Adobe Premiere Pro CS5, Win, SP 65051355 User Manual
Product codes
65051355
5
Adobe Premiere Pro CS5
What’s New
4K HD, 16x9, and 2x1, using a number of different frame rates. Best of all, the Mercury Playback
Engine enables real-time scrubbing and playback of RED R3D 4K and higher resolution files.
Engine enables real-time scrubbing and playback of RED R3D 4K and higher resolution files.
The new RED R3D Source
Settings dialog box in
Adobe Premiere Pro CS5
offers extensive control
over the look of RED RAW
footage. In conjunction
with the ability to change
color settings per clip, you
can save combinations of
adjustments as custom
presets, which can be
applied to individual or
multiple clips. The controls
in the Source Settings
dialog box include:
Settings dialog box in
Adobe Premiere Pro CS5
offers extensive control
over the look of RED RAW
footage. In conjunction
with the ability to change
color settings per clip, you
can save combinations of
adjustments as custom
presets, which can be
applied to individual or
multiple clips. The controls
in the Source Settings
dialog box include:
• Debayer Detail. Vary the
level of detail extracted
from the image sensor
from the image sensor
• Chroma. Denoise the
red/blue channels
• OLPF Compensation.
Eliminate color Moire
fringes by controlling the
optical low-pass filter
(OLPF) that refines edge detail
fringes by controlling the
optical low-pass filter
(OLPF) that refines edge detail
• Maximum Bit Depth. Use this global setting to choose between 32-bit float and 8-bit
• White Balance. Manipulate Kelvin, Tint, and Saturation levels
• Timecode. Select the timecode track to use from the R3D file
• Color Settings. Adjust the ISO setting, exposure, red, green, blue, brightness, contrast, and
highlight levels
• Color Space. Select the desired color space from among Camera RGB for RAW, Rec 709 the
standard color space for HD, and REDspace that is a more saturated variation of Camera RGB
• Gamma Curve. Override the gamma curve selection using a number of preset gamma curves
• User Curve. Use a custom curve created by the camera operator
New DPX (Digital Picture eXchange) file import and export offers users the ability to natively
edit with 10-bit, uncompressed digital intermediate (DI) files. DPX provides a great deal of
flexibility in storing color and other information, making it a popular film output format. It is
also used for sharing projects between production facilities. In addition, DPX export gives you
the ability to output 4K content directly from Adobe Premiere Pro without having to go
through After Effects. (Previously, the recommended workflow for outputting high-resolution
RED projects was to send Adobe Premiere Pro sequences to After Effects where they could be
output as DPX, Cineon, or other 10-bit formats.)
edit with 10-bit, uncompressed digital intermediate (DI) files. DPX provides a great deal of
flexibility in storing color and other information, making it a popular film output format. It is
also used for sharing projects between production facilities. In addition, DPX export gives you
the ability to output 4K content directly from Adobe Premiere Pro without having to go
through After Effects. (Previously, the recommended workflow for outputting high-resolution
RED projects was to send Adobe Premiere Pro sequences to After Effects where they could be
output as DPX, Cineon, or other 10-bit formats.)
Get the best possible rendering from RED RAW footage, preserve maximum image
quality by applying nondestructive adjustments, and achieve exactly the look you
want with the RED R3D Source Settings dialog box in Adobe Premiere Pro.
quality by applying nondestructive adjustments, and achieve exactly the look you
want with the RED R3D Source Settings dialog box in Adobe Premiere Pro.