ONKYO DR-90 Instruction Manual
41
Adv
anced D
VD/VIDEO CD/
A
udio CD Operation
Output sound conversion tables
Symbols in the tables
• The symbols
a
and
c
are referred on the previous page and this page.
• The symbols
b
,
c
,
d
,
e
,
f
, and
g
are referred on page 59 in “Recording Using the Connected Equipment.”
Sound from the speakers
Sound signals from the Digital output connector and Analog output jacks
Discs
DVD
videos
Linear
PCM
Sound systems*
1
*
1
Some discs have more than one sound system and
can be selected (see page 39).
can be selected (see page 39).
*
2
You can change the conversion method temporarily
as described on the previous page, or permanently
using the setting menu (see pages 44 and 50).
as described on the previous page, or permanently
using the setting menu (see pages 44 and 50).
*
3
The digital signals will be converted through the D/A
(Digital-to-Analog) converter. When the digital signals
are being converted using higher frequency and
higher quantization, better analog signals will be
obtained.
(Digital-to-Analog) converter. When the digital signals
are being converted using higher frequency and
higher quantization, better analog signals will be
obtained.
Conversion methods*
2
VIDEO CDs
Audio CDs
DOLBY DIGITAL
48 kHz/16 bit
48 kHz/20 bit
48 kHz/24 bit
96 kHz/16 bit
96 kHz/20bit
96 kHz/24 bit
48 kHz/20 bit
48 kHz/24 bit
96 kHz/16 bit
96 kHz/20bit
96 kHz/24 bit
DTS
MPEG1
Linear PCM 44.1 kHz/16 bit
DTS
Discs
DVD
videos
Linear
PCM
Bitstream
Bitstream
Bitstream
Sound systems*
1
96k Sound
Bitstream
48 kHz/16 bit
Bitstream
Conversion methods*
2
VIDEO CDs
Audio CDs
Bitstream
DOLBY DIGITAL
DTS
DTS
48 kHz/16 bit
Converted to 44.1 kHz/16 bit
48 kHz/16 bit
kHz/bit when converting Digital Signals to
Analog Signals for Analog jacks*
3
96k Sound
48 kHz/20 bit
48 kHz/16 bit
48 kHz/20 bit
48 kHz/24 bit
96 kHz/16 bit
96 kHz/20 bit
96 kHz/24 bit
48 kHz/16 bit
48 kHz/20 bit
48 kHz/24 bit
96 kHz/16 bit
96 kHz/20 bit
96 kHz/24 bit
PCM
Conversion methods*
2
Digital output signals from
the DIGITAL OUTPUT OPTICAL connector
48 kHz/16 bit
48 kHz/16 bit
No signal is
output.
Converted to 44.1 kHz/16 bit
Converted in 44.1 kHz/16 bit
Converted in 44.1 kHz/16 bit
No signal
e
c
b
Bitstream
No Signal
Bitstream
DOLBY DIGITAL
48 kHz/16 bit
48 kHz/20 bit
48 kHz/24 bit
96 kHz/16 bit
96 kHz/20 bit
96 kHz/24 bit
48 kHz/20 bit
48 kHz/24 bit
96 kHz/16 bit
96 kHz/20 bit
96 kHz/24 bit
DTS
MPEG1
Linear PCM 44.1kHz/16 bit
DTS
96k Sound
DOLBY DIGITAL
48 kHz/16 bit
DTS
DTS
PCM
48 kHz/16 bit
No sound
DTS
d
a
f
No conversion
is made.
(Same kHz/bit as
the source)
Changing the DOLBY DIGITAL Sound
Format to the Digitally Recordable
Frequency (kHz)/Quantization (bit)
Format to the Digitally Recordable
Frequency (kHz)/Quantization (bit)
Change the sound signal conversion method to “PCM”
following the steps in “Changing the Sound Signal Conversion
Method Temporarily” on the opposite page.
following the steps in “Changing the Sound Signal Conversion
Method Temporarily” on the opposite page.
Referring to
c
in the table below, the DOLBY DIGITAL
Surround format will be converted into the 48 kHz/16 bit
format which is recordable.
format which is recordable.
DVD
PCM
48 kHz/16 bit
No signal
48 kHz/20 bit
48 kHz/16 bit
48 kHz/16 bit
48 kHz/20 bit
48 kHz/16 bit
48 kHz/20 bit
48 kHz/20 bit
48 kHz/16 bit
48 kHz/16 bit
48 kHz/20 bit
48 kHz/16 bit
48 kHz/20 bit
e
g
g
No conversion is made. (Same kHz/bit as the source)
No conversion is made. (Same kHz/bit as the source)
No conversion is made. (Same kHz/bit as the source)
No conversion is made. (Same kHz/bit as the source)