Marshall 1962bb User Manual
1. Level
Provides two different loop levels to suit the type of
effects connected to the series effects loop. The
higher level (+4dBV) suits rack processors and the
lower level (-10dBV) suits floor pedals.
higher level (+4dBV) suits rack processors and the
lower level (-10dBV) suits floor pedals.
2. Bypass
This switch completely bypasses the circuitry
involved in the effects loop to maintain absolute tonal
integrity.
integrity.
3/4. Effects Loop
To increase the flexibility of your amplifier further
you may choose to add external effects. The Effects
Loop allows direct connection of either floor pedals or
rack processors, with the level control (item 1)
providing the correct operating level.
Loop allows direct connection of either floor pedals or
rack processors, with the level control (item 1)
providing the correct operating level.
Usually effects involving distortion or Wah Wah
would not go through the loop, but between the guitar
and amp input. Time or modulation based effects
such as Chorus, Delay and Reverb are best suited to
the loop.
and amp input. Time or modulation based effects
such as Chorus, Delay and Reverb are best suited to
the loop.
The signal is sent out from the amplifier to the input
of your effects processor/pedal from socket 4 (Effects
Send) then from the output of the processor/pedal is
returned into the amp via socket 3 (Effects Return).
Send) then from the output of the processor/pedal is
returned into the amp via socket 3 (Effects Return).
5/6. Loudspeaker Outputs
These are for connection to an external load, i.e.
speaker cabinet(s). (See item 7).
Please refer to Important Safety Instructions, page 2.
7. Output Selector
Matches the amplifier’s output to the load
impedance.
With all-valve amplifiers it is imperative that the amp
is connected to a load whilst in operation and that the
impedance selected on the amplifier matches the total
impedance of the speaker cabinet(s) being used. For
example, if the amp is running into a single 16 Ohm
cab, the amp should accordingly be set to 16 Ohms.
impedance selected on the amplifier matches the total
impedance of the speaker cabinet(s) being used. For
example, if the amp is running into a single 16 Ohm
cab, the amp should accordingly be set to 16 Ohms.
If running into two 16 Ohm cabs, the amp should be
set to 8 Ohms. If running into two 8 Ohm cabs, the
amp should be set to 4 Ohms.
set to 8 Ohms. If running into two 8 Ohm cabs, the
amp should be set to 4 Ohms.
Failure to comply with these points will result in
damage to the amplifier.
Your amp should be completely powered down
before the selector is turned.
8. Mains Selector
Matches the amplifier mains transformer voltage to
the incoming mains voltage. Ensure that the rotary
Mains Selector is set to the correct mains voltage
applicable to the country where used. If you do not
know the mains input voltage contact your authorised
Marshall dealer.
Mains Selector is set to the correct mains voltage
applicable to the country where used. If you do not
know the mains input voltage contact your authorised
Marshall dealer.
Your amp should be completely powered down
before the selector is turned. Adjustment from
230/220V to 110V or vice versa will require the mains
fuse to be changed to the corresponding value as
detailed on the rear panel.
230/220V to 110V or vice versa will require the mains
fuse to be changed to the corresponding value as
detailed on the rear panel.
9. Mains Input
Your amp is provided with a detachable mains
(power) lead which is connected here. The specific
mains input voltage rating that your amplifier has
been built for is shown on the back panel. Before
connecting for the first time, please ensure that your
amplifier is compatible with your electricity supply. If
you have any doubt, please get advice from a
qualified person. Your Marshall dealer will help in this
respect.
mains input voltage rating that your amplifier has
been built for is shown on the back panel. Before
connecting for the first time, please ensure that your
amplifier is compatible with your electricity supply. If
you have any doubt, please get advice from a
qualified person. Your Marshall dealer will help in this
respect.
10. Mains Fuse
The correct value of mains fuse is specified on the
rear panel of the amplifier. Please refer to Important
Safety Instructions, page 2.
Safety Instructions, page 2.
11. H.T. Fuse
The correct value of H.T. fuse is specified on the
rear panel of the amplifier. Please refer to Important
Safety Instructions, page 2.
Safety Instructions, page 2.
SELECTOR
SELECTOR
MAINS
OUTPUT
MAINS INPUT
MAINS FUSE
T2A 230V
T4A 110V
H.T. FUSE
T500mA
MADE IN ENGLAND BY MARSHALL AMPLIFICATION PLC,
BLETCHLEY, MILTON KEYNES, ENGLAND.
CONNECT SPEAKERS BEFORE USE
OUTPUT: 50 WATTS RMS
WARNING!:
RISK
RISK OF
OF HAZARDOUS
HAZARDOUS ENERGY
ENERGY
AVIS!:
ENERGIE
ENERGIE ELECTRIQUE
ELECTRIQUE DANGEREUSE!
DANGEREUSE!
!
EFFECTS
LOOP
RETURN
BYPASS
LEVEL
SEND
+4dBV
-10dBV
BYPASS
ACTIVE
ACTIVE
110V
110V ~
~ 60Hz
60Hz
175
175 Watts
atts
SPEAKERS
MODEL: 1987X
1987X Rear Panel
1 2
3
4
5
6
7
8
9
10
11
6
5
1. Power Switch
On / Off Switch for mains power to the amplifier.
