quality by applying
nondestructive adjustments, and
achieve exactly the look you want
with the RED Source Settings dialog
box in Adobe Premiere Pro CS5.
RED RAW footage, preserve
maximum image quality by applying
nondestructive adjustments, and
achieve exactly the look you want
with the RED Source Settings dialog
box in Adobe Premiere Pro CS5.
What is metadata?
Video and audio assets are data—
information about those assets is
metadata. You can use metadata to
manage assets, make production
more efficient, streamline archiving
and retrieval, and ultimately help
make your content more engaging
and discoverable.
For example, video metadata can
manage assets, make production
more efficient, streamline archiving
and retrieval, and ultimately help
make your content more engaging
and discoverable.
For example, video metadata can
include technical settings such as
frame rate and aperture, as well as
when the footage was shot. Cameras
with GPS support may record meta-
frame rate and aperture, as well as
when the footage was shot. Cameras
with GPS support may record meta-
data about where footage was shot.
While technical data is often gener-
ated by cameras and other equip-
ment, you can enter other metadata
yourself, or production software
may create it for you. For example,
in Production Premium, Adobe
OnLocation can generate metadata
such as scenes, cast, and locations
from a story you import from Adobe
Story, a new CS Live online service*.
ated by cameras and other equip-
ment, you can enter other metadata
yourself, or production software
may create it for you. For example,
in Production Premium, Adobe
OnLocation can generate metadata
such as scenes, cast, and locations
from a story you import from Adobe
Story, a new CS Live online service*.
The component applications of
Production Premium support XMP
metadata, which means that you
metadata, which means that you
can use them to capture and embed
meaningful descriptions and titles,
searchable keywords, and copyright
searchable keywords, and copyright
information, using a format that is
easily understood by you as well
as by software applications and
as by software applications and
hardware devices. As an open-source
and extensible technology, XMP is
freely available to developers, and
provides industry partners with the
ability to easily create standards-
based, information-rich files that can
be the building blocks of optimized
workflow solutions.
ability to easily create standards-
based, information-rich files that can
be the building blocks of optimized
workflow solutions.