Please ensure the amplifier is switched off and
unplugged from the mains electricity supply before
being moved.
being moved.
2. Standby Switch
The Standby Switch is used in conjunction with the
Power Switch (item 1) to ‘warm up’ the amplifier
before use and to prolong the life of the output valves.
before use and to prolong the life of the output valves.
When powering up the amplifier always engage the
Power Switch (item 1) first. This allows the
application of the voltage required to heat the valves
to their correct operating temperature. After about 2
minutes, when the valves are up to the correct
temperature, the Standby Switch can be engaged.
Upon doing this the H.T. (High Tension) which is the
high voltage required by the output valves to pass
signal (and hence produce sound) is applied.
application of the voltage required to heat the valves
to their correct operating temperature. After about 2
minutes, when the valves are up to the correct
temperature, the Standby Switch can be engaged.
Upon doing this the H.T. (High Tension) which is the
high voltage required by the output valves to pass
signal (and hence produce sound) is applied.
To prolong valve life, the Standby Switch alone
should be used to turn the amplifier on and off during
breaks in a performance. Also, upon full power down,
always disengage the Standby Switch prior to the
main Power Switch (item 1).
breaks in a performance. Also, upon full power down,
always disengage the Standby Switch prior to the
main Power Switch (item 1).
3. Indicator
The Indicator will be lit when your amplifier is on
and will not be lit when the amplifier is switched off.
4. Presence Control
Adds higher frequencies to the guitar tone, creating
crispness and bite. Turning this up will make the
sound more cutting and ‘present’.
sound more cutting and ‘present’.
5. Bass Control
Controls the amount of low frequencies or bottom
end in your tone.
6. Middle Control
Dictates the middle register of the amplifier.
Turning this up will make your guitar sound fatter.
Conversely reducing the amount of middle in your
tone will result in a sharper and thinner guitar sound
for a more ‘scooped’ tone.
Conversely reducing the amount of middle in your
tone will result in a sharper and thinner guitar sound
for a more ‘scooped’ tone.
7. Treble Control
Controls the high frequencies of the guitar tone,
making your guitar sound brighter when increased.
(Note: The tone network is highly interactive and
altering one control can change the shape of the
sound in relation to the other tone controls.
Experimentation is the best way to achieve your
desired sounds.)
sound in relation to the other tone controls.
Experimentation is the best way to achieve your
desired sounds.)
8. High Treble Loudness 1
Controls the overall output level of Channel 1.
Note: This channel is voiced for a higher treble
response than Channel 2.
response than Channel 2.
9. Normal Loudness 2
Controls the overall output level of Channel 2.
Note: Channel 2 is voiced for normal response.
10. Input Jack
Connects the guitar to Channel 1.
Note: Though the first input of the first channel is
the input that most guitarists use, don’t be afraid to
experiment. Some guitar players prefer to mix the two
channels together by connecting a short, screened
patch lead between the second input of Channel 1 and
the first input of Channel 2. If you then plug your
guitar into the first input of
Channel 1 (item 10), you can mix
the different tonal characters of
each channel for greater
flexibility. (See diagram).
experiment. Some guitar players prefer to mix the two
channels together by connecting a short, screened
patch lead between the second input of Channel 1 and
the first input of Channel 2. If you then plug your
guitar into the first input of
Channel 1 (item 10), you can mix
the different tonal characters of
each channel for greater
flexibility. (See diagram).
11. Input Jack
Connects the guitar to the lower sensitivity input on
Channel 1.
12. Input Jack
Connects the guitar to Channel 2.
13. Input Jack
Connects the guitar to the lower sensitivity input on
Channel 2.
PRESENCE
BASS
MIDDLE
TREBLE
HIGH TREBLE
NORMAL
MAINS
ON
ON
STANDBY
LOUDNESS 1
LOUDNESS 2
INPUTS
1
1
2
2
0
2
8
6
4
10
0
2
8
6
4
10
0
2
8
6
4
10
0
2
8
6
4
10
0
2
8
6
4
10
0
2
8
6
4
10
MK
II
1959SLP & 1987X Front Panel
1
2
3
4
5
6
7
8
9
11
10
12
13
ENGLISH
ENGLISH
INPUTS
1
1
2
2
1959SLP & 1987X
EFFECTS
LOOP
SEND
BYPASS
LEVEL
RETURN
SELECTOR
MAINS
OUTPUT
MAINS INPUT
MAINS FUSE
T3.15A 230V
T6.3A 110V
H.T. FUSE
T1A
CONNECT SPEAKERS BEFORE USE
OUTPUT: 100 WATTS RMS
WARNING!:
RISK
RISK OF
OF HAZARDOUS
HAZARDOUS ENERGY
ENERGY
AVIS!:
ENERGIE
ENERGIE ELECTRIQUE
ELECTRIQUE DANGEREUSE!
DANGEREUSE!
!
SPEAKERS
SELECTOR
+4dBV
-10dBV
BYPASS
ACTIVE
ACTIVE
AND.
110V
110V ~
~ 60Hz
60Hz
375
375 Watts
atts
1959SLP Rear Panel
1 2
3
4
5
6
7
8
9
10
11